Early on in Tetris, Taron Egerton’s main character Henk Rogers shares an admission with his furious boss about why he put himself into greater financial debt to back an unknown video game from The Soviet Union he stumbled upon at a consumer electronics show in Las Vegas. Leaning over and speaking low with clear eyes relaying bewilderment, he talks about seeing those soon-to-be iconic blocks still falling in his dreams hours and days after playing the game. Memories fill Tetris viewers, and they immediately picture the exact same thing.
Read MoreAs a feature film, Boston Strangler finds itself buried in the massive snowbank of true crime content available. Eager viewers have a buffet of binge-able rabbit holes, available in long and short forms, on dozens of channels and platforms at home. Held up against that docu-drama marketplace, a traditional two-hour fictionalized yarn playing in theaters feels nearly trite and tame by comparison, even if it dabbles with and challenges a theory or two about who really perpetrated these murders.
Read MoreEvery now and then, I get tabbed as the published film critic to contribute ideas on a movie-related question or topic for other websites. Recently, I feel like I was profiled for a second signature trait of mine. The publishers for NaturalTransplants.com must have seen my social media profile picture featuring a shorn head because they pitched me to name my Top 5 iconic bald movie characters. I’m not kidding when I say that I’ve had that exact list in mind for a while, so I couldn’t resist the assignment.
Read MoreThrough small world happenstance, I’ve come to know hosts Mike Osborn and Curtis Menke of the irreverent and laugh-filled podcast “Let’s Talk About Flix.” They are two college classmates split across Illinois, and I was introduced to them through a high school classmate of mine, who is cousins with Menke. I caught on to them early in their run, and they have been appointment listening ever since. On the side, I recruited them to join the Chicago Indie Critics group that I co-direct. I was honored to be asked on as their first-ever guest for their “guilty pleasures” month. For that excellent theme, I brought them 1997’s Anaconda.
Read MoreMany of those conspiracy theories are precisely outlandish enough for savvy Hollywood screenwriters to find pithy movie premises for an eternity. The truly fun part is that any single theory, with the right spin, could be crafted and played as a either comedic farce or a terrifying thriller with equal entertainment potential. With 88, filmmaker Thomas Ikimi, better known as Eromose, takes a rich conspiracy concept and runs with it.
Read MoreFrankly, a polished movie like this one, from the clean sets to the ominous Clint Mansell score, would have been relished in that fondly remembered mid-1990s marketplace of star-driven movies marketed for adults. Mature and malicious while skirting the line with a dash of kink, movies like Sharper don’t get made enough nowadays. Enjoy its casual boldness.
Read MoreFrom Spencer Tracy and Sidney Poiter, forward to Ben Stiller and Robert De Niro, and even to the likes of Ashton Kutcher and Bernie Mac, you’ve seen the interesting proposition of You People and its kind of entertaining clash before. Though it was made in 2021 and bears the label of 2023, You People is about a decade late to its own civics rally. The topicality has come and gone. Kenya Barris’s film arrives almost immediately wrapped in a time capsule, one that few will meaningfully open in years to come without more significance to recognize and remember.
Read MoreDeep down, all movies are passion projects for the people that make them. Sometimes, it is difficult to see that passion come through fully in the finished film. Uninspired moments, pretentious indulgences, shortcuts of effort, or even the limits of ambition will dilute the fervor of how the given movie came to exist. To that end, the rarer feat is a film that never, even for a second, loses or runs out of its passion. S.S. Rajamouli’s RRR is one of those special movies.
Read MoreThose layers, baked in by director Daryl Wein (How It Ends), present a small, but very commendable maturity and restraint from the norm. Characters with tangible messiness about them are still pausing to think with their heart and head equally. That relatability brings about romantic possibilities in Something From Tiffany’s that spark with stronger potential connections than the short burst of superficial fireworks based on mere looks. Enjoy that little diversion on Amazon Prime.
Read MoreSex sold then and it still does now. Go ahead and say it. D.H. Lawrence rolled in the hay so the likes of E.L. James could bang on posh furniture. Even so, both authors love that touchy-feely F-word. Watching an enlivened adaptation of Lawrence’s firebrand prose today– debuting on Netflix December 2nd and directed by The Mustang’s Laure de Clermont-Tonnerre– reminds us that sexual awakenings are still valuable, and, best of all, desirable.
Read Moreby Kevin Faber
Sunset Boulevard is, deservedly, one of the most iconic films ever made. Unfortunately, since the movie is over seventy years old, many people don't know a lot about this masterpiece. Therefore, here is an in-depth review of the fifties classic Sunset Boulevard.
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