Wonderfully conceived by Lim and former Family Guy writers Cherry Chevapravatdumrong and Teresa Hsiao, Joy Ride’s heartfelt backbone of friendship unites what could have been a very disorganized string of skits and gags with no emotional backing. We know the predictable arc of momentary friendship failure and necessary relationship-healing forgiveness is coming, and yet we find ourselves unashamedly rooting for that just as hard as the mess.
Read MoreAfter nearly 30 years, we are locked in and present for all that these dire missions entail– consequences and all, hope and all. We’ve made our choice and signed our own oath of fandom to chase our own tails and hang on every clue. Give us one more adventure, Tom. We’re as ready and committed as you are.
Read MoreWhen all the created entanglements and questions start to topple over in the labeled Part III of The Lesson, the calamities come to a head for a proper mystery. Smartly and economically with both budget and time in a very strong debut feature, MacKeith and Troughton avoid the gaudiness of involving other external factors like the press or police. Stepping through the stale air, playful woodwinds of Emma. composer Isobel Waller-Bridge’s score, and the skeleton-filled closets of the idyllic Sinclair property is all this film needs to squeeze nerves and keep viewers guessing where the comeuppance is coming.
Read MoreThe Crusades reminds us that seemingly every generation of teenagers has an extreme party movie that seeks to display all the unhinged wanton behavior that festers behind the confines of school responsibilities and juvenile expectations. From Animal House to American Pie, you can pace a culture’s timeline by its rising and falling raunch level. Step forward to see that there are two ranges of perspectives that go into those types of movies.
Read MoreFor the second film in 34 years, a new Indiana Jones film cheapens the perfect ending they already had. Make no mistake, the sunset ride of Indiana Jones the the Last Crusade was a “come back with your shield or on it” moment that cannot be topped. Yet, here we are, watching a studio milk an intellectual property they purchased after its peak for one more box office windfall. The producers are calling Indiana Jones and the Dial of Destiny a “one last time” type of excursion. It is indeed that. It is one last time to wish they left it alone or had a better story worth telling.
Read MoreThough just a slight step short of that next level of swell and swoon matching the great romantic dramas of cinema, Past Lives’ modern collision of providence ignites a viewer’s rooting interests for how this will all turn out and engages a locked-in willingness to follow along to the absolute end. Without spoiling any more trajectories, the captivating and rarified results from Celine Song show mature restraint, reward patience, and disarm all sympathies for living and being alive.
Read MoreThis movie was better off not slamming the accelerator through its narrative entanglements to the next action showdown. Miller and company are best in The Flash when they are not doing something super and addressing the bigger themes about their conditions and consequences. You feel the movie’s melodrama hit most not when it zips by you with a rush of hot air but in stillness when it wrestles with its proverbial speed demons.
Read MoreWiping away all the dropped cameos, the central high-spirited affection in Spider-Man: Across the Spider-Verse is incredibly powerful. Emotions run as high as the web slingers swing with an extremely thick and, yes, impossibly convoluted saga of how all of these zany Multiverse threads either come together or exist in their separate planes with every possible brick of towering importance.
Read MoreNevertheless, the murderous glee factor of The Wrath of Becky never fizzles out. The movie is super tight, unraveling its mayhem in 83 minutes and change, where four of those minutes are logos and credits. Not a second is wasted on fluff. With origins out of the way and better villainy present, this is a rare sequel that counts as a noticeable improvement from its predecessor, complete with an open door for more chapters.
Read MorePutting my school teacher hat on to match the spirit of this website, The Little Mermaid, like every movie really, is, for better or worse, a series of tests. It has become nearly impossible during this current cycle of Disney “re-imaginings” not to have questions of comparison arise between the original animated classics and their newfangled remakes. Depending on a person’s fandom or scruples (or both), that list can be long, short, casual, or petty.
Read MoreWhat replaces those external conflicts is internal angst from two men who aim to be more sensitive than competitive. Nothing’s really going to happen to anyone, outside of a touchy breakup or two, if they fail. That’s borderline character betrayal and counts as another miss. While a modern 21st century maturity against frank toxic masculinity was infused to be appreciated, there is an unmistakable edginess that is missing, top to bottom in White Men Can’t Jump.
Read MoreRobert Rodriguez’s Hypnotic situates itself as a shining example of over-explanation messing up promising ideas. It should come as no surprise to those who have enjoyed the filmmaker’s distinctive works over the years that Rodriguez has a hell of a starting concept and escalating rub. The trouble is he and MonsterVerse screenwriter Max Borenstein think more is more.
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