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INFOGRAPHIC: The Importance of Fog in Film

One of the most dramatic of all meteorological phenomenon is fog. It can be used to ratchet up tension, conceal terrifying creatures, and even provide important characters with a suitably dramatic entrance.  Spanning genres from horror to sci-fi, mist and fog are more versatile than mere set dressing.  This infographic from Vaping Man shares the importance (not forgetting the scare-factor) that fog brings to the silver screen.

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INFOGRAPHIC: The Best Movie Rooftop Confrontations

There are few things more scenic and compelling than a wide-open rooftop overlooking a sprawling urban landscape.  The perception of heigh and depth does it all.  Over the years, some iconic movie scenes have taken place on rooftops. Maybe it’s the risk of falling off, or the build-up to the inevitable showdown at the end. Here is an engaging infographic from Rubber Band on some of the best rooftop confrontations in movie history.

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INFOGRAPHIC: Stephen King in Film

No author has seen his work has seen his work made into more movies than Stephen King, with over 50 films originating from his writing.  However, not every movie was a success.  Courtesy of MoneyPod, enjoy this intriguing infographic on the cinematic successes and failures based on the works of Stephen King.

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CAPSULE REVIEWS: The 53rd Chicago International Film Festival

The 53rd Chicago International FIlm Festival brings over 1,000 films of all genres and sizes to our fair city.  There are premieres aplenty, between those making their world, North American, or Chicago debuts.  Opening with a red carpet premiere of Marshall, peaking with the centerpiece of Greta Gerwig’s Lady Bird, and closing with the Oscar contender The Shape of Water from Guillermo del Toro, the 53rd CIFF fills the AMC River East 21 for two weeks.  For the fourth year in a row, Every Movie Has a Lesson has been granted press credentials to cover the CIFF and here are my capsule reviews.

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MOVIE REVIEW: Liquid Truth

The discolored and dingy tile grout at the bottom of a swimming pool and the imagery effect of rippling water seen under the surface bending the images above perspective starkly symbolize the many warped dimensions of Liquid Truth.  The truth in the title is as slippery as the water in director Caroline Jabor’s simmering social commentary.  The film may be foreign from Brazil, but it typifies all too many social media ills that would explode in a parallel fashion here in this country.

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SHORT FILM REVIEW: Loyalty or Betrayal

By design and in the name of essential effectiveness, a good short film has to cut to the chase.  Their tricks of cinematic shorthand in the exposition department are what make them entertaining.  When the micro-budgeted Loyalty and Betrayal opens on the imagery of a man on his bedroom floor putting a gun to his forehead, a chase has certainly been cut.  Writer/director Jonathan Vargas grabs us right there and locks our gaze.

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MOVIE REVIEW: The Dunning Man

Inspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna.  Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.

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CAPSULE REVIEWS: The third annual Irish American Movie Hooley

The third annual Irish American Movie Hooley is happening this weekend at the Gene Siskel Film Center from September 29-October 1st.  This very writer and website was both lucky and honored to cover this event last year and has again been granted coverage access this year.  The event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres.  Here are my capsule reviews of the three films.  Get your Irish on at the Siskel Film Center this weekend!

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PREVIEW: The third annual Irish American Movie Hooley

The Gene Siskel Film Center will host the third annual Irish American Movie Hooley from September 29-October 1st.  This year’s event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres.   All screenings and events are at the Gene Siskel Film Center.  his very writer and website was both lucky and honored to cover this event last year and will again this year.  Stay tuned here for future capsule reviews and full reviews.  

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MEDIA APPEARANCE: Guest on the "Underrated Podcast" loving on "The Secret Life of Walter Mitty"

Two fine gentlemen of strong opinions that I've conversed with and debated often through my participation over at the Feelin' Film Podcast are Gabriel Green and James Hamrick, the creators and hosts of the "Underrated Podcast."  Their aim is field listener and guest selections of films that fit the underrated billing reflected either by low box office results or low critical review aggregate scores.  My pick and our show's topic was Ben Stiller's 2012 film The Secret Life of Walter Mitty.

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GUEST CRITIC #25: It

Emmanuel Noisette of Eman's Movie Reviews is an emerging film critic tackling both written and video reviews.  His YouTube channel is must-watch and automatic-subscribe material.  Emmanuel is one of the co-directors with me of the Chicago Independent Film Critics Circle. Between us two busy Chicago critics and working fathers, Emmanuel and I are orchestrating a trade of "guest reviews" for each other's sites.  Horror is not my cup of tea and he was all over It.

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MEDIA APPEARANCE: Guest on the "Page 2 Screen" podcast talking 20 years of "L.A. Confidential"

 I joined Jeff York recently as his guest for a special 20th-anniversary 35mm screening of 1997's Oscar-winning L.A. Confidential at the storied Music Box Theatre as part of the Noir City Chicago Festival.  As an added treat, author James Ellroy was in the house to kick things off with an expletive-laden bang.  After the screening, he and I hunkered down in Frio Gelato near the theatre to share our admiration and examination of Curtis Hanson's masterpiece.

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