Vivarium earns very positive credit for its premise and aim. Bending relationship dynamics of survival and gender roles around the middle class dreams of homeownership and building a family is, no question, both absorbing and ambitious. The social commentary is as frank as it is smartly bleak. The graying realities are well-masked by the colorful production dwellings. Their dreamscape trap of the Yonder development is rightly simplistic yet imposing.
Read MoreDuring this COVID-19 quarantine, a portion of our easy-going lifestyle of going to communal theaters to catch a big screen spectacle has been dealt a body blow. For many, this isolation is not a very fun time. Turning to our favorite movies at home or discovering some motivating and engaging new ones can be great medicine for happiness against the cabin fever blues. I joined Mike Crowley’s You’ll Probably Agree podcast this week to talk comforting cinema in a group conversation with Ian Simmons of Kicking the Seat and the esteemed Pat McDonald of HollywoodChicago.com. Give Mike’s YouTube channel a new subscriber, his Facebook page a like, and his Twitter a follow!
Read MoreMovies are confidently taking up one of the top spots on the list of most common ways of entertainment. The industry itself is bringing in millions every month. It’s a unique form of art that uses a completely different approach to storytelling than books or video games. And just like any art, it has been evolving throughout its entire life span, discovering new genres and developing new techniques.
Read MoreWhen you take a gander at Grace VanderWaal’s title character in Stargirl, you probably don’t think “unassuming.” The loud outfit seems goudy. The ukulele on her back reeks of ostentatiousness. And, by golly, that rat on her shoulder screams straight-up weird. Miraculously and sweetly, director Julia Hart makes all of this boldness as unassuming as possible, free of arrogance or pretension. The modesty of Jerry Spinelli’s hit source novel is intact and invigorating on this Disney+ original.
Read Moreby Susan Saurel
The Oscar awards 2020 was different as it recorded a streak-breaking award to a South Korean movie which attracts various commentaries in the world scene when Bong Joon Ho’s Parasite took the big hit after 91 years of a streak of English movie wins. At the 92nd Oscars, Parasite took the world by surprise when it was announced for the Best Pictures award, being the first of foreign film announced as the winner of a highly-rated award from the beginning of the Hollywood Film Academy. Also, it is recorded as the first South Korean movie nomination for a competitive award in the international award category.
Read MoreBehind every political monster has a staff of underlings who have stories to tell and permanent stains on their resumes. More often than not, unless they are a featured mouthpiece or the eventual public whistle-blower, we don’t really see these people, even when we know they are there. Across the guarded podiums, pushy microphones, and invasive cameras are also the faceless by-lines of cub reporters trying to break stories and make a name for themselves. They too are dependent on the grinding political machine. Run This Town gives faces and voices to unfortunate minions and nobodies tied to the late and former mayor of Toronto mayor Rob Ford.
Read MoreIt is very relevant and very opportune how the true-to-life main character’s last name fittingly became a perfect title for this kind of movie. Call it telling. Call it fate even. One could also call it a warning. Burden is as dramatic and uncomfortable as the many layers of the namesake word itself. The winner of the U.S. Dramatic Audience Award at the 2018 Sundance Film Festival finally makes its theatrical bow nearly two years after its praised debut.
Read MoreAs a special for Black History Month, I was honored to join Aaron White and Patrick Hicks of the Feelin' Film Podcast for an opportunity to love all over my #1 film of 2018, If Beale Street Could Talk from Moonlight Oscar winner Barry Jenkins. Joining me as another guest and bringing the dais to four was Kolby Mac, the new host of FF’s “Black Label” podcast. This was such a wonderful episode! Listeners are in for a treat! Take a listen to the episode here or below:
Read Moreby Anna Nilsen
Finland has a rich cinematic history, although it is not as widely talked about on the international scene as many other nations. To fix that and get more people into Finnish film culture, here are just a few of the top movies that the country has produced.
Read MoreLike it or not, there’s something carnal and entirely compelling about voyeurism. From trainwrecks to Peeping Toms, gazes can be easily fixated by the energy of those moments. There is an addictive draw that can be interest, mystery, surprise, titillation, or all of the above. The invasive level of wrongness in watching something you are likely not meant to see is measured by what one is doing or getting out of these observations. That’s a bit of the hook of The Night Clerk which allows a little gray hue on that potential wrongness.
Read MoreFor a moment, think on the last bad day you experienced when the things you juggle in your life continued to collapse. What sort of “wit’s end” did you find yourself arriving at? Jog the memory of how you reacted to that ugly day. Did you lash out harmfully or did a figurative life preserver pull you out of the doldrums or stresses? Chicago filmmaker Matthew Weinstein’s newest short film A Missed Connection thrusts a character to such a breaking point and exquisitely presents a chance scenario likely dreamt of by many, yet afforded by few. This film plays on February 21st and 22nd as a selection of the Beloit International Film Festival.
Read MoreThe short turnaround 92nd Academy Awards arrive host-free for the second consecutive year on Sunday, February 9th, barely a month after nominations were announced. The pace has added excitement and urgency right on down to my website’s 2020 Awards Tracker. Let’s start calling some winners. You have made it until the end. This last chapter column examines the Best Picture race. As I say every year, stick with me and I will win you your Oscar pool!
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