Posts in Independent Film
MOVIE REVIEW: Wander

What folks are going to find with the escalating thriller Wander is a screwy little movie saved by committed performances. The trouble comes when the committed performance comes from the character that should be (and ends up) committed in the clinical sense. Be ready to question everything in Wander because the audience lens and main character is a rooting-tooting conspiracy theorist, yarn-and-tape boards with newspaper clippings and all, who makes his scratch as a private investigator. The unreliable narrator energy is strong, but that’s the entertainment when you make it to the finish.

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MOVIE REVIEW: Luxor

There’s another great line in Luxor that says this is “a place that whispers to you if you listen.” It’s an effect threaded into the soundscape of the film by sound designer Frédéric Le Louet (The Informer) wafting in and out of the score from documentary composer Nascuy Linares (Embrace of the Serpent). The tourists around Hana hear tales of reincarnation and the passionate myths of polytheistic demigods. Whether she believes them or not does not compare to where her conflicted self esteem hangs precariously during this short holiday.

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MOVIE REVIEW: Nomadland

That said, this odyssey has highs and lows for Fern living among the saguaros, grasslands, or rocks across the American West. No matter how much she has learned to take care of herself, painful solitude creeps in. Self-reliance only fulfills so much enterprising spirit. Courage can only stave off so many endangering risks faced by a woman her age alone. In many ways, Chloe Zhao’s film, her follow-up to The Rider before going Marvel with The Eternals, has the same range of stamina and lethargy. Unvarnished prestige too has its limits.

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MOVIE REVIEW: Sound of Metal

With rock-heavy undertones replaced by the dramatic struggles of silence, Sound of Metal can personify every one of those questions. This labor-of-love and festival darling debuts in limited release and Amazon Prime on December 4th. Led by a sensational, internalized performance from Riz Ahmed, read here, see on the screen, and hear anyway you can how this stands as one of the best films of the year.

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GUEST CRITIC #47: Holidate

by Arham Khokhar

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #46: The Score

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #45: On the Basis of Sex

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Run

The keys to the balance on the table are patience and precision. Suspense films with the composure of choosing its show vs. tell spots resonate better than smash-and-slash roller coasters and talkative bores. Chaganty and Ohanian came to Run with a strong premise that had depth of question marks to present behind it. Too many other thrillers never make it past their single starting idea. The duo slow-plays their escalating premise in a film that never seems to run out of constricting connections.

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MOVIE REVIEW: Fatman

You know what? I hear you. How can Fatman remotely be good? You watch that grim trailer that looks like something intentionally fake right out of Saturday Night Live’s penchant for such parody and shake your head. You consider the violent premise and think Fatman is going to all be schlocky pulp. And then, what to my wondering eyes did appear, this flick turned into something wholly unexpected, yet still with the meaty side of the lurid. Ring those f’n sleigh bells!

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GUEST CRITIC #44: Long Shot

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Freaky

If you picture Freaky’s premise before you and say “I can’t even,” just like a lazy Millennial, do a turnaround. Retort, as another future victim in the movie does, with “not with that attitude.” Say you “can” or “fo’ sho’” or whatever the whipper-snappers are saying these days to agree. Scripted by Christopher Landon (the two Happy Death Day movies) and Bordertown writer Michael Kennedy, this mashup of body swap comedy cliches and high school horror tropes turned out to be an artery-bursting romp.

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MOVIE REVIEW: Proxima

The dramatic heartstrings of Proxima lie in the realization and reflection of what one will miss from being away and isolated for an extended period of time. Once again, multiple the usual working parent woes. The emotional pain from the anticipation of departure outweighs the excitement. As a viewer, no matter man or woman, you cannot help but ask yourself if you could do what Sarah Loreau is attempting. Could you uncling from your own children? Could you break promises? Like her, you will wrestle your optimism of adventure and entertain your feelings and fears of what and who you would miss the most. That’s a worthy and powerful tale to witness.

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