The third annual Irish American Movie Hooley is happening this weekend at the Gene Siskel Film Center from September 29-October 1st. This very writer and website was both lucky and honored to cover this event last year and has again been granted coverage access this year. The event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. Here are my capsule reviews of the three films. Get your Irish on at the Siskel Film Center this weekend!
Read MoreThe Gene Siskel Film Center will host the third annual Irish American Movie Hooley from September 29-October 1st. This year’s event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. All screenings and events are at the Gene Siskel Film Center. his very writer and website was both lucky and honored to cover this event last year and will again this year. Stay tuned here for future capsule reviews and full reviews.
Read MoreDiametric to its title, the core of Stronger’s life after trauma chronicles a venerating angle applied to the “Boston Strong” nature with little melodrama. This is director David Gordon Green’s best film to date, easily surpassing the fad success of Pineapple Express. Stronger’s touching tone carries unmistakable courage and inspires an unshakeable stir of appreciation.
Read MoreReflecting on the past, Battle of the Sexes recounts a tremendously positive turning point in women’s sports. Drawing parallels to the present, the film also stands tall as a pertinent message film where one can compare the amount of progress towards gender equality in 44 years. Injecting earnest drama and profundity into the tried-and-true sports movie formula, directors Valerie Faris and Jonathan Dayton have crafted a gratifying yarn packed with contagious enthusiasm.
Read MoreTwo fine gentlemen of strong opinions that I've conversed with and debated often through my participation over at the Feelin' Film Podcast are Gabriel Green and James Hamrick, the creators and hosts of the "Underrated Podcast." Their aim is field listener and guest selections of films that fit the underrated billing reflected either by low box office results or low critical review aggregate scores. My pick and our show's topic was Ben Stiller's 2012 film The Secret Life of Walter Mitty.
Read MoreAs it has been outlined on this website before on films like Get On Up, biographical films have their formulas and rules. In addressing the origins and rise to fame of reclusive author J.D. Salinger, Rebel in the Rye faces the familiar dramatization tightrope walk between sugarcoated hero worship and biting character study. The creative choices made by Danny Strong, in his debut directorial effort, swirl between an engaging warm hug and an indifferent cold shoulder.
Read MoreFor better or worse, Brad’s Status, speaks from a very insulated and ostentatious point of view, that of the taboo term of “white privilege.” Even dramatized for soft realistic fiction, Mike White’s feature directorial debut tries to be a wakeup call of sorts. The dramedy carries a message, a fair and good one mind you, but one that will, unfortunately, fall on multiple deaf ears.
Read MoreThe opening number makes the single-take climax fight with Charlize Theron in Atomic Blonde look like a box waltz lesson from an elementary school gym class. The woman is the reckless assassin Sook-hee, played by Ok-bin Kim of Thirst, and the scene ends with a hint of a deranged smile of glee. The Villainess spins with dynamic energy of wanton mayhem and operatic displays of graphic violence when the talking stops and confrontations begin.
Read MoreThere is extreme thematic and visceral content in mother! that will rattle even the toughest souls. Metaphorical imagery and symbolism are everywhere, and the number of literal and figurative interpretations of what is implicitly or explicitly transpiring can kill as many brain cells as it multiplies. The film begs endless questioning. Surviving and absorbing the film becomes a maddening experience. In the end, what is evident to celebrate is also categorically impossible to fully condone.
Read MoreThe most superlative aspect of Viceroy’s House and its chronicle of national history for the countries of India and Pakistan is the personal passion behind the project. Bend it Like Beckham and Bride and Prejudice director Gurinder Chadha is the granddaughter of family displaced by the largest migration of people in recorded human history that occurred during the Partition of India of seventy years ago. There is an undeniable core of importance and respect present in the film that shows the great care of Chadha and all involved.
Read MoreUPDATED: September 11, 2017 with updated and new movie inclusions (after original post on the 10th anniversary in 2011) and a new section of faded and relaxed sensitivity. I plan to make this an annual post and study.
Read MoreEmmanuel Noisette of Eman's Movie Reviews is an emerging film critic tackling both written and video reviews. His YouTube channel is must-watch and automatic-subscribe material. Emmanuel is one of the co-directors with me of the Chicago Independent Film Critics Circle. Between us two busy Chicago critics and working fathers, Emmanuel and I are orchestrating a trade of "guest reviews" for each other's sites. Horror is not my cup of tea and he was all over It.
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