Like other semi-casual Vietnam war movies that have come before it, the action comedy journey of Oscar winner Peter Farrelly’s The Greatest Beer Run Ever streaming on Apple TV+ reaches a momentum where it has to switch gears. Inevitably, the happy-go-lucky circumstances have dissolved away to the honest truths and horrors of war. That’s a hell of a shift to pull off. The success of the movie boils down to when and how it executes or fails that course correction.
Read MoreThe controversial new film Blonde swirls surreal cinematic brushstrokes meant to express the hushed nightmares beyond the celebrity dreams of Norma Jean Mortenson and compose a reminiscent and heartbreaking portrait of the legendary star. The audiences’ applause of adoration is replaced by cries of anguish and pain often unseen by anyone. It is those tears that paint this film. For better or worse, those tears are what you now remember more than the smiles when it comes to Marilyn Monroe.
Read MoreNow, the varnish swirls with the dreamy deja vu vibes that are all over that old standard. In many ways, those two main verses of “Where or When” tell you all you need to know about the encroaching mystery to come. By the time Don’t Worry Darling calls back to “Where or When” again during its kaleidoscopic end credits, a smoky aftermath is exhaled from the intoxicating effects of the song and the film.
Read MoreOf all the subjective or objective metrics that get bandied about when rating a film, one of the more powerful traits that can make up for shortcomings is a movie’s inspirational effect. An impassioned audience with stirred emotions is very forgiving. Many large and small aspects about Gina Prince-Bythewood’s The Woman King could be debated or exposed as flaws. In the end, they will not matter. The story being told and the dedication collected to tell it carry weight greater than the art or craft.
Read MoreSo much of Confess, Fletch feels like a wiser-than the norm throwback against the hefty audience quadrant that will always prefer the louder, action-ified punch of the James Bonds and Jason Bournes of the world over a journalist gumshoe. If that crowd can slow down for a smaller and smoother ride, they will find mental thrills equally clever to the pop of blockbuster stunts that fade as quickly as they explode.
Read MoreThrough impressive performances from Support the Girls star Regina Hall and This is Us Emmy winner Sterling K. Brown, Honk for Jesus. Save Your Soul has caricatures so believable that they transcend the winking-at-the-camera trope with vivid potency. There’s another level of “commitment to the bit.” We, the audience are not normally supposed to believe what we see from the characters but, with these two, we buy it.
Read MoreEven now at 76 years old, long past his own peaks and valleys, Sly remains a proven talent and beloved favorite. Nothing will probably break that or ever take that away. Nonetheless, this writer feels like “You still got it!” respect towards Stallone, as a complete performer, is still worth acknowledgment. Thanks to the Rocky and Rambo series, most go straight to the muscles. The special thing is Samaritan shows how much Sylvester Stallone still offers as an actor that has nothing to do with the ripped physicality that made him famous.
Read MoreIt would be really easy for a movie like Breaking, tip-toeing in the Dog Day Afternoon direction, to turn up the brightness of the pariah spotlights and crank up the volume on the injustice pulpit loudspeakers. That’s not so here. Director Abi Damaris Corbin resists the temptations to pound messages and shout showy monologues. He and his screenwriting partner Kwame Kwei-Armah uphold the simple and poignant principles that were at hand with this true story and on the central figure’s mind during a fateful July day in 2017.
Read MoreAnyone who’s watched an MGM movie for a century has heard the majestic pop of a lion’s roar. That’s all well and good, but the part that’s even better is the growling lead-up. The guttural purr of a lion is all-natural, distinctive, and menacing. The sound is an evocative draw and an arresting warning at the same time. It’s a precursor to danger. You hear it and your human instincts go off like fireworks because, as a wise character in Beast says, if it’s between you and the lion “it is not a fight you are designed to win.”
Read MoreThere is incomplete depth all over the place in Summering. Examining the relationships between these girls and their loyal mothers, the many absentee male examples, and the legitimate anxieties accompanying the apprehensive change between elementary and secondary school are heavy obstacles not easily healed by pouring on literal or figurative warmth. So much is glazed over for sunny rays, amateur detective aimlessness, and scary sideshows.
Read MoreSometimes, the simplest premises are all you need, and Scott Mann’s thriller Fall has that going for it in spades. Long has the subgenre of survival thrillers flourished in this area. By ascending a 2,000 foot antenna in the desert (masterfully so in its own perfect teaser trailer), Mann and his co-writer Jonathan Frank have picked a unique and uncomplicated setting. The film’s characters and camera explore its peculiarity and scale. True to its name, Fall’s plot exploits mortal fears and gets creative with the desperate measures people reach to keep kicking and screaming with life.
Read MoreThere is no star-fueled preening on this no-name cast. The body count is patient, yet raised to a frightful level. The kills are often quick and brutal. Prey stays precisely locked into the relentless gear and exciting pace this legendary movie monster threat has long deserved.
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