MOVIE REVIEW: Project Power

Whether it’s initially scribbled on a shitty cocktail napkin in a fog of bong smoke while occupying a disheveled couch or composed neatly on a souped-up MacBook atop a Feng Shui desk in a posh nook of some creative person’s living space, a potent idea can propel a writer’s bender to attempt a screenplay. Netflix’s Project Power has one of those high concepts where the mere thought of it gets you to hear late announcer Don LaFontaine in your head. Putting on his pitch voice, imagine a world where people can gain temporary superpowers from a mere pill. Picture the intriguing implications, suspense, and spectacle and your popcorn starts cooking already.

2 STARS, 2020, MOVIE REVIEW, Streaming, Home MediaDon ShanahanAugust 15, 2020Comment

MOVIE REVIEW: The Tax Collector

The Tax Collector feels like David Ayer’s 2 Samuel 1:27 moment for his current career. He elevated his settings and craft with Fury. He aimed behind his grasp with Suicide Squad. The “mighty have fallen.” That puts the stung and smeared David Ayer back to Los Angeles in a B-level movie and the three things he appears to be good at: 1) urban criminal underworlds, 2) seedy ethnic flavorings, and 3) spurts of graphic violence. These are his comfortable and dirty roots that brought forth Training Day, Dark Blue, Harsh Times, and End of Watch.

2 STARS, 2020, Independent Film, Home Media, MOVIE REVIEW, StreamingDon ShanahanAugust 9, 2020Comment

MOVIE REVIEW: Made in Italy

Actors are often asked by the many curious people fascinated by their work where they find the inspirations for the characters they play. Dropped by talk show hosts and adoring fans alike, it’s a common question, but a welcome open-ended one. The answers are almost always a fascinating blend of intentional craftsmanship and revealed individual quirks. If you know the personal history of Liam Neeson away from his tough and towering screen personas, you will know he, and his son Micheal Richardson, did not have to dig far for their characters in Made in Italy.

2020, 3 STARS, Independent Film, Home Media, Streaming, MOVIE REVIEWDon ShanahanAugust 8, 2020Comment

GUEST COLUMN: The 12 Greatest Advertising Movies Ever Made

by Maria Barnes

Marketing and advertising is an integral part of a successful business. If you don't have a decently staged marketing system, you shouldn't expect your sales profit increase. Of course, there might be some positive shifts, but not to the extent to make your business successful. In this article we share our top 12 engaging advertising movies that solve several problems simultaneously

2020, Column, Editorial, GUEST EDITORIAL, Home Media, Streaming, SPECIALDon ShanahanAugust 7, 2020Comment

MOVIE REVIEW: Lake Michigan Monster

Every braided shoestring of DIY indie filmmaking on Lake Michigan Monsters swings a proverbial kitchen sink of derring-do flair on the end of it. Editor and animator Mike Cheslik of Netflix’s The Get Down (the MVP of this film) splashes buoyant pacing and endless layers of light visual effects that have creativity and energy to spare. Each sink of eye-popping detail is wielded like a medieval flail used to dispatch dragons of snobbery and doubt. Never ever look down on this class of movie because this is where you find true commitment.

2020, 4 STARS, Film Festival, Home Media, Independent Film, MOVIE REVIEW, Streaming, Video on DemandDon ShanahanAugust 2, 2020Comment

MOVIE REVIEW: Summerland

Hospitality jokes aside, manners come into play. The wrinkle is when pleasing homeliness mixes with the negative connotation of hospitality. Summerland, the feature film directorial debut of playwright Jessica Swale, emanates pleasantry around a central character who is the rude opposite. No matter how uncouth or ill-tempered Gemma Arterton’s hermetic author Alice behaves, an honorable heart shines through. That’s the narrative oil and water of this nostalgic film.

3 STARS, Independent Film, Home Media, MOVIE REVIEW, StreamingDon ShanahanAugust 2, 2020Comment

COLUMN: Snowpiercer: Good Entertainment or a Bad Remake?

