Posts in MOVIE REVIEW
MOVIE REVIEW: The Goldfinch

Normally, the book vs. movie argument centers around missed opportunities. The majority lament becomes about the necessary condensing and trimming executed by writers and filmmakers that shaves too much of the nuanced essence from the sprawling story of the written page. With The Goldfinch, a different effect occurs. Given a longer running time than most movies already and all the patience in the world, any additions of extra depth and detail to the film adaptation would not help. What is already present is bloated, sluggish, and ineffectual. That’s an odd circumstance to say the least. Talk about a movie that should have stayed a book.

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REWIND REVIEW: Aladdin

All the desired diversity in the world paled to who could possibly follow the late Robin Williams? The Genie is the ticket to more than just wishes when it comes to this reboot’s success. That laborious task was given to Will Smith. Folks, he is a hot, baking sun of swagger! Will has not been this loose and free since Men in Black 3 seven years ago. Aladdin reminds us how much of a consummate showman the 50-year-old is and always has been. Will has a style, energy, and stage presence all his own, and he saves this entire movie from sandy ruin.

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MOVIE REVIEW: Official Secrets

Most cinematic eras have their overuse of dramatic varnish in historical retellings as a means of painted shine for grabbing attention and producing supposedly heightened value. This writer will always contend that if a chosen story needs too much of that glitz, where it cannot compel or entertain with its own facts, it should not be made into a movie in the first place. Gavin Hood’s Official Secrets gives righteous treatment to such a worthy story and builds a stoic thriller by layering its merits with an eye for accuracy.

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SHORT FILM REVIEW: A Sisterhood of Signatures

One does not need millions of dollars to create an expression of personal passion. They need patience to see their vision through, a dedication to the project shared all involved, and the courage to put their work and themselves out there. Filmmaker Okema “Seven” Gunn harnessed all three of those values to make her short film A Sisterhood of Signatures and put them right back into the finished piece. She will proudly display her effort alongside the works of her inspirations and contemporaries as part of Chicago’s 25th Black Harvest Film Festival hosted by the Gene Siskel Film Center.

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MOVIE REVIEW: Where'd You Go, Bernadette

Neurotically charming, yet misshapen in many ways, Where’d You Go, Bernadette is wholly unique from the Texan and Hollywood outsider. The movie has the equal ability to disarm and disgust depending on your perspective or experience with the Maria Semple source material. Non-readers will float with the staccato blustering and the Antarctic kayak currents of fancy. Ardent fans will wonder where all the scintillating mystery went that gave merit to all the haphazard happenings.

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MOVIE REVIEW: The Peanut Butter Falcon

The Peanut Butter Falcon doesn’t just tell a good story. It tells a great one worthy of attention, praise, and undying appreciation. The purifying freedom that churns throughout this movie could cultivate even the most barren heart. This little lovable film, winner of the Narrative Spotlight Audience Award from the SXSW Film Festival, is the kind of experience that makes one rethink how their own story is going. That is a mighty, motivating accomplishment for something that couldn’t stand out more from the usual summer blockbuster fare.

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MOVIE REVIEW: Blinded by the Light

Hell no, you don’t have to be a superfan of Springsteen to enjoy Blinded by the Light, but it sure helps. Even if The Boss is not your ideal vibe, the sprightly emotions on-screen cannot help but target and trigger your own matching passionate feelings for whatever you revere that answers the questions of Lesson #1. Following the affable and lovingly-composed musical worship recently achieved by Yesterday earlier this summer, welcome to your next toe-tapping crowd pleaser to close the summer of 2019.

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REWIND REVIEW: Avengers: Endgame

Arriving on home media this week from Disney and Marvel Studios is their colossal blockbuster coda Avengers: Endgame starring everyone who’s everyone from the collective Marvel Cinematic Universe that has been built with tidy and patient blueprints since 2008. Time travel tropes aside, you couldn’t have asked for a better swan song of satisfaction than this big finish. Watch for it arriving in physical media form on store shelves Tuesday, August 13th after an extremely successful theatrical run. This is a pretty customary disc release, and one has to think Disney has something more complete, expansive, and expensive planned someday.

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MOVIE REVIEW: Luce

The enigmas revealed by the spiraling escalation of manipulative confrontations are incredible in Luce. Through the masterful mystery of folding facades written by director Julius Onah and playwright/writer J.C. Lee of How to Get Away With Murder, there is a feverish anticipation of who’s going to turn, who’s going to crack, who’s going to fall, and who’s going to rise. The tension present is unpredictable and captivating.

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MOVIE REVIEW: Brian Banks

As simple and well-tuned as it is, Brian Banks absolutely works as a fitting and crowd-pleasing source engaging inspiration. This is director Tom Shadyac’s first feature film in 17 years and rare foray into serious fare after a career built as the man who launched Jim Carrey to stardom. There is a steady maturity of craft and tone here that suits this kind of story without heavy melodrama. The sports movie cliches are absent to examine the life of a person before the redemptive fame. The result is a timely film of worthy importance.

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VINTAGE REVIEW: Medium Cool

When Medium Cool reaches its history-witnessing climax at the 1968 Democratic National Convention protests in Chicago, two crowd chants take over the urban soundscape. The first is a defiant “Hell no! We won’t go!” and the second is “The world is watching.” The observant cameras and microphones used by filmmaker Haskell Wexler preserved that spirited defiance for cinematic immortality. Fifty years after its release, the echoes of those unified shouts in Medium Cool still ring with relevance and importance today.  We’re not going anywhere, and people still fix their eyes on this film with shock and awe.

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MOVIE REVIEW: The Red Sea Diving Resort

Ari likes define the risky propositions in this movie as having one of these two outcome feelings. Sadly, the movie itself wobbles between the same. Entertainment comes easy in this Netflix-backed programmer and yet with consequently little attention paid to the predominantly off-screen annihilation of an ethnic group. Reality like that makes the glee hard to take. We live in an era where we can do better than solely bravura. Good filmmakers and creative powers can aim for challenging movies that address vital history and still entertain.

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