The banter and B.S. traded back and forth between Alex Murphy and Chris Walley is as hysterical as it is pleasurably uncouth. It’s an absolute wonder to realize that The Young Offenders is mutually their first on-camera film roles. Alex and Chris’s chemistry through sarcasm and shared shenanigans feels and looks effortless. Flabbergasted energy blasts out of both of them and it’s a hoot to watch. Seeing the two young actors operate these over-the-top losers with reckless abandon while still injecting a little coming-of-age heart for good measure, makes the film highly entertaining.

2017, 2016, 3 STARS, Chicago Film Festival, Foreign Film, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanOctober 3, 2017Gene Siskel Film Center2017, The Young Offenders, Children's Act of 2001, Urban Dictionary, Knacker, Alex Murphy, Chris Walley, hijinks, Dominic MacHale, Shane Casey, Hilary Rose, Trainspotting, Danny Boyle, Conor MacSweeney, Jock Murphy, Euro, Peter Foott, Irish, Ireland, Ireland films, films set in Ireland, Irish American Movie Hooley, Irish films, Irish-themed films, Irish American films, 2 Gingers Irish Whiskey, Hibernian Transmedia, Movie Hooley, Gene Siskel Film Center, Siskel Film Center, Mike Houlihan, CIFCC, Chicago Independent Film Critics Circle, 3rd annual Irish American Movie Hooley, movie critic, film critic, foreign film, independent film, independent films, heist films, coming of age, movie review, film review, movie commentary, film commentary, Festival coverage, festival preview, closing night, comedy, life lessons, life lessons from film, life lessons from movies, life lessons from films, life lessons from foreign films, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Emerald City

I know it’s the clickbait haven of Buzzfeed, but this list of jobs well-known celebrities had before they hit it big is pretty humbling and eye-opening at the same time. Once the millions roll in and we see the red carpets and flash bulbs, we forget the lucky breaks and hard work it took to get there, and that for every one of those matinee idols a thousand never make it. Upon seeing Emerald City at the 3rd annual Irish American Movie Hooley, I’ll gladly raise my glass in hopes that Colin Broderick’s minimum wage days are over.

2017, 2016, 4 STARS, Chicago Film Festival, Film Festival, Independent FilmDon ShanahanOctober 3, 2017Gene Siskel Film CenterColin Broderick, Emerald City, Buzzfeed, Irish American films, Irish American Movie Hooley, Irish, Irish-themed films, Irish films, 2017 Irish American Movie Hooley, 2 Gingers Irish Whiskey, Gene Siskel Film Center, Siskel Film Center, John Keating, Boardwalk Empire, John McConnell, The Departed, John Duddy, Hands of Stone, Rachel Broderick, Jacqueline Kealy, independent films, independent film, foreign film, foreign films, CIFCC, movie critic, film critic, Movie Hooley, 3rd annual Irish American Movie Hooley, Mike Houlihan, film reivew, film review, movie review, film commentary, movie commentary, life lessons, life lessons from films, life lessons from movies, life lessons from film, hardscrabble, New York City, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Hibernian TransmediaComment

MOVIE REVIEW: The Dunning Man

Inspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna. Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.

2017, 3 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEW, Social MediaDon ShanahanSeptember 28, 2017Gene Siskel Film Center2016, 2017, The Dunning Man, Irish, Irish films, Irish-themed films, Irish American films, Irish American Movie Hooley, 2017 Irish American Movie Hooley, 3rd annual Irish American Movie Hooley, Ireland, Ireland films, 2 Gingers Irish Whiskey, Hibernian Transmedia, Movie Hooley, Gene Siskel Film Center, Siskel Film Center, Opening Night Film, Mike Houlihan, Atlantic City, Dun, James Carpinello, Gotham, Tom Kemp, Manchester by the Sea, Luke Cage, Queen Sugar, Green Zone, Nicoye Banks, Langston Fishburne, Dawn-Lyen Gardner, Matthew Rimmer, Scott Oakley, Kevin Fortuna, Michael Clayton, Petr Cikhart, San Jose Film Festival, Hoboken Film Festival, Emerald Loop Bar, film review, movie review, film commentary, movie commentary, film critic, movie critic, CIFCC, Chicago Independent Film Critics Circle, life lessons, life lessons from film, life lessons from films, life lessons from movies, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

CAPSULE REVIEWS: The third annual Irish American Movie Hooley

The third annual Irish American Movie Hooley is happening this weekend at the Gene Siskel Film Center from September 29-October 1st. This very writer and website was both lucky and honored to cover this event last year and has again been granted coverage access this year. The event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. Here are my capsule reviews of the three films. Get your Irish on at the Siskel Film Center this weekend!

