MOVIE REVIEW: BFFs

While watching a film about dysfunctional relationships, regardless of its drama or comedy slant, one cannot help but measure their own relationship against the examples they are observing on screen. The judgmental reactions, either spoken or unspoken, cannot be contained. To capitalize on that drawing power without going to far, frankness and believability become key. Debuting on VOD on June 3, the film festival favorite "BFFs" can call those two storytelling essentials allies and welcomes the fun of esteem-boosting judging.

CAPSULE REVIEWS: The 4th Chicago Critics Film Festival

The Chicago Critics Film Festival is currently in action at Chicago’s historic Music Box Theatre and runs until May 26th. The festival offers a selection of films comprised of festival favorites and pre-distribution sneak peeks from around the country and world. The CCFF is in its fourth year and is programmed by the Chicago Film Critics Association. I was granted press credentials to cover this year's slate. With so many pre-release debuts, full reviews for the films often have to be held until their formal release. In the mean time, check back here to this article for my capsule reviews of what I soak up. I will update this as I add films this week!

MOVIE REVIEW: The Lobster

With intentionally languid brushstrokes, "The Lobster," from Greek director Yorgos Lanthimos in his English language debut, creates a challenging moral setting that twists the realities and consequences of two human conundrums and fears: What happens when you are single and what happens when you die. His muse at the center is Colin Farrell in arguably the most understated performance of his career. With more talent and a high concept at play, "The Lobster" is missing the charm to tie it all together.

DOCUMENTARY REVIEW: June Bride: Redemption of a Yakuza

"June Bride: Redemption of a Yakuza" presents an international alternative to the Scared Straight programs that have become a fascination here in the United States. No, not this one (though enjoy a quick laugh), but prison initiatives like those chronicled in A&E's popular "Beyond Scared Straight: Success Stories. Rather than bombard subjects and audiences with fear, one man in Japan finds faith to be the greater answer.

MOVIE REVIEW: High-Rise

"High-Rise," starring Tom Hiddleston, is a strongly constructed blend of experimental science fiction with colossal political and social commentary. The layers of symbolism, analogy, and allegory are as tall as the building itself. There is a richly disturbing and dark fascination in observing how all of this frivolity comes crashing down in unpredictable and unlimited disaster.

MOVIE REVIEW: Dough

If you take one look at the doctored-up theatrical poster for the independent film "Dough," you might get the impression of an absurd weed romp to come. Very quickly within John Goldschmidt's film, you will see the depth behind the film's comedic costume. For better or worse, "Dough" is a strong mentor-mentee film that just happens to have a special funny ingredient in its cooking that adds wrinkle and flavor.

MOVIE REVIEW: Elvis & Nixon

Combine the oft-used expression "a picture is worth a thousand words" with the idiom "a fly on the wall," and you will have the contagious vigor that is "Elvis & Nixon." The most famous loose collar in the land meets the most-buttoned up Commander-in-Chief of this generation in a comedy of jovial possibilities. There is better-than-good chance that not a lick of "Elvis & Nixon" is true, but that doesn't ruin the fun of examining a documented moment of star-crossed brevity.

MOVIE REVIEW: The Playground

In "The Playground," ominous storytelling speaking of kingdoms, favor, covenant, cleansing, and benevolence using a "Jack and Jill" analogy spoken by a mostly unseen middle-aged man to a girl alone on a titular schoolyard comprises the auspicious start to a societal microcosm hanging in the balance. Director Edreace Purmul's intriguing new film and second feature dives towards such high-minded territory of dark omens. "The Playground" recently won Best Film honors from Film Consortium San Diego at their 2016 San Diego Film Awards.

MOVIE REVIEW: Louder than Bombs

"Louder than Bombs" is the English language debut of Norwegian director Joachim Trier and his writing partner Eskil Vogt, best known for their 2006 Academy Award-nominated foreign language film "Reprise." Their newest work was a competitor for the Palme d'Or at the 2015 Cannes Film Festival, Norway's first since 1979. Possessing a compelling rotation of inner monologues, the heavily dramatic film observes a fractured family of men dealing with the overhanging aftermath of losing their iconic matriarch.

MOVIE REVIEW: Coming Through the Rye

2016 Phoenix Film Festival special presentation

With full disclosure, this very writer is an absolute sucker for a satisfying "coming-of-age" film. Their youthful themes keep us young and sway our sensibilities to reflect on our own lives, no matter our age. Admirable coming-of-age films are always welcome, but the exceptional ones deserve to get shouted from the mountaintops. James Sadwith's "Coming Through the Rye" recently won Best Film and Best Screenplay honors at the 2016 Phoenix Film Festival. This infatuating dramedy earns that special distinction of exceptionality and warrants all of the volume one can muster.

MOVIE REVIEW: Born to Be Blue

Any savvy film fan should know that first-rate musical biography films are less about the music and more about the artist. The music becomes extroverted accompaniment to the introverted human elements behind the persona. Presenting a career-best performance from Ethan Hawke, "Born to Be Blue" earns its place as one of the best jazz movies to grace the screen. The film is an impressive creative step forward for Canadian director Robert Budreau in just his second feature-length effort.

MOVIE REVIEW: Midnight Special

In the Merriam-Webster Dictionary, the adjective form of "special" can be defined as "held in particular esteem" and "readily distinguishable from others in the same category." For a film to earn that distinction it has to do more than have the word in its title, as is the case with the Jeff Nichols film "Midnight Special." It has to possess exemplary qualities to revere that enable it to stand out from its peers. As one of the most striking, imposing, and spell-binding original science fiction films in recent memory, "special" is fitting trademark for "Midnight Special."

EVERY MOVIE HAS A LESSON

by Don Shanahan

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