One could go on and on, playing out those hypothetical scenarios and more after the movie. If you can reach this plane of empathetic understanding through the abnormal twists and turns of The Life of Chuck, you have found yourself one marvelous movie. If you can’t, or swaying between bliss and death makes you cynical or uncomfortable, you might be a little dead inside. That’ll be on you and not Mike Flanagan.
Read MoreAmid all the pressures she puts on herself to be a responsible mom, flexing artistic muscles and sparking the creative synapses of music creates a new balance in Nora’s life. It’s safe to say every parent watching Nora needs to carve out some self-care time in their schedules to do their own just-for-you enrichment activity, whatever it may be.
Read MorePutting those stars together with that concept surely has to generate some sizzle with the history and mythology crowds, right? Well, with all pun intended, leave it to Apple and professional retreading screenwriter James Vanderbilt (currently stewarding Netflix’s Murder Mystery series and the legacy sequel vapors of the Scream franchise) to go back to a fading Hollywood well, leap in, and find it dry.
Read MoreThe Kiss (Kysset), the most recent film from Oscar-winning Danish director Bille August, a two-time Palme d’Or recipient, has finally arrived in limited theaters for North American audiences. Set during the onset of World War I in August’s native country of Denmark, The Kiss is adapted from novelist Stefan Zweig’s 1939 book Beware of Pity. Thematically, that titular emotion of pity from the source material courses through this film’s every vein.
Read MoreFrom “living manifestation of destiny” to “mind-reading, shape-shifting incarnation of chaos,” the pedestal positioning of Ethan Hunt—and therefore Tom Cruise—playing him has only gotten taller and taller, much like the heights the actor scales with his stunts. Here, at the announced finishing chapter of Mission: Impossible - The Final Reckoning of the now-iconic character enduring nearly thirty years in our cinematic lives, we’ve witnessed the progression of him as a top spy with more lives than a litter of cats to something far more starry and radiant.
Read MoreYet, all the while, we find ourselves pining to spend more time with the venerable ladies in Nonnas. They deserve a happy ending as much as Joe, and both history and the movie grant them a lovely one. With a marinade of humor and a dash of spiritual Catholic contrition, Chbosky and Maccie find the meaningful meat behind the fluff for a welcome crowd pleaser. Come hungry and leave full, with Billy Joel appropriately sending you out.
Read MoreThere’s a compelling playfulness in The Trouble with Jessica where viewers’ rooting interests are worked like a seesaw. At certain junctures, we question who the true victim or victims are. We might even want our present party to get away with this dangerous little ruse. By the same token, other revelations tilt us to want to see their noses rubbed in shamefulness, guilt, and remorse. Like any sure-handed cinematic riddle, Matt Winn keeps pushing the teeter-totter at the right times, dropping question marks all the way until the end.
Read MoreEven if there are fleeting bits of decent togetherness from the losers, Thunderbolts* is a meta image reclamation project going for no more than light applause, and it shows. By embracing the jokes of being jokes themselves, it all too often still becomes or stays a joke. Thunderbolts* goes to show that when you make something about cheap heroes, you get a cheap return.
Read MoreTo say it most simply, The Legend of Ochi is a go-out-and-get-dirty movie. It is a methodical trek of a self-reliant kid left to their own devices, though none of them are of the smart or touchscreen varieties. Emanating from its very foreign, rustic setting, seemingly light on modern amenities, this is a no-tech, rocky, mossy, and muddy fairy tale that most studios don’t make anymore. Go ahead and call it a lost art.
Read MoreNormally, one confidential love affair is all a movie needs to emphasize and feature to get that desired effect. Based on Shannon Pufahl’s 2019 page-turner, On Swift Horses dangles as many as four. While promiscuity or parallel threads do not have to be frowned upon from a movie standpoint, four dangling possibilities prove too many for veteran television director Daniel Minahan stepping up to feature films.
Read MoreFor a movie remake not to be seen as a sign of creative bankruptcy or lazy nostalgia bait, the new film has to offer something new. Do the borrowed themes and storylines fit the current times after the passing years since the original? That begs the more important question: Is there something substantive or new to say that’s worth updating? The new rendition of The Wedding Banquet adamantly answers those questions positively.
Read MoreAs a short film, Death is Business dips its toe into the seedy underworld of murder-for-hire. For the specific and highly coordinated type of crime being committed on screen, the toe being dipped isn’t coming out explicitly bloody. It may even look stylishly clean, but make no mistake, there is an unchecked dirtiness clinging to the extremities. With an intellectual meticulousness matching its felonious acts, Dirty Business puts diabolic impetuses under an intriguing microscope.
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