Fans of the website will know that "Every Movie Has a Lesson" frequently collaborates with "Day at the Movies" run by Lubbock, Texas blogger +Tim Day. We commonly compare our reviews, interests, projects, and tastes to both of our groups of followers. As a staff member of Lubbock Christian University, Tim hosts a one-hour weekly radio show on Chap Radio to showcase "Day at the Movies" and share his opinions on recent theatrical releases, upcoming films, the latest movie gossip, new Netflix and Redbox recommendations, and much more.
Read More
Buyer beware, do not go into this movie hungry. You will chew the arm off of the person next to you and that's never a good date move (unless you're watching a zombie flick, which this is far from). Folks, do the dinner before the movie on this one, ladies and gentlemen, or you will willingly overeat afterwards. I warned you now. You'll see.
Read More
The successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
Read More
Amazingly, I’m happy to report that this “Godzilla,” while actually having a trainwreck in it (two in fact), is not a complete trainwreck itself. This is a legitimate summer blockbuster in scale and in quality. The promised size and scope of monster carnage that the 1998 film failed to compellingly deliver and, honestly, we never thought we would see done right on the big screen is successfully accomplished in a big way. This new film makes “Pacific Rim” look as silly as it really is, “Transformers” look downright weak and tiny, and even makes the controversial city destruction final act of “Man of Steel” look like a knocked-over sand castle or two.
Read More
That said, the peak occupied by any R-rated comedy isn’t very high and far from snow-capped among the clouds of cinema greatness. Rarely do movies like “Neighbors” create any watershed or bedrock. In terms of peaks and heights, let’s go ahead and just call “Neighbors” your new favorite sledding hill or deluxe tree house. Besides, that’s not the “high” this film is looking for anyway, if you get my drift. The target is decidedly, and rightfully, low-brow.
Read More