Not to sound like a barista at a coffee shop, but we’ve reached a point after 83 years of character history across innumerable pages and screens that one has to ask, “How do you take your Batman?” Do you need emblematic cream, sugar, ice, extra caffeine, froth, or some similar fancy twist? If you take it black, filmmaker Matt Reeves has a trenta special called The Batman with your name on it.
Read MoreWhile Family Squares is respectfully dedicated to all those who have lost someone during this awful pandemic, Laing’s movie allows us some much-needed, profanity-laced laughs. Playing out a dramedy fitting and formed by our current plight, the movie can be seen as a future time capsule for our shared mini-era. Not all the tangents work or are worthwhile, but the salute to collective solidarity is there.
Read MoreInstead of empathy leading to absorb the full breadth of such a possible tragedy, the conjured thrills selfishly serve only one side of the story and plead a hollow case by the end. By staying on Amy and her radical involvement in the climax, the movie forgets to consider the unseen characters in the story that do not fare as well. The movie is laser-focused on this one mom and her one kid with very little respect extended to the fullness of the event or larger issue. Even with the objective of making a claustrophobic and voyeuristic movie, that larger picture cannot responsibly be dismissed for selfish or singular gain.
Read MoreThat exchange is one of few that typifies the giddy hospitality and the bizarre allure of Strawberry Mansion from the writing and directing team of Kentucker Audley and Albert Birney. The movie extends a coy and welcome hand to join its descent into weirdness while still spinning plenty of heady oddities to rattle cages of normal sensibilities. Go ahead and take this movie’s leap into the surreal. You may just like what you find.
Read MoreNone of those interactions and traits do Tom Holland any favors in a big spot that he should have been allowed to outright own. By golly, it’s a good thing the kid (see, there I go doing it too) is an upper-level movie star athlete pulling off his own moves and an even better thing the high adventure that requires him to run, jump, leap, flip, and swing without his trusty Marvel webs is very entertaining. Still, what should be the second coming of Indiana Jones comes off more like a graduation and gender swap of Dora the Explorer.
Read MoreCharlie Day and Jenny Slate are both very calibrated when it comes to self-deprecating humor. He has his plucky fluster and she has her Debbie Downer magnetism and their mutual resumes before this movie are full of that specialty. When they’re together, the two best actors and characters are bouncing emotions off each other. Their comedic cadences click for their future foregone conclusion of “will they” or “won’t they.”
Read MoreMinamata reminds us what Johnny Depp’s charisma can do outside of his fantasy wheelhouse and Tim Burton security blanket. Pushing through aging makeup, a potty mouth, and other curmudgeon behavior, Depp channels a unique and dour bluntness as W. Eugene Smith. True to the usual inspirational movie path, the heart of this dire story helps reduce the quirk factors and allows the actor to pleasantly play something straight and affecting.
Read MoreBased on the graphic novel and webcomic of Bob Crosby, Marry Me is a kinetic collection of romantic, comedic, and musical moments that amount to more than enough appeal to create a pleasant journey and viewing experience. Honestly, that’s all it needs to be to succeed. Still, its looseness is bound by its limitations of being mere moments and not something a step or two more lingering.
Read MoreIn his second screen appearance as the famed private investigator Hercule Poirot, both the camera and our eyes are magnetized to Kenneth Branagh. There are drop dead gorgeous and expressive characters gallivanting all around, and we can’t pull away from the diminutive observer with that prominent mustache and those impeccable suits. Watch him in character.
Read MoreEven with a blindfold, an astute movie fan could play “Pin the Tail on the Proxy” with the films of Woody Allen from the past two decades. The likes of Timothee Chalamet, Justin Timberlake, Jesse Eisenberg, Colin Firth, Joaquin Phoenix, Owen Wilson and others have taken on the signature scripted blather of the male leading roles the writer-director used to play himself when he was younger than the 86 he is now. For his newest film, Rifkin’s Festival, cherished character actor Wallace Shawn assumes the short New Yorker vessel for this romantic comedy jaunt.
Read MoreBy channeling its abundantly unique story down a futuristic path, Swan Song also embraces the realm of potential science fiction. Moored by an immensely complex performance from two-time Academy Award winner Mahershala Ali, the crux of Cleary’s debut feature film oscillates on a virtuous decision amplified by the reach of technology not yet viable today. The drama may be all-inclusive with its existential dread, but the choices and implications considered and then enacted are strenuous yet sublime.
Read MoreFor all intents and purposes in telling the memoir of Pulitzer Prize-winning journalist Dana Canedy, Washington has a movie that encircles patriotism, duty, the War on Terror, gender politics, Black love, colourism, the plight of military spouses, substitute fatherhood, legacies, and more. Each is treated in an ultra-respectful fashion. Even with heavy emotions in play, none of those issues are shouted at with either favoritism or admonishment. In standing firm as it does, there’s a heap of bravery across many people and places to be found in A Journal for Jordan.
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