Even as a little movie that most aren't going to see, let along hear of, "'71" enters my scorecard as the first great film of 2015. This is one is going to get remembered all year on this website. It will make the half-way "Best of 2015 (so far)" list in late June and will hang around until the year-end. Like my fervent love of "Whiplash," I may have found another hidden gem to stump for.
Read MoreAmerican Westerns have become a lost art and a dying breed. So much has been done that it's hard to find a fresh take. If you have felt that loss and need a jolt, an extremely taut and good homage to the American Western has emerged in "The Salvation," playing now in limited release and Video on Demand, from Danish filmmaker Kristian Levring. Headlined by Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, and Jonathan Pryce, the film moved the needle a bit during the 2014 film festival circuit, including a pair of screenings at the 50th Chicago International Film Festival last October (where yours truly caught the ride).
Read MoreThe title robot at the center of "Chappie," the latest science fiction film from Neill Blomkamp ("District 9" and "Elysium") lacks the qualities to become anywhere close to one of the best movie robots of all time. Both the film and the robot lack impact, presence, purpose, distinction, and, worst of all, uniqueness. It's a shame too because there were some intriguing "big ideas" floating around in "Chappie" that could have developed into something that had the chance to be impactful, purposeful, distinct, unique, and resonating.
Read MoreWhen was the last time you saw Will Smith have fun in a movie or when do you last remember you yourself having fun at a Will Smith film? My answer is "Hitch" and that was 10 years ago. It's been too long to be able to say that. Thanks to "Focus," we don't have to ask that question anymore. As my fellow film critic peer Tim Day would say, Will Smith just got his swagger back and it's a breath of fresh air. Oh how much we missed it!
Read MoreWhen a strikingly and surprisingly good movie musical does comes around and impress, the only thing to do is shout and sing its praises from the proverbial mountaintops, just as the main characters would have the proclivity to do. Well, we've got one right here, so cover your ears, and hear me roar! "The Last Five Years," the adaptation of Jason Robert Brown's Off-Broadway hit, is a new movie musical that makes this website's handful list of true gems and delightful keepers. This is the real film the date movie crowd should be seeking out this Valentine's Day weekend instead of the whips-and-chains-handcuffs of some certain monochromatic thriller. This film simply soars in every way!
Read More"Jupiter Ascending" is an utter mess of missed opportunity and misguided world-building. Just as with a majority of science fiction movies, the visual panache is present in astounding detail. That, once again, is the easy part. Unfortunately, none of it (and I mean none of it), is created with purpose or direction that becomes compelling and stirring to you as the audience. None of its creative ingredients work to earn your investment, acceptance, attention, or even your basic comprehension.
Read MoreAs beautifully presented as Mike Leigh's "Mr. Turner" is at telling the story of English Romanticist painter J.M.W. Turner, too much of it is uninteresting, familiar in tone, and predictably in execution. What normally can save a film about an artist is the subject's life beyond his or her work. An interesting person can make up for the uninteresting content. Though led by a invested performance from character actor Timothy Spall, "Mr. Turner" can't muster enough of that to separate itself as something special.
Read More"Selma," whose name echoes the history being told, is one of those films that gets history right, honors it, entertains you without sacrificing the real thing, and moves you to no end. Anchored by an amazing lead performance from David Oyelowo as Dr. Martin Luther King, Jr., "Selma" has the ability to break and shatter the hardest of souls, thicken your pulse, and devour your tissue box. The experience is entirely worth all of that trouble. Best of all, it earn that emotion from you. Dare I say, "Selma" might be even better than last year's Best Picture winner "12 Years a Slave." That's the level of impact we're talking about.
Read MoreThe scope of this year's slate of biographical films culminates with "Unbroken," the story of Olympian and World War II veteran Louis "Louie" Zamperini. Of all of this year's biopics, this is the one with the highest profile that you've been hearing about for the better part of two years. This is the one getting the widest release, right here on Christmas Day. This is the one with the most continuous Oscar hope since the end of last year's Academy Awards. Even on this very website, in an editorial of long-range Oscar picks for 2015, on the day after the 2014 Oscars, I handicapped and predicted "Unbroken" as the most likely eventual Best Picture frontrunner. Was all of the hype and all of the anticipation rewarded? Would it rank a success or a failure as a biographical film?
Read More"The Theory of Everything" elected for the safe side of risk as a biographical film. Adapted from "Travelling to Infinity: My Life with Stephen," the memoirs of Jane Wilde Hawking, the first wife of renowned theoretical physicist Dr. Stephen Hawking, by New Zealand playwright Anthony McCarten, the film is the second feature effort from Oscar-winning documentary filmmaker James Marsh ("Man on Wire"). To its credit, "The Theory of Everything" takes decidedly different route than one would expect from a documentarian telling the life story of a world-famous scientist.
Read MoreIf you haven't heard of "Still Alice," I advise you to trust this spoiler-free review and skip the trailer entirely. It's a beautiful preview, but it skews context, tips its hand, and gives away far too much. Based on the 2007 novel of the same name by neuroscientist and writer Lisa Genova, "Still Alice" was first adapted as a stage play at the Lookingglass Theatre in Chicago in 2013. The directing and writing team of Richard Glatzer and Wash Westmoreland crafted it into a feature film. "Still Alice" premiered at the Toronto International Film Festival in September and has increased facial tissue sales ever since with a full release still to come. Learn the gist from here and let the film unfold before you.
Read MoreWith Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.
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