The modern TV industry is incredibly focused on serving relevant entertainment to the general public. Every show is targeting a certain demographic and their needs or characteristics. Nevertheless, there are quite a few general trends that occur all over the world. First and foremost is the rise of science fiction. Yes, we do remember good old Doctor Who and a long list of science fiction shows or movies from the mid and late 20th century. However, this niche has never been as active and relevant as it is now.

2020, Column, GUEST CRITIC, GUEST EDITORIAL, Home Media, Editorial, Streaming, SPECIALDon ShanahanJuly 28, 2020Comment

COLUMN: Defending Jacob: An Exquisite Crime Drama Everyone Will Enjoy

Over the past few years, we have witnessed many adaptions and excellent shows filmed by big corporations such as Netflix, Hulu, HBO and Apple TV. Thanks to gigantic investments in the film and TV production industry, we now have an opportunity to watch a wide variety of shows. The sector has become so competitive that there is very little point in comparing productions to each other. Rather, we should evaluate and discuss them individually. We have come to the point where every TV product and a movie is remarkably personal.

2020, Column, Editorial, GUEST CRITIC, GUEST EDITORIAL, Home Media, SPECIAL, StreamingDon ShanahanJuly 28, 2020Comment

MOVIE REVIEW: The Truth

To pull off holding court without reducing matters to the preening or showy variety, the performer must have screen presence. Deneuve, the ageless ingenue, “frigid femme fatale,” and “grandes dame” of French cinema, has wattage for a thousand cameras, even now in her mid-70s. With that stature, compelling shockwaves come at will. The acting awe within The Truth is that Deneuve’s prestige is matched moment-to-moment by Academy Award winner Juliette Binoche, a contemporary, if you will, every bit as powerful as the senior. Their pairing as an estranged mother and daughter in the celebrity world writes cinematic scripture.

2020, 2019, 4 STARS, Chicago Film Festival, Film Festival, Independent Film, Foreign Film, MOVIE REVIEW, Streaming, Home MediaDon ShanahanJuly 20, 2020Comment

MOVIE REVIEW: Dirt Music

For anyone over the age of five-years-old who doesn’t have “The Gravel Foot” anymore, we know not all natural surfaces are easy and lush. The sensation of each pace toughens and prepares the heels and toes for the next one. Such is life as well. The literal and figurative barefoot steps of the characters from Tim Winton’s celebrated novel have tread over the hard grounds of loss and regret. The developed calluses mix with the ever-present dirt for messy lifestyles. Any songs present croon to that lamentation. Alas, the titular melodies advertised to break down the melodrama blow away weakly with the wind.

2020, Independent Film, Home Media, MOVIE REVIEW, Streaming, Video on DemandDon ShanahanJuly 17, 2020Comment

SHORT FILM REVIEW: Farewell Waltz

When no flowery language is flowing to fill our ears, another ambiance is necessary. The sweep of Felipe Tellez’s musical score is astounding. His arrangements were performed by the Budapest Air Orchestra and their lovely strings keep Farewell Waltz soaring with the remembrance and regret of the narrative. One would not readily imagine a 10-minute short film could reach heartstrings so assuredly and effectively, yet this throwback from Levy does so with lingering beauty above films ten times its length.

2020, 4 STARS, Independent Film, MOVIE REVIEW, SHORT FILMS, Streaming, Film FestivalDon ShanahanJuly 12, 2020Comment

MOVIE REVIEW: The Old Guard

Charlize would be the one to tell Queen to take their romantic sweetness and shove it with harshness. That tone and timbre works just fine for the Academy Award winner who has been cementing this attitudinal career niche for the better part of a decade. Based on Greg Rucka’s 2017 Image Comics graphic novel featuring the art of Leandro Fernandez, The Old Guard combines its own brew of created legends intersecting modern settings and compulsions. Like its lead, The Old Guard has a toughness completely devoid of anything trite. The narrative screws might not be the tightest, but its aim is deadly enough to draw you in.