Society of the Snow is what this writer calls a “thank your lucky stars” movie. It depicts the kind of true story experience that is frighteningly unfathomable to comprehend. You watch it constantly trying to determine what you would do in the characters’ places and reach an overwrought point where all you can do is, hence the nickname, “thank your lucky stars” you didn’t have to go through what you saw on-screen echoing history. The survival you watch fuels and trumps your own.
Read MoreFor better or worse, Poor Things is a movie of unsavory urges and scratched itches that pull the viewer down a pernicious drain of unconscionable behavior. There is a dark comedy buried in the muck of Poor Things that curdles to the surface in the final third as our strong female becomes the master of her own fate, body, heart, and business. Stone sells it at every turn. Still, at many points, one will wonder whether all of the absurdity will amount to something exotic or vapid.
Read MoreThis lovely approachability in a fabulous package should come as no surprise for a film directed by Paul King of two cherished Paddington films and co-written by his series partner Simon Farnaby. With little motif tingles of the old signature “Pure Imagination” melody percolating in Talbot’s score before the Chalamet’s rendition of the full song closes the film, Wonka builds a respectful and winsome bridge from the future to the past.
Read MoreJust like the first film that crescendo-ed with the Oscar-nominated “Can’t Stop The Feeling,” the high point of Trolls Band Together arrives with its signature song “Better Place.” It’s sung first by the combined cast during the plot while *NSYNC takes over for the full version over the closing credits. It’s an earworm of a pop ditty and siren’s song for the moms and dads. If “Better Place” were any catchier, it would be made of Velcro, require a multi-stage emergency vaccine, and required to be gloved by MLB All-Star J.T. Realmuto.
Read MoreNYAD is the film adaptation of that incredible feat recounted in Diane’s autobiography Find a Way. Four-time Academy Award nominee Annette Bening is playing the title subject alongside two-time Oscar winner Jodie Foster as her friend and coach Bonnie Stoll. This true chronicle lends itself to a sports movie’s narrative flow and swell of dramatic license, yet NYAD was made by a pair of Oscar-winning documentarians– the Free Solo husband-and-wife directorial team of Elizabeth Chai Vasarhelyi and Jimmy Chin– giving it a purposeful backbone of authenticity to push some of those tropes to the side.
Read MoreFor all of these reasons and more, we can be pleased and entertained that The Burial is here on Amazon Prime Video. Matching Lesson #2, it’s as stock and formulaic as it comes within the courtroom drama subgenre. Hot damn, that’s going to work every time. Within the formula, the heart and spine of the narrative will always be the two biggest ingredients. The backbone is a compelling case, and the beating pulse is the people embroiled in the affair.
Read MoreTrue to the sharp storytelling adage of “show, don’t tell,” Fair Play from writer-director Chloe Domont heightens its drama with these featured stares because you imagine the thoughts or predicted words before they are performed. Oftentimes, a viewer’s imagination can get riled up even worse than what is shown on-screen. The wallop of that effect is the characters will get their releases, retorts, and replies, but the audience members– short of shouting at the screen or clutching their armchair partner– do not. With sly effectiveness in hanging on every stare between the words, that’s how a movie like Fair Play gets you.
Read MoreWith The Creator, Gareth Edwards becomes one of those peerless fuels. His film may have informal traits from other sci-fi places that folks will criticize, but it has an emphatic beating heart all its own that cannot be contained and is wondrous to behold. Combining the genre’s penchant for implausible creativity and a powerful emphasis on existential connection, The Creator explores and reaches a special place within science fiction films.
Read MoreWith a title like Dumb Money, which references a Wall Street slang term for a group of individual and non-institutional investors and their money, one has to ask if “insane” is talking about a dollar amount or a measurement of wisdom or choices. Well, you’re going to need that shiny quarter to flip. A thoroughly entertained viewer will be finger-pointing insanity occurring, in some shape or form, at nearly every turn of this off-the-cuff, firebrand movie.
Read MoreOn this remarkable journey, the core always remained on the people more than the spectacle. Call this kind of movie sweet, simple, and old-fashioned, but there’s a dearth of entertaining movies like A Million Miles Away fit for families and classrooms. There’s not a second where this film’s heart is not in the right place, and this school teacher will take these submissions every chance he gets.
Read MoreDreamin’ Wild comports itself unlike many other musical biopics. This one is not trying to strap a rocket to the back of its subjects and launch them to superstar heavens in front of massive crowds shining a barrage of spotlights and flashbulbs. That’s not the Emersons’ story whatsoever. As hinted at before, these songs, characterized, again, as a “dream-like symphony to teenhood,” came from an emotional place beyond what was captured on vinyl. Fragile care was needed.
Read MoreThough just a slight step short of that next level of swell and swoon matching the great romantic dramas of cinema, Past Lives’ modern collision of providence ignites a viewer’s rooting interests for how this will all turn out and engages a locked-in willingness to follow along to the absolute end. Without spoiling any more trajectories, the captivating and rarified results from Celine Song show mature restraint, reward patience, and disarm all sympathies for living and being alive.
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