This past week, I was invited and welcomed back to The Cinescope Podcast, hosted by Chad Hopkins. With appreciation for its zest and its history, Chad and I shared our love for Andrew Stanton’s 2012 Disney adventure John Carter. It was an excellent chat. This was my third time on Cinescope after previous episodes on E.T the Extra Terrestrial and The Karate Kid. I look forward to the next chance to join Chad. Enjoy the podcast! Listen or download below!
Read MoreThis is going to sound like a spoiler, but no pining suitor or their smitten match says “I love you” in The Photograph. Canadian filmmaker Stella Meghie weaves two passionate romances connected yet separated across a generation within her film and those magic words don’t come out. Know immediately and imploringly how this is far from a dealbreaker. If anything, the restraint away from such a plain statement becomes more stimulating and resounding than ever thought possible.
Read MoreYowzers, that’s one long subtitle. What an interesting choice of terms too. There’s emancipation signaling “the act of being freed.” And then you have fantabulous as its adjective slinging its slang of “remarkably good.” That extra announcement goes from silly to proper in consecutive words. When it comes to the movie being sold, ahem, excuse me, presented, proper is nowhere to be found when the silly is everywhere. There is certainly fun to be had, but to shoot to fantabulous is going to count as overselling and the liberation most desired will be to escape this fever dream.
Read MoreAaron White and Patrick Hicks of the Feelin' Film Podcast were offered the chance to review Sgt. Stubby: An American Hero from animator and voice actor Jordan Beck. With its educational aims, the two brought me in to be the third man and the teacher voice in their interview with Mr. Beck. The three of us loved the film, its values, and its themes. It was a please to speak with Jordan, who couldn’t have been more gracious and accomodating! Take a listen to the episode here or below:
Read MoreThe filmmakers and artists at Fun Academy Motion Pictures answered that line of questioning the best way it ever can be: with a true story. Even better, they do so with a dog, in a humdinger of a tale far beyond a click-bait or “stop me if you heard this one” trivia that needs to be seen to be believed. Sgt. Stubby: An American Hero proves beyond a shadow of a doubt that authenticity always earns appreciation. It’s even better when it resonates. This movie earns both. Discover something astonishing and adorable at the same time.
Read MoreThey may not get much attention when they’re not made by Disney and not appearing in front of their animated tentpoles, but the artistry and creativity is alive and well in the field of animated short films. This year’s five nominees for the 92nd Academy Award are some of the most stark and unique entries I’ve seen in the years I’ve been able to cover the annual best. Below are my capsule reviews of this year’s final five for Best Animated Short. Naturally, my niche of life lessons are included. Like the documentaries and live-action shorts in other Oscar categories, the animated films are presently collected in a single program to watch on the big screen at Landmark Theatre locations nationwide, including the three venues here in Chicago.
Read MoreTo rightly thumb its nose at the historically warped expectations of young ladies, Troop Zero may not be high-minded cinema. What it is, however, is high-hearted entertainment. That calls for trite covered in treat. Put this movie in front of any girl, hell, any kid period, that’s been demeaned about their differences or forced to conform to supposed societal standards. Let them watch this movie, smile, and stitch their own sash or freak flag to be proud of.
Read MoreAll the while, here is Alfre Woodard staring holes through the most leaden armor. If the Oscars were to come calling, and they should if they had any sense, it would be Alfre’s first nomination in 37 years (Cross Creek) and her first leading one. Her hefty performance steps deeper into the accumulating difficulties that have come to beset the unflappable leader she portrays. Her character has to show collapse, but the performer never falters her requirements. Alfre is beyond compelling in taking on all of the destructive darkness this character envelopes around us all.
Read MoreThere is a certain steadiness to Destin Daniel Cretton’s new film that pushes back those gaudy tendencies. Its central real-life figure Bryan Stevenson is not the firebrand type most legal movies typically adore and request. Played by Michael B. Jordan, in a fitting and matured leading role for the muscled actor, Stevenson is not made to be something he is not. His real-life story and iron will principles are not smudged just to show a little pizzazz for the sake of pizzazz.
Read MoreZoinks, does this movie have vigor! For those folks who constantly lament that there is nothing original and interesting to watch anymore in this multiplex marketplace of creative bankruptcy, look no further than the minor challenge of following Korean subtitles. The sly guile simmering behind the decadence of Parasite exceeds any trope one thinks that possible assign to this film. This is your jaw-dropper. This is your water-cooler winner. This is the one that will keep people talking for a long time.
Read MoreThey may “play for the same team,” if you will, yet there is a rhetorical battle of divine wills and egos. Sizing each other up, there is zero agreement between the two, who could not be farther apart philosophically, politically, or personally. But, to see the respect, oh my, the respect, being shared is like a balm of hopeful covenant all its own. Powered by two impeccable performances, there is truly something marvelous to see these powerful men reach a true “meeting of the minds.” The Two Popes is available now streaming on Netflix after a brief theatrical run.
Read MoreDiving deeper beyond the basic “something that is final” meaning, the dictionary of this galaxy describes “finality” as “conclusiveness,” “decisiveness,” or “an ultimate act, utterance, or belief.” J.J. Abrams’ massive space opera follows his own The Force Awakens and Rian Johnson’s The Last Jedi to aim so very badly for those traits. In many peaks of scope and emotion, his movie achieves such finality. In others, overindulgence and disarray put question marks on the value or vindication of all this promised fulfillment.
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