In true Ghostbusters fashion, the climax of this long-distance sequel Ghostbusters: Afterlife is enveloped in foreboding dark clouds. People either cower at their sight or take initiative to save the day and the greater world. Those haunted thunderheads and the characters making those resolute choices might as well symbolically match the judgment and dread that’s building for this holiday blockbuster. Some folks are going to find rainbows, which may or may not be made out of proton streams, in those clouds and others will just see a swirling mess.

2021, 3 STARS, MOVIE REVIEWDon ShanahanNovember 18, 2021Ghostbusters, Ghostbusters: AfterlifeComment

EDITORIAL: "Oscar and Lucinda" Movie Review

Production companies in the film industry have found great success in rebooting and reimagining classic films over the years, with certain titles like Cleopatra having been remade on numerous occasions. When it comes to masterpieces that are deserving of a remake, the original film must have been popular, and a new version needs to offer a sense of nostalgia for viewers. There are a few gems out there that could undergo this treatment, with Oscar and Lucinda perhaps being a strong option to suit modern audiences.

2021, 3 STARS, Editorial, Home MediaDon ShanahanNovember 12, 2021Comment

MOVIE REVIEW: Spencer

Try as she may, though, I look at the woman playing Princess Diana, even with all the clear personal commitment, and all I see is Kristen Stewart. Thanks to her own natural twitches under her blonde helmet of hair, Stewart’s same agape expressions and same exasperating line deliveries land a lip bite or two away from showing us it’s more her than who’s she playing.

2021, 3 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 4, 2021Comment

MOVIE REVIEW: Eternals

The grandiose convergence of mythic themes is all the talk of Eternals. It not so softly preaches the specialness of the planet and its people in the larger realm of existence where the exchange of energy at the end of one life begins another. Such heady motivations, coupled with heroism, is a lovely core away from the usual costumed good vs. evil throwdowns, but it’s very, very profuse, complete with all of the intergalactic gibberish in between.

2021, 3 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanOctober 29, 2021AMC River East 21Eternals, Chloe ZhaoComment

MOVIE REVIEW: Last Night in Soho

All of the nimbleness from swimming in time-bending nightmares gets washed away by a present with little mystery to match. It’s odd to call an Edgar Wright film somewhat slow in pacing, yet here we are feeling drag when the pizazz is either turned off or soured by the ickiness. A level of extra oomph and shock is missing for the viewer. What was sensationally painted to linger doesn’t get the fullest chance to stain and sear more than just pretty clothes.

2021, 3 STARS, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEWDon ShanahanOctober 28, 2021AMC River East 21Comment

MOVIE REVIEW: Dune

All can be asked in a simpler way. Can the melodramatic be made mythic and can the gaudy be made truly grand? Do that and you’ve got the fans and the newbies. Denis Villeneuve’s Dune moves a great many things in spectacular fashion: sand, swords, aircraft, plots, necks, eardrums, eyelids, and more. For all its triumphant fury, what Dune doesn’t move is the heart. That is the unconquered core barrier that remains unshaken. Golly, do we ever have a jaw-dropping and cold movie!

2021, 3 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, MOVIE REVIEWDon ShanahanOctober 20, 2021Music Box TheatreComment

MOVIE REVIEW: The Last Duel

It is also through her side of the story, clearly a huge product of Holofcener’s storytelling contributions, where the historical behaviors in The Last Duel accurately yet problematically fly against our still-evolving modern attitudes. While Scott’s film may follow the charted multiple perspectives of Jager’s well-researched novel, folding its painful and triggering trauma three times makes for an exorbitant and unsettling movie experience.

MOVIE REVIEW: Dear Evan Hansen

With full support and participation of the original book author and playwright Steven Levenson, Dear Evan Hansen is Stephen Chbosky’s movie and I, for one, refuse to argue with that. Could the film version have been a star-making chance to pass the proverbial torch to another, younger performer? Sure, but when the original is so good and capable, why take away that opportunity? What did you want Chbosky to do? Digitally de-age Ben Platt digitally like Martin Scorsese? Come on.

2021, 3 STARS, MOVIE REVIEWDon ShanahanSeptember 23, 2021Dear Evan HansenComment

MOVIE REVIEW: The Eyes of Tammy Faye

WebMD will tell you that selective listening involves “consciously or unconsciously choosing to listen to what is relevant to you and ignore what isn’t.” Marinate on that for a moment, especially the second part, and then apply that notion to the talking heads and one-track minds of the spiritually devout you see leading cameras and congregations of people with loose wallets and even looser gullibility. That’s the misplaced morality at the center of Michael Showalters’ The Eyes of Tammy Faye.

2021, 3 STARS, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanSeptember 19, 2021Comment

MOVIE REVIEW: Black Widow

Slotted with a self-important story to tell that takes place after the events of 2016’s Captain America: Civil War, this prequel arrives with a better-late-than-never party invitation of hype. Boasting some of the best melee work in a Marvel film, Black Widow belongs on the big screen and displays gratifying action sequences that rightfully highlight powerful females worthy of the spotlight. It also belonged in front of our eyes five years ago and not now. There is an unshakable magnitude of foregone conclusions that curtail the upper tier of potential excitement.

2021, 3 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEW, StreamingDon ShanahanJuly 2, 2021Comment

MOVIE REVIEW: Edge of the World

Edge of the World chronicles the story of James Brooke’s emergence as the first White Rajah of Sarawak on the Malaysian island of Borneo during the middle of the 19th century. The adoptive leader became the inspiration template for authors Rudyard Kipling and Joseph Conrad and their respective far-off adventure stories of The Man Who Would Be King and Lord Jim.

2021, 3 STARS, Independent Film, Home Media, MOVIE REVIEW, StreamingDon ShanahanJune 17, 2021Comment

MOVIE REVIEW: Cruella

Cruella tosses that “psycho” term and label around flippantly, even with its successful motivation to be interesting and darker than the usual live-action works from the Mouse House. It offers a villainess to believe in, but what does that say to audiences? Swinging for sympathy towards the amoral could have amounted to the same mistake as Maleficent seven years ago. Luckily, the conniptions and confrontations of “Emma vs. Emma” are damn fun. There’s a welcome place to relish in their wickedness.