All of the nimbleness from swimming in time-bending nightmares gets washed away by a present with little mystery to match. It’s odd to call an Edgar Wright film somewhat slow in pacing, yet here we are feeling drag when the pizazz is either turned off or soured by the ickiness. A level of extra oomph and shock is missing for the viewer. What was sensationally painted to linger doesn’t get the fullest chance to stain and sear more than just pretty clothes.
Read MoreReadying its eager and loose dramatic license, the opening message of The Harder They Fall begins with “While the events of this story are fictional…” and changes to proclaim “These. People. Existed.” fading in one word at a time with those table-slamming periods. Consider that an emphatic shout to be heard that is louder than any broken bone or gunshot that follows in this Netflix release. The indignation seething from this movie is warranted and gladly received.
Read MoreAll can be asked in a simpler way. Can the melodramatic be made mythic and can the gaudy be made truly grand? Do that and you’ve got the fans and the newbies. Denis Villeneuve’s Dune moves a great many things in spectacular fashion: sand, swords, aircraft, plots, necks, eardrums, eyelids, and more. For all its triumphant fury, what Dune doesn’t move is the heart. That is the unconquered core barrier that remains unshaken. Golly, do we ever have a jaw-dropping and cold movie!
Read MoreAnyone who’s watched Sudeikis knows the Everyman archetype suits his charm and talent. The independent film South of Heaven from Big Bad Wolves director Aharon Keshales challenges Jason to take a podunk pariah that has been pushed into a corner and unravel him to commit violence to defend himself and the honor of the woman he loves against his better judgment and softhearted morals. It is indeed a very valiant turn within a movie that tailspins wide of the mark behind him.
Read MoreIt is also through her side of the story, clearly a huge product of Holofcener’s storytelling contributions, where the historical behaviors in The Last Duel accurately yet problematically fly against our still-evolving modern attitudes. While Scott’s film may follow the charted multiple perspectives of Jager’s well-researched novel, folding its painful and triggering trauma three times makes for an exorbitant and unsettling movie experience.
Read MorePushing new discipline, they realigned their creative engine to strip the rote and antiquated character’s foundation back down to its very studs. Progressive change was needed for a new era of geopolitical influences and a new leading man who favored toughness over suaveness. Cinematic dalliances that burned hot, moved with excitement, and extinguished themselves quickly were given depth that was previously rare or entirely dismissed.
Read MoreThis is a comic book movie that centers on and attempts to broaden two of the most violent, powerful, and deadly villains ever to grace Marvel Comics, and what do you get? Asininity instead of menace. Venom: Let There Be Carnage feels like the cinematic equivalent of a young teenager who just learned to be brash for brash’s sake where the consequences haven’t kicked into gear. The kid curses a bunch, breaks stuff, and tries to sound all tough only to always come out looking like a clown, complete with a retreaded Iron Man 2 party scene of stage-stealing and mic-dropping cringe.
Read MoreThe answers to those measured questions are what makes Surge starring the award-winning Ben Whishaw so alarming and downright terrifying. Set over the course of just under two days in London and shot guerilla-style with handheld cameras that weave through the crowds and shifting locations, Surge careens through one man’s unpredictable downward spiral and the isolated damage it causes. These kinds of movies are certainly not for everyone, but this one is a fascinating test of stamina and understanding.
Read MoreWith full support and participation of the original book author and playwright Steven Levenson, Dear Evan Hansen is Stephen Chbosky’s movie and I, for one, refuse to argue with that. Could the film version have been a star-making chance to pass the proverbial torch to another, younger performer? Sure, but when the original is so good and capable, why take away that opportunity? What did you want Chbosky to do? Digitally de-age Ben Platt digitally like Martin Scorsese? Come on.
Read MoreWebMD will tell you that selective listening involves “consciously or unconsciously choosing to listen to what is relevant to you and ignore what isn’t.” Marinate on that for a moment, especially the second part, and then apply that notion to the talking heads and one-track minds of the spiritually devout you see leading cameras and congregations of people with loose wallets and even looser gullibility. That’s the misplaced morality at the center of Michael Showalters’ The Eyes of Tammy Faye.
Read MoreEven if the advice is only spoken for a moment amid flurries of exposition and martial arts melee, neither versions of those breaths feel wasted in this new Marvel Studios entry. And does this movie ever breathe! In this sensational origin story, we gulp and we gasp with every kinetic huff and puff of our heroes and villains embroiled in turmoil and combat. I, for one, dig that simplistic focus on the voluntary and involuntary ways Shang-Chi and the Legend of the Ten Rings draws in its oxygenated energy.
Read MoreCall this a crude cinematic question as well as a question of evolved sensibilities, but how do you make shiny things and places scary? Horror stories typically thrive on the dirty, dingy, and grotesque as instinctual triggers. It’s harder to get that same effect in a setting of clean poshness. The long-distance sequel Candyman has an answer to that and it parallels putting truth to the societal cleansing castigated by the movie itself.
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