PREVIEW: The third annual Irish American Movie Hooley

The Gene Siskel Film Center will host the third annual Irish American Movie Hooley from September 29-October 1st. This year’s event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. All screenings and events are at the Gene Siskel Film Center. his very writer and website was both lucky and honored to cover this event last year and will again this year. Stay tuned here for future capsule reviews and full reviews.

MOVIE REVIEW: The Villainess

The opening number makes the single-take climax fight with Charlize Theron in Atomic Blonde look like a box waltz lesson from an elementary school gym class. The woman is the reckless assassin Sook-hee, played by Ok-bin Kim of Thirst, and the scene ends with a hint of a deranged smile of glee. The Villainess spins with dynamic energy of wanton mayhem and operatic displays of graphic violence when the talking stops and confrontations begin.

MOVIE REVIEW: Viceroy's House

The most superlative aspect of Viceroy’s House and its chronicle of national history for the countries of India and Pakistan is the personal passion behind the project. Bend it Like Beckham and Bride and Prejudice director Gurinder Chadha is the granddaughter of family displaced by the largest migration of people in recorded human history that occurred during the Partition of India of seventy years ago. There is an undeniable core of importance and respect present in the film that shows the great care of Chadha and all involved.

2017, 2 STARS, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanSeptember 11, 2017Landmark Century Centre Cinemas2017, 2017 Fall Movies, Viceroy's House, Gurinder Chadha, Bend it Like Beckham, Bride and Prejudice, Partition of India, Pakistan, Bangladesh, Louis Mountbatten, Hugh Bonneville, Gillian Anderson, Lily Travers, Hastings Ismay, Michael Gambon, Jawaharlal Nehru, Tanveer Ghani, Muhammad Ali Jinnah, Denzil Smith, Mahatma Ghandi, Neeraj Kabi, Manish Dayal, The Hundred-Foot Journey, Huma Qureshi, Gangs of Wasseypur, Ben Smithard, A.R. Rahman, Rashtrapati Bhavan, Lee Daniels' The Butler, The Butler, Romeo and Juliet, Shakespearean, film review, movie review, film commentary, movie commentary, foreign film, India, World War II, Dominion of India, life lessons, life lessons from film, life lessons from films, life lessons from movies, historical drama, romantic dramas, film critic, movie critic, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Crown Heights

Director Matt Ruskin’s Crown Heights presents a true story incarceration as it happened to an innocent man. Just when you think two undue years awaiting trial are shameful enough, it turns into twenty over the course of four presidencies and 99 tidy minutes. To tell the story of Colin Warner is to tell a story shared by too many thousands of other wrongfully incarcerated people within the U.S. prison system.

SHORT FILM REVIEW: The Other Place

Dashes of kink and horror mix within Lee Amir-Cohen to create moments of shock and heat shared with Amanda Maddox in the short film The Other Place. The star, who also writes and directs this short, has crafted something creepily captivating in front of and behind the camera. Contracted properly as a short film that leaves you wanting more, this shot glass of venom is a properly measured jolt.

MOVIE REVIEW: The Long Night of Francisco Sanctis

In a terse 80 minutes, The Long Night of Francisco Sanctis locks its suspenseful build and holds your attention. Open-ended as it is, the film could have employed additional time to hammer its points home and offer a payoff. However, it’s minimal surface and suddenness feels intentional to mirror the mysterious fates that befell so many people of this era. Quietly powerful, the effect and feeling are convincing.

MOVIE REVIEW: Logan Lucky

The buzzing North Carolina public within the film Logan Lucky dub the central robbery a “hillbilly heist” and an “Ocean’s 7-11” perpetrated by “redneck robbers” and “Hee Haw heroes.” With diegetic puns like those being thrown around, how could you not be entertained by Steven Soderbergh’s first feature film in four years? It’s almost an invitation to pile on. How does “clodhopper caper” sound? What about “Podunk pilfering” or “backwoods buffoonery?” I’ll settle for “hayseed hijinks.”

MOVIE REVIEW: The Glass Castle

Mulling over the many layers and events of Destin Daniel Cretton’s film adaptation of Jeanette Wells’ memoirs The Glass Castle, I keep coming back to the same essential question: "Who am I to judge someone else's life story or life choices?" If the real Jeanette Wells is able to make peace with the events of her childhood, how can I, or anyone, tell her she's wrong? The answer is we can’t (and shouldn’t) and that’s a hurdle not everyone has shown to be prepared for or able to separate from critique.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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