Stanley Tucci is a cinematic treasure of sarcasm. What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries. When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission
Read MoreThe melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.
Read MoreMany internal and external situations can cause feelings of desperation. Straits get so dire that horrible choices become the only choices. For Angie in Beauty Mark, played by emerging TV actress Auden Thornton, the burdensome weights (and they are sure plural) around her neck are overbearing. When those burdens and stresses pile on at the same time, the desperation of her situation becomes overwhelming in this excellent and hardscrabble family drama from writer-director Harris Doran.
Read MoreUnderneath the on-screen actions in director Mark Sobol’s dynamic short film The Photographer, the motif of voyeurism is dissected from a presented theory. A male narrator orates an internal monologue opening on the notion “a subject is so much more beautiful when it doesn’t know its being watched.” Assigning beauty to a moment that is not the observer’s to share in begs a few life lessons.
Read MoreTaking the full theological route possible from A Wrinkle in Time would be too strong mentally and too trippy visually for most of today’s audiences. By contrast, skimping on those expressions in favor of softer and attractive commercial cuteness sanitizes what makes the novel a subversive and revered classic. What you’re getting today in 2018 is a noble attempt at the core of the former with many caveats and concessions made for the latter.
Read MoreBefore it even debuted, Annihilation, wunderkind filmmaker Alex Garland’s big studio follow-up to Ex Machina, was labeled “too intellectual” and “too complicated.” Come what may, the film is quite exactly those two qualities and then some. However, what might be a smearing hindrance for some is a emblem of brilliancy to others. Because the film could land either way, the intrigue and anticipation surrounding Annihilation couldn’t be better. You will undoubtedly get your mind’s worth and your money’s worth stepping up the cerebral challenge of this film.
Read MoreIn many respects, the degree of difficulty to make the cheesy entertaining is not very high. Laughs of the low-hanging fruit variety are easy to come by and guilty pleasure films are created all the time. The real challenge is to make the cheesy, and the laughs that come with it, unexpected and fulfilling. Flush with snickering hilarity and scoring plenty of points for swerving surprises, Game Night is infectiously entertaining with any cheese it serves.
Read MoreConstantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago. It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people. A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.
Read MoreSome films that cross our eyes are an exercise of the art form. They trade tidy entertainment for a celebration of craft. There are clear pluses and minuses to such an undertaking. Stripping away conventions left and right to make something wholly unique and downright peculiar, November was Estonia’s 2017 entry for the Best Foreign Language Film Academy Award. The experimental foreign film brims with allegory and is strikingly shot. However, the film’s compelling qualities never seem to match its obscene effort towards the art
Read MoreHere in Episode 2 of “Connecting With Classics”, Feelin' Film's Aaron White, guest host Josh Effengee from LSG Media’s Science Fiction Film Podcast, and myself celebrate Valentine’s Day by discussing a film that is considered one of the greatest love stories ever told. Casablanca checks in at #3, NUMBER THREE!, on the AFI Top 100 10th Anniversary list. This is definitely a beloved classic, my own #1 all-time favorite movie, and we have a great conversation about its quality as a film and all of the ways it has resonated with us emotionally.
Read MoreTogether at The Century Bar of the Landmark Century Centre Cinema, fellow CIFCC critic Jeff York and I critiqued the ten short films nominated for the 90th Academy Awards for Best Live Action Short Film and Best Animated Short on the "Page 2 Screen" bost on the International Screenwriters' Association network. Both categories of contenders boasted impressive range and buried treasure. Enjoy our reviews and discussion!
Read MoreFor any MCU film to do this leader and his civilization justice, it has to capture the traits of dominance. Ryan Coogler’s film accomplished that and then some with a stature and ferocity fitting of the comic book legend. Pushing aside the proclivity to have a empowered science nerd or a plucky quipster as its heroic lead, a Marvel film hasn’t been this brawny, righteous, and tough since Captain America: The Winter Soldier. Black Panther strides proudly and powerfully with every progressive step as one of the best MCU films we’ve ever seen.
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