In each winsome second, Lucky continuously unearths affecting ways of making cantankerous endearing. With grizzled resolve and humor as dry as the desert he walks in, the late Harry Dean Stanton personifies the charm culled from the crotchety put on display in John Carroll Lynch’s straight-shooting film. Far from any Grumpy Old Men folly and possessing a hidden heart twice the size of Alexander Payne’s Nebraska, meet a lovable unlovable asshole that flourishes to galvanize unexpected wholesomeness from the prickliest of cacti.
Read MoreNot all actors and actresses are motivated by fame and profit. Some are in it for the performance and chance to share culture through an artistic medium. Before the hey-day of cinema, one such actress captured the fascination of an audience higher than any Hollywood premiere and did so as an ostracized minority. Better yourself with a slice of history to learn about Mary Frances Thompson, or, as she was called on stage, Te Ata.
Read MoreThe banter and B.S. traded back and forth between Alex Murphy and Chris Walley is as hysterical as it is pleasurably uncouth. It’s an absolute wonder to realize that The Young Offenders is mutually their first on-camera film roles. Alex and Chris’s chemistry through sarcasm and shared shenanigans feels and looks effortless. Flabbergasted energy blasts out of both of them and it’s a hoot to watch. Seeing the two young actors operate these over-the-top losers with reckless abandon while still injecting a little coming-of-age heart for good measure, makes the film highly entertaining.
Read MoreI know it’s the clickbait haven of Buzzfeed, but this list of jobs well-known celebrities had before they hit it big is pretty humbling and eye-opening at the same time. Once the millions roll in and we see the red carpets and flash bulbs, we forget the lucky breaks and hard work it took to get there, and that for every one of those matinee idols a thousand never make it. Upon seeing Emerald City at the 3rd annual Irish American Movie Hooley, I’ll gladly raise my glass in hopes that Colin Broderick’s minimum wage days are over.
Read MoreInspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna. Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.
Read MoreThe third annual Irish American Movie Hooley is happening this weekend at the Gene Siskel Film Center from September 29-October 1st. This very writer and website was both lucky and honored to cover this event last year and has again been granted coverage access this year. The event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. Here are my capsule reviews of the three films. Get your Irish on at the Siskel Film Center this weekend!
Read MoreThe Gene Siskel Film Center will host the third annual Irish American Movie Hooley from September 29-October 1st. This year’s event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. All screenings and events are at the Gene Siskel Film Center. his very writer and website was both lucky and honored to cover this event last year and will again this year. Stay tuned here for future capsule reviews and full reviews.
Read MoreThe opening number makes the single-take climax fight with Charlize Theron in Atomic Blonde look like a box waltz lesson from an elementary school gym class. The woman is the reckless assassin Sook-hee, played by Ok-bin Kim of Thirst, and the scene ends with a hint of a deranged smile of glee. The Villainess spins with dynamic energy of wanton mayhem and operatic displays of graphic violence when the talking stops and confrontations begin.
Read MoreThe most superlative aspect of Viceroy’s House and its chronicle of national history for the countries of India and Pakistan is the personal passion behind the project. Bend it Like Beckham and Bride and Prejudice director Gurinder Chadha is the granddaughter of family displaced by the largest migration of people in recorded human history that occurred during the Partition of India of seventy years ago. There is an undeniable core of importance and respect present in the film that shows the great care of Chadha and all involved.
Read MoreDirector Matt Ruskin’s Crown Heights presents a true story incarceration as it happened to an innocent man. Just when you think two undue years awaiting trial are shameful enough, it turns into twenty over the course of four presidencies and 99 tidy minutes. To tell the story of Colin Warner is to tell a story shared by too many thousands of other wrongfully incarcerated people within the U.S. prison system.
Read MoreDashes of kink and horror mix within Lee Amir-Cohen to create moments of shock and heat shared with Amanda Maddox in the short film The Other Place. The star, who also writes and directs this short, has crafted something creepily captivating in front of and behind the camera. Contracted properly as a short film that leaves you wanting more, this shot glass of venom is a properly measured jolt.
Read MoreIn a terse 80 minutes, The Long Night of Francisco Sanctis locks its suspenseful build and holds your attention. Open-ended as it is, the film could have employed additional time to hammer its points home and offer a payoff. However, it’s minimal surface and suddenness feels intentional to mirror the mysterious fates that befell so many people of this era. Quietly powerful, the effect and feeling are convincing.
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