The movie is unafraid to shift ways to see and feel beauty, even through—and especially through—artificial sources. What makes her happy makes him happy, and not the over-traditional other way around, and that simple stance speaks volumes. Wicker’s lifts given to a woman’s independence and the proper devotion a spouse should give their partner create harmony sorely missing in the world.
Read MoreThe sentiment and pattern of the letters morphs from targeted malice to liberated venting, and begins to float as both. And, it’s all likely coming from marginalized female citizens who never have the stump or permissive opportunity to speak their mind or exorcize their frustrations in an honest way, let alone a shamelessly crude one. Wicked Little Letters develops enough expressive clout with its mystery to be more about the voices being found than the rumors being circulated.
Read MoreTo quote the well-worn expression used in many frank judgments of character, “I didn’t think he had it in him.” Be ready to color yourself surprised. Thanks to heightened stakes and those aforementioned honest themes, Puss in Boots: The Last Wish gallups beyond the flashy shell of a cash grab sequel opportunity for Dreamworks Animation. This valuable new journey massages and improves the mettle of this excellent character without losing a whisker of derring-do.
Read MoreTo press that feeble aesthetic further, the dramatic soap of Empire of Light is that everyone is cleansed when lovely cinematic journeys push viewers and servants alike to go out and get the life they want. Movie theaters are indeed an oasis of culture, a safe haven for friendship, and a shared glue of communal experiences. Can movies unlock repressed emotions for Hilary or improve her attitudinal state? Maybe and maybe not, but it’s quaintly nice to think so.
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