Posts in MOVIE REVIEW
MOVIE REVIEW: Wander

What folks are going to find with the escalating thriller Wander is a screwy little movie saved by committed performances. The trouble comes when the committed performance comes from the character that should be (and ends up) committed in the clinical sense. Be ready to question everything in Wander because the audience lens and main character is a rooting-tooting conspiracy theorist, yarn-and-tape boards with newspaper clippings and all, who makes his scratch as a private investigator. The unreliable narrator energy is strong, but that’s the entertainment when you make it to the finish.

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MOVIE REVIEW: All My Life

This look and moment, which gets reminisced later as part of wedding vows, is the beginning of a very light and lovely shared journey in All My Life. From this opener onward, the two stars have each other, and us, hooked. Based on a touching true story of temporary time impeding on a forever kind of love, this approachable and endearing romance stockpiles the smiles to brighten all the trials and tribulations that follow.

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MOVIE REVIEW: Luxor

There’s another great line in Luxor that says this is “a place that whispers to you if you listen.” It’s an effect threaded into the soundscape of the film by sound designer Frédéric Le Louet (The Informer) wafting in and out of the score from documentary composer Nascuy Linares (Embrace of the Serpent). The tourists around Hana hear tales of reincarnation and the passionate myths of polytheistic demigods. Whether she believes them or not does not compare to where her conflicted self esteem hangs precariously during this short holiday.

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MOVIE REVIEW: Mank

Sports fans like to say “game recognizes game” when youngblood contemporaries hat-tip the greats in their presence or those that came before them. Thanks to The Social Network ten years ago diving into the not-so-nice history of Mark Zuckerberg’s Facebook, David Fincher knows this Welles-Mankiewicz territory all too well. He put a bullseye on an emerging institution and enlisted the wily Aaron Sorkin to help him light the fuse. The masterful director returns with a stylish tribute to courage that came before him. He gets it. Call Mank “balls recognizing balls.”

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MOVIE REVIEW: Nomadland

That said, this odyssey has highs and lows for Fern living among the saguaros, grasslands, or rocks across the American West. No matter how much she has learned to take care of herself, painful solitude creeps in. Self-reliance only fulfills so much enterprising spirit. Courage can only stave off so many endangering risks faced by a woman her age alone. In many ways, Chloe Zhao’s film, her follow-up to The Rider before going Marvel with The Eternals, has the same range of stamina and lethargy. Unvarnished prestige too has its limits.

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MOVIE REVIEW: Sound of Metal

With rock-heavy undertones replaced by the dramatic struggles of silence, Sound of Metal can personify every one of those questions. This labor-of-love and festival darling debuts in limited release and Amazon Prime on December 4th. Led by a sensational, internalized performance from Riz Ahmed, read here, see on the screen, and hear anyway you can how this stands as one of the best films of the year.

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MOVIE REVIEW: Superintelligence

As dippy as all of this in Superintelligence may sound and transpire, there are undeniable streaks of kindness bigger than terabytes. Not all that far removed from the likes of George Bailey or Walter Mitty, the imagination to root for hope and love in people with laughs along the way feels good. Such a sincere sweetness cannot be discounted or denied. Once again, simplicity earns that kind of vibe. Welcome that to your viewing coach this season. We could use it this year.

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MOVIE REVIEW: Happiest Season

The tug-of-war in Happiest Season between head and heart is everything. Even as a fictional holiday yarn, the setting of Clea DuVall’s comedy is rooted in a present social landscape where even the legalization of same-sex marriage five years ago has not reduced or healed all of the emotional risks and scars associated with being out on the matters of love. Poking fun at the hijinks of going back to a conservative home for Christmas is one thing. Layering the very tangible anxiety of LGBTQ+ societal fears within those laughs is quite another. Happiest Season earns worthy pride for its willingness and openness to hug out that daunting task.

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GUEST CRITIC #47: Holidate

by Arham Khokhar

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #46: The Score

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #45: On the Basis of Sex

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Run

The keys to the balance on the table are patience and precision. Suspense films with the composure of choosing its show vs. tell spots resonate better than smash-and-slash roller coasters and talkative bores. Chaganty and Ohanian came to Run with a strong premise that had depth of question marks to present behind it. Too many other thrillers never make it past their single starting idea. The duo slow-plays their escalating premise in a film that never seems to run out of constricting connections.

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