Here’s the rub though. For “hi-jinks ensue” to work and live up to its promise, you need strong and effective events to come before and after when that phrase is planted. Have a weak setup and the absurdity of hi-jinks after can feel like a jolting improvement or tail-spinning crash. Have a great setup and the hi-jinks that follow can either evolve or devolve the auspicious start. This “one wild night” romp of The Lovebirds has about half of each measure in that balance.
Read MoreThat name brings forth a gusher of overplayed stereotypes and caricatures. If you think you’re going to see the decadence of the historical figure’s prime, you’ve come to the wrong movie. If you think you’re going to see another Ben Gazzara or Bob De Niro galavanting as the king of his own court, you’ve come to the wrong movie. If anything, Josh Trank intentionally and subversively pushes back against the romanticized urban legend of “Scarface,” “Big Al,” “Big Boy,” “Snorky,” and “Public Enemy No. 1.”
Read MoreLet’s just say it. The subgenre of redneck crime films is a messy place. The “black hat” is almost always a crazy SOB engaged with a less crazy SOV “white hat.” Slickness is replaced by stains. Dazzle is replaced by dinge. Calling any of them “sagas” is too much credit and heft. Unless you’re the Coen brothers (and even if you’re them too), spicing up this slow-and-low movie barbecue takes some of that absent slickness and dazzle injected into either the filmmaking or storytelling departments, or both.
Read MoreReaching those bold heights of bracing social commentary, it is fair and complimentary to call Joe Robert Cole’s movie more important than entertaining. Mark that goal as accomplished. The Black Panther co-writer uses not a drop of sugarcoating in his first directorial effort in nine years. The brutality against the hearts in All Day and a Night hurts more than harm subjected to any flesh. In that regard, it is also fair to question the place and mentality of this movie’s bravery during a current civil climate where negative racial examples do not need more perpetuation. That is an uphill battle without a welcoming core to embrace.
Read MoreCall this a meandering musing, but it’s a tad quizzical how far apart the definitions of “mercy” and “mercenary” are despite their beginning spellings. There is not harming someone you have power over versus a soldier paid to fight for money. You won’t find those two words supporting the old “one hands washes the other” expression. Nonetheless, here in the new Netflix Chris Hemsworth vehicle Extraction one could wring a towel dripping with the unexpected mix of blood and suds. That makes for a messy and albeit entertaining proposition on the wiggle room to have mercy in a mercenary.
Read MoreI am starting to become convinced that there will never be a movie wedding that goes off without a hitch, as they say. It’s cinematically impossible not to have something, anything, or everything go wrong. But, that’s the fun of all those movies, including the new Netflix film Love Wedding Repeat. There is always comedy to be had when a springboard event of enduring love can survive in every cringe, surprise, fumble, flub, and fail executed by the doting newlyweds on down to the drunk ne'er-do-wells.
Read MoreBig as a billboard in some places and as small as a mobile ad in others, the marketing imagery of Star Wars: The Rise of Skywalker touts the tagline “The Saga Will End.” There’s something to be said for finality, especially with a 42-year-old franchise as venerated and cherished as this one. The virtues of remembrance, culmination, gratification, and other such lofty notions loom so much larger when an entity is billed to be the last of something important. The movie in disc form hits store shelves everywhere today.
Read MoreBehind every political monster has a staff of underlings who have stories to tell and permanent stains on their resumes. More often than not, unless they are a featured mouthpiece or the eventual public whistle-blower, we don’t really see these people, even when we know they are there. Across the guarded podiums, pushy microphones, and invasive cameras are also the faceless by-lines of cub reporters trying to break stories and make a name for themselves. They too are dependent on the grinding political machine. Run This Town gives faces and voices to unfortunate minions and nobodies tied to the late and former mayor of Toronto mayor Rob Ford.
Read MoreIt is very relevant and very opportune how the true-to-life main character’s last name fittingly became a perfect title for this kind of movie. Call it telling. Call it fate even. One could also call it a warning. Burden is as dramatic and uncomfortable as the many layers of the namesake word itself. The winner of the U.S. Dramatic Audience Award at the 2018 Sundance Film Festival finally makes its theatrical bow nearly two years after its praised debut.
Read MoreLike it or not, there’s something carnal and entirely compelling about voyeurism. From trainwrecks to Peeping Toms, gazes can be easily fixated by the energy of those moments. There is an addictive draw that can be interest, mystery, surprise, titillation, or all of the above. The invasive level of wrongness in watching something you are likely not meant to see is measured by what one is doing or getting out of these observations. That’s a bit of the hook of The Night Clerk which allows a little gray hue on that potential wrongness.
Read MoreDiving deeper beyond the basic “something that is final” meaning, the dictionary of this galaxy describes “finality” as “conclusiveness,” “decisiveness,” or “an ultimate act, utterance, or belief.” J.J. Abrams’ massive space opera follows his own The Force Awakens and Rian Johnson’s The Last Jedi to aim so very badly for those traits. In many peaks of scope and emotion, his movie achieves such finality. In others, overindulgence and disarray put question marks on the value or vindication of all this promised fulfillment.
Read MoreBy the time the exhalation of the final minute of those 210 is reached, Frank remains in that same setting. Age has done its job on him and us in the audience. The sizzle has been squelched and the thrill is gone. The exquisite ruminations on display for over three hours build The Irishman into what feels like a conclusive coda for all of the veteran artists involved. Yet, the meandering pace of what all transpires reverberates with a slender essence no better than a hospice bedtime story.
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