Posts tagged CIFCC
MOVIE REVIEW: Chasing the Blues

Chasing the Blues is a dark comedy through and through.  Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity.  Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature.  Like the musical genre at its core, patient storytelling is at the forefront.  Could it use a stiffer punch or two?  Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema.  Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.

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MOVIE REVIEW: Marshall

Can you learn about a popular band by listening to their B-sides instead of their greatest hits?  Can you get a sense of the brilliance within a writer from their early drafts and not their published masterpieces?  Can you spot the traits of a future Hall of Fame sports legend solely by their work in college or the minor leagues before the professional ranks?  The answer to each is quite likely the same: sometimes, but not always.  Tally one in the sometimes column for  Reginald Hudlin’s Marshall and its biographical podium choice.

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MOVIE REVIEW: The Florida Project

The crucial emotional response The Florida Project demands of its viewers is empathy.  If you can’t find that, if you turn your nose, close your eyes, and refuse to accept that this kind of American lifestyle exists, you are missing the hard truths, the teachable moments, and the larger points being presented.  onvenient Hollywood endings don’t exist in the real life Baker’s film examines.  Applaud a film that dares to push that stark reality.

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MOVIE REVIEW: Te Ata

Not all actors and actresses are motivated by fame and profit.  Some are in it for the performance and chance to share culture through an artistic medium.  Before the hey-day of cinema, one such actress captured the fascination of an audience higher than any Hollywood premiere and did so as an ostracized minority.  Better yourself with a slice of history to learn about Mary Frances Thompson, or, as she was called on stage, Te Ata.  

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MOVIE REVIEW: The Young Offenders

The banter and B.S. traded back and forth between Alex Murphy and Chris Walley is as hysterical as it is pleasurably uncouth.  It’s an absolute wonder to realize that The Young Offenders is mutually their first on-camera film roles.  Alex and Chris’s chemistry through sarcasm and shared shenanigans feels and looks effortless.  Flabbergasted energy blasts out of both of them and it’s a hoot to watch.  Seeing the two young actors operate these over-the-top losers with reckless abandon while still injecting a little coming-of-age heart for good measure, makes the film highly entertaining.

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MOVIE REVIEW: Emerald City

I know it’s the clickbait haven of Buzzfeed, but this list of jobs well-known celebrities had before they hit it big is pretty humbling and eye-opening at the same time.  Once the millions roll in and we see the red carpets and flash bulbs, we forget the lucky breaks and hard work it took to get there, and that for every one of those matinee idols a thousand never make it.  Upon seeing Emerald City at the 3rd annual Irish American Movie Hooley, I’ll gladly raise my glass in hopes that Colin Broderick’s minimum wage days are over.

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MOVIE REVIEW: The Dunning Man

Inspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna.  Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.

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MOVIE REVIEW: mother!

There is extreme thematic and visceral content in mother! that will rattle even the toughest souls.  Metaphorical imagery and symbolism are everywhere, and the number of literal and figurative interpretations of what is implicitly or explicitly transpiring can kill as many brain cells as it multiplies.  The film begs endless questioning. Surviving and absorbing the film becomes a maddening experience.  In the end, what is evident to celebrate is also categorically impossible to fully condone.

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GUEST CRITIC #25: It

Emmanuel Noisette of Eman's Movie Reviews is an emerging film critic tackling both written and video reviews.  His YouTube channel is must-watch and automatic-subscribe material.  Emmanuel is one of the co-directors with me of the Chicago Independent Film Critics Circle. Between us two busy Chicago critics and working fathers, Emmanuel and I are orchestrating a trade of "guest reviews" for each other's sites.  Horror is not my cup of tea and he was all over It.

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MEDIA APPEARANCE: Guest on the "Page 2 Screen" podcast talking 20 years of "L.A. Confidential"

 I joined Jeff York recently as his guest for a special 20th-anniversary 35mm screening of 1997's Oscar-winning L.A. Confidential at the storied Music Box Theatre as part of the Noir City Chicago Festival.  As an added treat, author James Ellroy was in the house to kick things off with an expletive-laden bang.  After the screening, he and I hunkered down in Frio Gelato near the theatre to share our admiration and examination of Curtis Hanson's masterpiece.

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MOVIE REVIEW: Crown Heights

Director Matt Ruskin’s Crown Heights presents a true story incarceration as it happened to an innocent man.  Just when you think two undue years awaiting trial are shameful enough, it turns into twenty over the course of four presidencies and 99 tidy minutes.  To tell the story of Colin Warner is to tell a story shared by too many thousands of other wrongfully incarcerated people within the U.S. prison system.

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SHORT FILM REVIEW: The Other Place

Dashes of kink and horror mix within Lee Amir-Cohen to create moments of shock and heat shared with Amanda Maddox in the short film The Other Place.  The star, who also writes and directs this short, has crafted something creepily captivating in front of and behind the camera.  Contracted properly as a short film that leaves you wanting more, this shot glass of venom is a properly measured jolt.

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