Put the atlas away and send the stenographer on vacation. For this one, you’re going to need a Ouija board, a witch doctor, a semester’s worth of Disney+ homework, and either a giant Ambian or the PASIV machine from Inception to join the dream party. OG Spider-Man trilogy director Sam Raimi stuffs this movie with all of his signature garish monstrosity that can fit under a PG-13 rating. Prepare to be dazzled and prepare to be dizzy as well.
Read MoreWhen it comes to entertainment value versus artistic value, much can be forgiven about a film when its heart is in the right place. Beginning as a romantic comedy, The Sound of Violet has a beginning premise that veers very much into a cloying territory. Once the drama of its chosen realities thicken and the laughs no longer come easy, its sense of correction can feel quite heavy-handed. Normally, such an imbalance would be the death knell for a movie. Somehow, the openly hemorrhaging sweetness of The Sound of Violet grants a few critical pardons.
Read MoreThat Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.
Read MoreSerendipitously so, the opposite becomes the case. That line, among many others that follow, could sneakily summarize the FilmRise Sundance darling Marvelous and the Black Hole. Little wonders and big feelings percolate, intersect, smear, and overwhelm a collection of very unique yet relatable people in this film, and the effects could not be more touching and soul-stirring. For folks willing to seek it out in limited theaters, a rewarding hidden gem awaits you.
Read MoreGood movie fans know horror movies come in all shapes, sizes, and, most importantly, descriptors. The newest mini-odyssey from the Chicago-based Splatter Brothers filmmaking team, Darcy Collis, lives up to and stamps those three possible measurements. The shape is something reality-based. The size is that of a short film. Best of all, the descriptor of choice for this writer out of all the possibilities is “chilling.”
Read MoreWritten and directed with a galaxy’s worth of love by Richard Linklater, Apollo 10½: A Space Age Childhood may be one of the most rich and endearing “back in my day” yarns you will ever find. The proud Texas filmmaker has long embraced time capsule motifs and his suburban upbringing throughout his career. Bringing back his layover rotoscope animation style, Linklaker presents the point of view of a pre-teen daydreamer during 1969, one of the most influential years in American history.
Read MoreMark Wahlberg, a notable devout and practicing Catholic, considers Father Stu a bona fide “passion project.” The soon-to-be 51-year-old actor learned about the life of Father Stuart Long from two priests over lunch in 2016 and co-financed the film to existence. Sometimes when actors put their money where their mouth is and stake their reputation on a story they truly believe in, good things happen. This is one of those good things.
Read MoreThe Daniels writing and directing team of Daniel Scheinart and Dan Kim (Swiss Army Man) apply surrealism that zips and zings to an extreme level in creating a very domestic multiverse movie that subverts superhero motifs. All the dazzlement laid before the audience funnels levels of familial love more connective and invincible than any costumed paragon from a bigger movie. To absorb this exhilarating and passionate flurry, you will need far more than 10% of both your brain and your heart.
Read MoreThe cold hearts, jealous places, and mental battles of Deep Water slip into near despondency without a resonating grip. When it’s all said and done, the movie is not violent enough for HBO, not sexy enough for old school Cinemax, not polished enough for a major studio release, and not shocking enough for Netflix’s water cooler buzz desire to ensure a subscriber spike. That’s an embarrassing end result of mediocrity.
Read MoreMaybe Fresh’s exotic menu is not a good place for that “no thank you bite.” However, please, please, pretty please with sugar on top, only apply that very fair dismissal to the controversial cuisine on display and not the actual movie. You would be missing a very interesting movie, one you might laugh at or become scared to death to experience. That sensation is worth its morsel of escapism.
Read MoreIn other movies of this type, the whizzy sci-fi often becomes the place where all money, effort, and speed was spent, shortchanging any balance of patience to highlight characters or create tangible emotions. Going back to the likes of Real Steel, Date Night, the Night at the Museum series, and Free Guy on his resume, Shawn Levy has established a proven forte at producing shining and human sources of wonder next to the dashing delights. He’s made another crowd-pleasing and heart-filling winner here with The Adam Project.
Read MoreThe good storytellers at Pixar take all the possible cringeworthy “red” jokes and mask them through creatively conceived metaphors that soften the obligatory embarrassment with heart, humor, and courage. After all, to the Chinese culture on display in Turning Red, the potentially frightening shade of crimson counts as a lucky color of vitality, success, and happiness. Leave it to the ever-reliable Pixar to swim freely within that intrinsic good fortune as they so often do.
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