My website was approached recently by the home buying website Redfin and their blogging area through writer Mike Cahill. They were looking for contributors to offer some insights on home theater setups to be included in a collected piece. Funny thing is, I’m not fancy. I don’t own a single 4K device or even a big screen TV either. What I do have is a 1080p-enabled DLP projector and a big blank white wall. That setup makes a 120-inch picture that costs half as much as a super-nice TV half that screen size. Call me a home cinema MacGyver because I’ll take that kind of look and savings. I impart a little of that recommendation in Redfin.
Read MoreThe 2020 edition of the Chicago International Film Festival will bring several of their Gala and World Premiere presentations to socially distant audiences from the comfort of their automobiles. The Chi-Town Movies Drive-In location in the trendy Pilsen neighborhood hosts the Opening Night documentary Belushi, the Closing Night Nomadland, and six more films in-between. Tickets are available only through online advance sales. The full festival runs from October 14-25.
Read MoreI was approached recently for my second collaboration opportunity with Quality Comix, a successful comic sales website which puts out their own editorial content alongside their marketplace. They were working on a long-form article on the challenging history of superhero diversity. The people at Quality Comix enjoyed my perspective last time on Joker and wanted a contribution on Black Panther in respond to the passing of star Chadwick Boseman for their collected piece. I was happy to oblige speaking about that movie’s vast importance. Check out your boy!
Read MoreTo pull off holding court without reducing matters to the preening or showy variety, the performer must have screen presence. Deneuve, the ageless ingenue, “frigid femme fatale,” and “grandes dame” of French cinema, has wattage for a thousand cameras, even now in her mid-70s. With that stature, compelling shockwaves come at will. The acting awe within The Truth is that Deneuve’s prestige is matched moment-to-moment by Academy Award winner Juliette Binoche, a contemporary, if you will, every bit as powerful as the senior. Their pairing as an estranged mother and daughter in the celebrity world writes cinematic scripture.
Read MoreThe title of The Short History of the Long Road is plain, simple, and true. This is but a small jaunt of a bigger journey for this broken family. The flashbacks are just that: flashed for mere seconds. They show enough to throb the heart and that’s plenty. Any extended testimonials and cherished memories come out in small talk and stay small talk without a grand speech in earshot. What’s personal is personal and not for crowds. Big and lofty is the sky above it, not the grounded individual. Once again, that’s the wavelength: plain, simple, and true. Those are fitting and admirable qualities.
Read MoreAll the while, here is Alfre Woodard staring holes through the most leaden armor. If the Oscars were to come calling, and they should if they had any sense, it would be Alfre’s first nomination in 37 years (Cross Creek) and her first leading one. Her hefty performance steps deeper into the accumulating difficulties that have come to beset the unflappable leader she portrays. Her character has to show collapse, but the performer never falters her requirements. Alfre is beyond compelling in taking on all of the destructive darkness this character envelopes around us all.
Read MoreThere is a certain steadiness to Destin Daniel Cretton’s new film that pushes back those gaudy tendencies. Its central real-life figure Bryan Stevenson is not the firebrand type most legal movies typically adore and request. Played by Michael B. Jordan, in a fitting and matured leading role for the muscled actor, Stevenson is not made to be something he is not. His real-life story and iron will principles are not smudged just to show a little pizzazz for the sake of pizzazz.
Read MoreHere’s some newly-released follow-up bonus content my recent guest appearance on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. When we recorded our reviews of Marriage Story a month before its Netflix debut, we entered spoiler territory for a segment to save for later. Well, later is now with Marriage Story going strong in its award season. In this new episode of CinemaJaw recorded at the glam headquarters of Cards Against Humanity, come for the Jumanji and Star Wars talk and stay for the Marriage Story “Spoiler Lounge!”
Read MoreThere is an old adage used by married people, kind of passive-aggressive burn really, that says “you can’t tie your shoes without me.” In a pithy way, the saying speaks to the symbiotic relationship between the partners for even the smallest things. While it may not always come down to shoelaces, there is a given and even understood level of dependency in marriage. That is until such dependency becomes harmful. In one of the finest films ever on the matter of divorce, Noah Baumbach’s Marriage Story challenges the breakdowns of resiliency and vulnerability that push this painful process.
Read MoreThis past week, I was pleased as punch to be a guest on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. On Episode #447, all three of us just got out of Noah Baumbach’s Marriage Story and, boy, did we have feelings. As per tradition, the Top 5 segment was for each of us to list our best break-up, separation, and divorce movies. An extended trivia segment followed later centered on Tom Hanks. Enjoy their excellent show!
Read MoreFor James Mangold’s sterling sports film, take your thesaurus toolbox and dump out all the synonym wrenches for the word “hubris.” This is a thrilling race of arrogance as much as it is one of high-performance automobiles. The acts of vanity, audacity, chutzpah, conceit, cockiness, insolence, nerve, pomposity, and exceptionalism fill every metallic and non-metallic element. All of this tuned-up and torqued testosterone makes for a one hell of an entertaining show.
Read MoreIn a film of perplexing puppetry like this, the most engrossing quality of Knives Out is character creation. Half of that strength happens on the scripted page where writer-director Rian Johnson has created a deplorable and decadent cobweb of villainy. The other half of that draw comes from the ingenuity of the assembled ensemble. This cluster of spidery characters could have been stock archetypes played by obvious actors. Instead, there’s nuance dripping like venom from thirsty fangs all over the performance stage of Johnson’s cinematic charade.
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