Posts in Home Media
GUEST ESSAY: Who I Am, Where Do I Come From: The Ontology Behind "Westworld" and the Life of Choice

By Shanle Lin

By the 17th century, when Galilei noticed that the earth goes around the sun instead of the opposite around. Many people were in shock. They couldn’t have believed that human wasn’t at the center of the universe. Generally, it is not the various great ideas that subvert the way of people thinking, but our ignorance of yesterday. People are afraid to accept the impact a brought by the solidified-mind revolution, although this is born with human nature. In the movie Westworld (1973), John Michael Crichton bravely used “technophobia” to express what may happen if robots made for hedonism or recreation purpose generate their own mind.

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GUEST ESSAY: The Plague of Exile in "District 9"

By Steven DiGiorgi

After analyzing Neill Blomkamp’s District 9 (2009), the setting of the film capitalizes on the post-colonial setting in Johannesburg, South Africa. What we viewed in the film as a representation of South Africa’s past, through an alternative perspective that identified the oppressed African people as aliens, known as the ‘Prawns’. The isolated community of District 9 represents oppressed living conditions for the millions of people negatively affected during the Apartheid rule (1950-94) (Weaver). For half a century, the South African people had faced dehumanization and discrimination by xenophobic Europeans. The caricature of the European colony was portrayed as the private military, MNU. They followed a typical method of a dystopian society, where power was diverted from the people to the hands of the government.

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GUEST ESSAY: Time-Transcending Architecture in "The Lake House"

By Tessa Cleary

“Home is where the heart is” is an expression used to portray the feeling that someone acquires in a building but is realistically used to describe the way they interact with the space around them. The house that was constructed in Alejandro Agresti’s The Lake House, is a prime example of how a building can be considered successful architecture but lacks the interconnectivity that a home needs with the dweller. Years ago, people would stay in their home almost the entirety of their life usually due to things like lack financial stability, inability to move or neighboring family ties. Now it seems as though it is very common to move from place to place throughout the span of one’s life. When someone moves around frequently, it makes the house they dwell in less special because of the lack of time spent in that place to create memories and connect with the space and the people who live in it.

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GUEST ESSAY: Architecture as Character: “The Hateful Eight” Becomes Nine

By Jake Monroe

Architecture and cinema have formed a relationship through film progression thought the 20th and 21st centuries. This relationship has its roots theater extending beyond the silver screen. Often this relationship acts to create setting, to ground the characters and give them an environment to react to and use to their advantage. It is often used strategically by the filmmakers as a tool for conveying what they set out to tell. At times, however, in the film the architecture transcends the role of place and becomes an active participant in the story at hand. It acts and reacts to alter and progress the story. The Hateful Eight, directed by Quentin Tarantino, is a beautiful example of this kind of architecture in film. I will discuss how the cabin in the film transcends set to become an active character and ultimately have a sense of self.

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GUEST ESSAY: The Beginning of ("Her")

By Patrick Marcel Donte Winston

An in-depth analysis of Spike Jonze's 2013 film Her, and its relation to progressing artificial intelligence and architecture. Specifically, I question the need of tech in our society and whether it is a benefit or danger to our societal norms. We see technology quickly becoming more advanced in the past 10 years, but will it become God-like? We see advanced technology as our main source of communication, transportation, living, and more. While being so connected to this tech-driven lifestyle, what if we lost control of technology and can't communicate with it?

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GUEST ESSAY: The Architecture of Hope and Desolation in "Children of Men"

By Jessica Ishizaka

Children of Men poses a future where infertility threatens the human race with extinction.  With the death of the youngest person in the world, many extreme groups have risen in order to gain control and take matters into their own hands.  Laws are put in place to detain and deport immigrants and to control the citizens of London. The director of the film, Alfonso Cuarón, creates a political atmosphere that is particularly ruthless as he paints the world in a shade of dread and grime.  The world and everything in it have been worn down and abused for 20 years, and no one has the ambition to replace or renovate anything since the extinction of the human race is near. 

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REWIND REVIEW: Where'd You Go, Bernadette

Anyone who seeks to own this version of The Lion King is doing so with a “how did they do that?” curiosity. The technical brilliance is its biggest selling point. That interest is answered very well by this disc release. Unlike its Pixar and Marvel offerings, Disney compiled a legitimate look into this re-imaginings wholly revolutionary bells and whistles. This movie will look gorgeous on your high-end television at home.

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MEDIA APPEARANCE: Guest on the "Feelin' Film" podcast for "The Peanut Butter Falcon"

Twice in a month! On the heels of their monumental three-part 200th episode special (covering the true Indiana Jones trilogy), I returned to the Feelin' Film Podcast to close out the 100s with an underrated and underseen gem that all three of us loved. For Episode #199, Patrick Hicks, Aaron White, and me discussed the high values and movie merits of The Peanut Butter Falcon starring Zack Gottshagen, Shia LeBeouf, and Dakota Johnson. Earning five-stars from all three of us, this road movie stands as one of our favorites from 2019 that we hopes gains in appreciation and acclaim with time.

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COLUMN: Top 5 Movies to Get Inspired for Creative Essay Writing

Movies are among the best ever helpers when it comes to inspiration. Needless to say that when you are stuck with essay writing, it is better to watch an inspiring film about writers than to focus on procrastination, computer games, and social media. We don’t judge those activities — but if speaking about efficiency, watching movies is a good choice. Especially when those movies show writers, their struggle, good and bad decisions defining their career. Start with these five movies, and if it is not enough, storm on Netflix and find some more. However, from our experience, one film is enough for staying inspired for a period needed to write an essay.

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GUEST EDITORIAL: Was the film version of "The Lion King" worth it?

by Justin Osborne
Everyone remembers The Lion King, the great animated movie that was released by Disney in 1994. It features animals, from lions to meerkats and warthogs. It showed what “the Circle of Life” means and it rapidly gathered popularity among children and their parents. After 25 years, Disney decided to make a remake of the original animated movie and released the new animation in July. While the story is the same, the effects are impressive. But the reviews are both good and bad. So, was the film version of The Lion King worth it?

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GUEST EDITORIAL: Top 10 Films Starring Only Two Actors

By Ashley Halsey

Most commercially successful films tend to have big  budgets, large cast and action taking place over several locations. But there are some films which take the risk of featuring just two actors, often limiting the action to one location and placing the emphasis on dialogue and the delivery of memorable performances. These ten films are as notable for their captivating and often poignant content, as they are for the skillful, powerful performances delivered by just the two actors who carry the weight of the entire film.

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MOVIE REVIEW: Lady and the Tramp

This new film is a wise and modest update to one of Disney’s best romances of its Silver Age. By utilizing actual dogs, many of which are rescued pets at that, with a mild computerized varnish, feels more tangible than fake in one of these Disney re-imaginings for the first time in a long time. This restraint of creative prudence is what defines its humble disposition and winning achievements. All year long, its mainstream blockbuster peers tried every costly artificial and technological height to be a blaring chorus of bells and whistles, when all that was really needed were some cute, real animals backed often by a swanky band.

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