Yet, Rachael Abigail Holder makes her choice. She leans on love and lets the rest of the issues orbit like an accompanying breeze. In doing so, Love, Brooklyn offers a bountiful, conversation-driven romantic drama that exudes intelligence, not only in its portrayal of the neighborhood's dynamics but also in its exploration of the hurdles modern relationships face in such a culturally affluent setting.
Read MoreMissing children are an unsettling movie crisis, often rapt in thriller-sized peril. The helplessness is crippling, even if a happy ending arrives. As well, the fear and uncertainty hit very close to home, even if the viewer is not a parent themselves. More often than not, films about missing or kidnapped children amplify the danger to an exasperating and overwrought level. Stranger Eyes encapsulates the aforementioned proliferating dangers in an almost entrancing, methodical way
Read MoreThe Knife’s suspense stirs from the thoroughness on display inside and outside of the film’s events. Getting involved with every character, Melissa Leo is granted an excellent showcase, prying truths from lies and pushing this plot along, proving, once again, her sizable screen presence in the right role. For her detective, specifics and details matter, and the screenplay from Asomugha and prolific writer/actor Mark Duplass masks them in a taut and efficient movie
Read MoreGetting swept up in the stylish pageantry, big or small, of a wedding grabs audiences consistently and well. Curiously, My Mother’s Wedding unfurls as a dramedy where the nuptials in question might be the most inconsequential part of the movie. That’s not a bad thing, as it has happened before in celebrated wedding movies, so long as the film has more to say or is interesting elsewhere. Actress Kristen Scott Thomas’s directorial debut generously tries its hand at offering more than just pure ceremony.
Read MoreAs a whole, Michael Winterbottom took on a very difficult slice of history, with many facets and fractures that pit “our land” versus “promised land,” and chose an observant path over a declarative one. In one regard against that arms-length of safety, more terse politics were possible, and probably preferred with this many decades of reflection since the Palenstinian Revolution. The decision not over-project is understandable.
Read MoreShe Rides Shotgun puts these two through hell with slivers of hope pushing them to carry on. The connection built through the close quarters performances of Ana Sophia Heger and Taron Egerton to lift that sense of drama is exceptional. The camera rarely leaves Heger, making the point of view one of fragility, callousing over with experiences of toughness.
Read MoreThroughout Four Letters of Love, two 1970s families in Ireland—one living on a remote western island and another from a more urban city home—experience difficult roads of distressing life events. Between them, there’s a drastic career change, the transition to a new school, future career uncertainty, parental abandonment, a few cases of writer’s block and artist’s block, relationship woes and competing affections before marriage, parental approval of their children’s paths, a handicapping injury, and two losses of parents and spouses.
Read MoreFinally Dawn hinges on the collision between fandom and stardom. Even being set far before today’s times of social media-driven celebrity access and a massive cycle of multi-pronged tabloid coverage, the matinee stars of cinema still carried a hold over awestruck commoners. Their mere public presence added to their legend. Finally Dawn grants a fan a night with her idols, a scenario that radiates with potential dream fulfillment.
Read MoreWhen done well, the emotional catharsis of human stories within peril can be just as impactful as the escapism and heroics, all without sacrificing the heady science fiction of the premise. The Danish film Eternal, enjoying a limited theatrical release after a run on the festival circuit, has this particular sort of ambitious aim.
Read MoreThe hypothetical consideration of time traveling for love, even in this medically induced manner of Daniela Forever, carries an instant appeal. That commonality of challenging the human condition of mortality in favor of romance has tickled our brains and pulled our heartstrings before in movies, big and small.
Read MoreHomage was clearly the goal of Danny Turkiewicz with Stealing Pulp Fiction. Matching Tarantino, our two leads of Rudnitsky and Soni are a mismatched pair of buddies with loser exteriors and ambitious interiors with their own acronym-filled lingo and hangout vibe. Jonathan and Steve are a pair classic QT chatty Cathys who incessantly talk and finish each other’s sentence. Choosing some easy traits to match, the movie is edited into several titled chapter sections, includes similar musical cues, and emulates some of the framing and slow-motion camera moves of Quentin’s motifs and techniques.
Read MoreFilming for Familiar Touch was done in collaboration with the residents and staff of Villa Gardens Continuing Care Retirement Community in New York. Backed by casting agent Betsy Fippinger (Eighth Grade and Are You There God? It’s Me Margaret), 67 residents, 13 staff members, and 12 caregiving and geriatrician consultants were credited for their involvement in making the movie, granting a tangible and uplifting authenticity that we’re being shown a positive standard of care and not an entirely sugarcoated movie version, just to perk up a plot with conflict.
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