Posts in ADVANCE MOVIE REVIEW
MOVIE REVIEW: Dark Phoenix

Whereas Days of Future Past was a face-lifting and jump-starting franchise savior, Dark Phoenix following X-Men: Apocalypse has become the moment of collapse. And it’s not solely because Fox was bought by Disney. Simon Kinberg and company have run out of juice to tell an interesting story sufficiently after multiple chances. When you watch this new movie and actually miss the gaudy theatrics of X-Men: The Last Stand because it at least tried, that’s a very surprising and telling thing.

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MOVIE REVIEW: Godzilla: King of the Monsters

After Gareth Edwards rebooted the legendary Japanese sea monster for a modern audience with a stern seriousness and hefty scope that destroyed all previous campiness connected to the character, this Michael Dougherty-helmed follow-up burns up all of that renewed credibility right away within the first half-hour on through to the exhausting end. Where’s the blame? That would be the humans because the behemoths really come out to play. Bad quippy comedy, nonsensical plot trappings, and unimportant character inclusions are the true weaknesses that defeat these monsters.

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MOVIE REVIEW: Still Human

Those lines are a screenwriter’s dream of created sentiment. As doubtlessly as it could sting a nose on its directness, the moment squeezes tear ducts easily too. In this case, the sincerity is earned by Still Human’s meaningful journey and the dedicated performances of the leads. Director Oliver Siu Kuen Chan’s debut feature is the epitome of the genuinely genteel washing crassness away. The spirit-affirming foreign entry debuts locally in Chicago for a run at the Gene Siskel Film Center starting on May 13th.

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MOVIE REVIEW: Avengers: Endgame

Reeling in the wake of the perfect set-up of Avengers: Infinity War and answering every ounce of hype, Avengers: Endgame has accomplished following the moviemaking miracle of 2012’s first team-up film with another. All of the prodigious forethought and fortitude has paid off. Avengers: Endgame is not a pivot point, but a grand finale eleven years in the making. True to the blueprint, it is hard to imagine a more gratifying and rewarding summit.

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MOVIE REVIEW: Breakthrough

Too often nowadays in our headline-seeking and attention-starved society, that first definition of “miracle” is stretched and overused to the point of hyperbole, right there next to other words like “epic” and “masterpiece.” There are places where effectiveness has been lost. That second definition calling for divine intervention is a doozy. It calls for higher piety. Well, good believers love divine challenges and so does this Breakthrough starring Chrissy Metz.

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MOVIE REVIEW: Shazam!

Shazam! might be the new exemplar for the word “zany.” What is fantastical and ludicrous was just what was needed for this DC Comics material. Zachary Levi’s schtick of superpowered shenanigans becomes the epitome of both the adjective and the noun variations of that choice word. Zany is the bullseye of Shazam! and, boy, is that all kinds of satisfaction. Go get that satisfaction synonym list next.

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MOVIE REVIEW: Finding Steve McQueen

Finding Steve McQueen carries the boasting superlatives of the detailing the “largest bank heist in U.S. history” and, according to director Mark Steven Johnson, one of “the greatest stories never told.” Don’t expect a film of that kind of scope and size. This is a big crime orchestrated by small people who think they are bigger than they really are. The year is 1972 and the illegal act is the United California Bank Robbery.

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MOVIE REVIEW: The LEGO Movie 2: The Second Part

Matching the classic plastic building toys themselves, reinvention is as easy and frequent as the twist of one of their rainbow-hued blocks if one is prepared for it. Projecting that life’s simplicity through its dazzling style of presentation, The LEGO Movie 2: The Second Part is another sparkling escapade of accepting and approachable entertainment.

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MOVIE REVIEW: Vice

With more dismissive scowls than joking winks, thinly veiled outrage outweighs the drink-clinking humor in Adam McKay’s film presenting a biography of one of the least favored men in American political history. Hazy in some moments, hasty in others, and always provocative, Vice is easily the most polarizing film of the year. The movie is not unlike Cheney’s own aim with a shotgun, hitting and missing plenty with occasional collateral damage.

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MOVIE REVIEW: Bumblebee

Plenty of loud-and-dumb still comes out of Bumblebee, but at least the pompous hubris and sophomoric fixations that fuel it are exchanged for those three missing elements of tone, character, and heart. The charming zeal of this revisionist prequel stands as the beacon signal to welcome back those who wrote this series off (including this very writer) years ago.

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MOVIE REVIEW: Aquaman

Bounding over land and sea across the oceanic globe, Aquaman is a bona fide comic book adventure with all the proper melodrama, pathos, heroics, and world-building amplified to a fantasy level of the highest order. James Wan’s crowd pleaser is a gushing rush of dazzling entertainment fully aware of its challenge to wash away decades of misplaced opinions and intentions. Enjoy bringing these action figures into a really big bathtub of flavored popcorn. For as fantastically cheesy as this movie is, its brassy and glossy pull is quite surprising.

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MOVIE REVIEW: Roma

That unfortunate fate could not be farther away from a film like Alfonso Cuaron’s Roma. For all of those possible extrapolations of commitment and dedication taking place within the craft of filmmaking, you may never, not this year and maybe several more after, see a more intimate artistic expression than this powerful and personal film. To the man making Roma, this film is special. To those viewing it, this film is important. To the art it serves, this film could be a potential masterpiece.

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