It’s a pleasure to watch the reunited Ocean’s series co-stars work together again. Admittedly, the two screen legends are more fun when they are at each other’s throats early on in Ticket to Paradise than later when they are cuddled closer together by rekindled circumstances. You root for the competitive one-upmanship more than the softening comeuppance their characters have coming. For a while, there is a sizzling and infectious comedic burn to their verbal clashes and invasions of personal space that wane with time. Who knew getting nicer would sap a little of the enjoyment?
Read MoreTill is a heartbreaking and meaningful film presented almost entirely through a mother’s point of view. Any mother of any background will tell you that one of, if not, the most ever-present emotions is worry. Debilitating considerations and worst case scenarios often percolate and betray otherwise happy thoughts and sweet moments. All too often, it’s a mental gear that cannot be easily turned off. One of those flustering pauses begins the film and an agonizing tone for Till is set right away.
Read MoreStay the Night plays out smarter than the usual rom-coms or “one wild night” movies of thrust-together strangers. Like its lead woman, it is reserved and far more realistic with its urban sauntering. In different and disinterested hands, the floozy-plus-dreamboat formula would be in full effect. There would be some zany impossibility or preposterous monkey wrench thrown into the narrative for excitement’s sake. All the conflict you need is right here–between its ears, in its beating heart, and within the held hands–of this gratifying and understated film.
Read MoreLike other semi-casual Vietnam war movies that have come before it, the action comedy journey of Oscar winner Peter Farrelly’s The Greatest Beer Run Ever streaming on Apple TV+ reaches a momentum where it has to switch gears. Inevitably, the happy-go-lucky circumstances have dissolved away to the honest truths and horrors of war. That’s a hell of a shift to pull off. The success of the movie boils down to when and how it executes or fails that course correction.
Read MoreThe controversial new film Blonde swirls surreal cinematic brushstrokes meant to express the hushed nightmares beyond the celebrity dreams of Norma Jean Mortenson and compose a reminiscent and heartbreaking portrait of the legendary star. The audiences’ applause of adoration is replaced by cries of anguish and pain often unseen by anyone. It is those tears that paint this film. For better or worse, those tears are what you now remember more than the smiles when it comes to Marilyn Monroe.
Read MoreNow, the varnish swirls with the dreamy deja vu vibes that are all over that old standard. In many ways, those two main verses of “Where or When” tell you all you need to know about the encroaching mystery to come. By the time Don’t Worry Darling calls back to “Where or When” again during its kaleidoscopic end credits, a smoky aftermath is exhaled from the intoxicating effects of the song and the film.
Read MoreOf all the subjective or objective metrics that get bandied about when rating a film, one of the more powerful traits that can make up for shortcomings is a movie’s inspirational effect. An impassioned audience with stirred emotions is very forgiving. Many large and small aspects about Gina Prince-Bythewood’s The Woman King could be debated or exposed as flaws. In the end, they will not matter. The story being told and the dedication collected to tell it carry weight greater than the art or craft.
Read MoreSo much of Confess, Fletch feels like a wiser-than the norm throwback against the hefty audience quadrant that will always prefer the louder, action-ified punch of the James Bonds and Jason Bournes of the world over a journalist gumshoe. If that crowd can slow down for a smaller and smoother ride, they will find mental thrills equally clever to the pop of blockbuster stunts that fade as quickly as they explode.
Read MoreThrough impressive performances from Support the Girls star Regina Hall and This is Us Emmy winner Sterling K. Brown, Honk for Jesus. Save Your Soul has caricatures so believable that they transcend the winking-at-the-camera trope with vivid potency. There’s another level of “commitment to the bit.” We, the audience are not normally supposed to believe what we see from the characters but, with these two, we buy it.
Read MoreEven now at 76 years old, long past his own peaks and valleys, Sly remains a proven talent and beloved favorite. Nothing will probably break that or ever take that away. Nonetheless, this writer feels like “You still got it!” respect towards Stallone, as a complete performer, is still worth acknowledgment. Thanks to the Rocky and Rambo series, most go straight to the muscles. The special thing is Samaritan shows how much Sylvester Stallone still offers as an actor that has nothing to do with the ripped physicality that made him famous.
Read MoreIt would be really easy for a movie like Breaking, tip-toeing in the Dog Day Afternoon direction, to turn up the brightness of the pariah spotlights and crank up the volume on the injustice pulpit loudspeakers. That’s not so here. Director Abi Damaris Corbin resists the temptations to pound messages and shout showy monologues. He and his screenwriting partner Kwame Kwei-Armah uphold the simple and poignant principles that were at hand with this true story and on the central figure’s mind during a fateful July day in 2017.
Read MoreAnyone who’s watched an MGM movie for a century has heard the majestic pop of a lion’s roar. That’s all well and good, but the part that’s even better is the growling lead-up. The guttural purr of a lion is all-natural, distinctive, and menacing. The sound is an evocative draw and an arresting warning at the same time. It’s a precursor to danger. You hear it and your human instincts go off like fireworks because, as a wise character in Beast says, if it’s between you and the lion “it is not a fight you are designed to win.”
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