Many existential movies that kick around the questions of life, death, and afterlife dangle the idea of revision. From It’s a Wonderful Life to The Tree of Life, characters alive, dead, or somewhere in-between are presented visions or exercises of how their lives could have been different with wholesale changes or tangential opportunities. Those musings often steer them to accepting their life as it was, pitfalls and all. The new drama Wander Darkly from Tara Miele working the festival circuit goes there not with an eraser, but with a red pen instead. Channeling my school teacher day job, Wander Darkly, in an interesting way, is about proofreading life more than revising it.
Read MoreUnfortunately, this moment of the borrowed title song getting its proper spotlight is the rustic crest of this movie. Wild Mountain Thyme tries so hard to climb higher. Its romance is constantly saddled with blindness that misses the point of the lyrics. It’s as if the refrain of “will ye go” in the song is stuck by the living embodiment of “s--t or get off the pot” instead. There’s real beauty there, it’s a shame the movie didn’t have it other than the scenery. In the words of one of Ireland’s ancient language, dia ár sábháil!
Read MoreHumanity rightly becomes the beautiful and ruminative zenith of The Midnight Sky. It occupies a reality that could match the here-and-now as much as it defines its fictional future when addressing the helpful and harmful effects of both minute and broad human actions. Clooney’s combined work on this drama is forthright with its altruism and free of forced villainy. True to the earlier introduction, this experience to be cherished rises to be about character more than crisis, which is where poignant performances take over. Their benevolence is mesmerizing and their endurance beyond is moving.
Read MoreMuch to her flexible power for sardonic comedy or reckless abandon, actress Aubrey Plaza has a look. It’s not entirely a scowl. It’s not entirely a cynical grin. Deeming it a case of “resting bitch face” would be a dismissal to grander notions going on behind those eyes and curved lips. No, it’s more than that. It feels like all of the possible come-hither coyness mixed with all of the possible perilous threat her presence can express. She’s a puzzle, and it’s quite alright to love that about her.
Read MoreWhat folks are going to find with the escalating thriller Wander is a screwy little movie saved by committed performances. The trouble comes when the committed performance comes from the character that should be (and ends up) committed in the clinical sense. Be ready to question everything in Wander because the audience lens and main character is a rooting-tooting conspiracy theorist, yarn-and-tape boards with newspaper clippings and all, who makes his scratch as a private investigator. The unreliable narrator energy is strong, but that’s the entertainment when you make it to the finish.
Read MoreThere’s another great line in Luxor that says this is “a place that whispers to you if you listen.” It’s an effect threaded into the soundscape of the film by sound designer Frédéric Le Louet (The Informer) wafting in and out of the score from documentary composer Nascuy Linares (Embrace of the Serpent). The tourists around Hana hear tales of reincarnation and the passionate myths of polytheistic demigods. Whether she believes them or not does not compare to where her conflicted self esteem hangs precariously during this short holiday.
Read MoreSports fans like to say “game recognizes game” when youngblood contemporaries hat-tip the greats in their presence or those that came before them. Thanks to The Social Network ten years ago diving into the not-so-nice history of Mark Zuckerberg’s Facebook, David Fincher knows this Welles-Mankiewicz territory all too well. He put a bullseye on an emerging institution and enlisted the wily Aaron Sorkin to help him light the fuse. The masterful director returns with a stylish tribute to courage that came before him. He gets it. Call Mank “balls recognizing balls.”
Read MoreWith rock-heavy undertones replaced by the dramatic struggles of silence, Sound of Metal can personify every one of those questions. This labor-of-love and festival darling debuts in limited release and Amazon Prime on December 4th. Led by a sensational, internalized performance from Riz Ahmed, read here, see on the screen, and hear anyway you can how this stands as one of the best films of the year.
Read MoreAs dippy as all of this in Superintelligence may sound and transpire, there are undeniable streaks of kindness bigger than terabytes. Not all that far removed from the likes of George Bailey or Walter Mitty, the imagination to root for hope and love in people with laughs along the way feels good. Such a sincere sweetness cannot be discounted or denied. Once again, simplicity earns that kind of vibe. Welcome that to your viewing coach this season. We could use it this year.
Read MoreThe fear of a recession has urged many people to delve into the world of finance to learn how money is properly handled and what happened back during the 2008 recession. Fortunately, Netflix contains many shows and movies dealing with that exact subject plus a few other financial topics. Some of these shows, however, are restricted to US-only, meaning that people in other countries can’t watch them. Don’t worry, though, because a VPN for Netflix will help you navigate around that pesky geo-block. Now, without further ado, let’s talk about the seven best financial shows on Netflix.
Read MoreThe tug-of-war in Happiest Season between head and heart is everything. Even as a fictional holiday yarn, the setting of Clea DuVall’s comedy is rooted in a present social landscape where even the legalization of same-sex marriage five years ago has not reduced or healed all of the emotional risks and scars associated with being out on the matters of love. Poking fun at the hijinks of going back to a conservative home for Christmas is one thing. Layering the very tangible anxiety of LGBTQ+ societal fears within those laughs is quite another. Happiest Season earns worthy pride for its willingness and openness to hug out that daunting task.
Read MoreThe keys to the balance on the table are patience and precision. Suspense films with the composure of choosing its show vs. tell spots resonate better than smash-and-slash roller coasters and talkative bores. Chaganty and Ohanian came to Run with a strong premise that had depth of question marks to present behind it. Too many other thrillers never make it past their single starting idea. The duo slow-plays their escalating premise in a film that never seems to run out of constricting connections.
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