Posts in ADVANCE MOVIE REVIEW
MOVIE REVIEW: Ant-Man and the Wasp: Quantumania

So far, so good, right? Staying local and rooted in family dynamics would make for an ideal Ant-Man movie and an escalator out of the grief management arcs of Phase 4, no? Wrong. Unfortunately, with a cinematic universe spiraling in a zillion rudderless directions of multiverse lunacy, the Marvel machine will not stand for that. Enlisting awards show and Rick and Morty writer Jeff Loveness (bask in that pedigree), Ant-Man and the Wasp: Quantumania reaches so poorly with attempted relevancy. 

Read More
MOVIE REVIEW: A Man Called Otto

Yet, we forget about Tom Hanks, “America’s Accomplished Actor.” We forget the two-time Oscar winner wears that very shiny sash as well. When committed, and it’s hard to cite a movie or role where he isn’t, he can convince us of any emotion, behavior, portrayal, or story arc. Hanks pulls off that kind of magic with A Man Called Otto for Finding Neverland and World War Z director Marc Foster. We root for the charmer, even when we know the charmer is there inside of something repulsive.

Read More
MOVIE REVIEW: Puss in Boots: The Last Wish

To quote the well-worn expression used in many frank judgments of character, “I didn’t think he had it in him.” Be ready to color yourself surprised. Thanks to heightened stakes and those aforementioned honest themes, Puss in Boots: The Last Wish gallups beyond the flashy shell of a cash grab sequel opportunity for Dreamworks Animation. This valuable new journey massages and improves the mettle of this excellent character without losing a whisker of derring-do.

Read More
MOVIE REVIEW: Babylon

The audience’s constitution will be the deciding factor on Babylon’s wide gamut of pungent engagement and raging spectacle. This juxtaposition of the carefree and zany with the dirty and dark underneath can very easily be too much. Any twinkling enchantment is met with bracing hardness. Any gleaming art is met with harsh repulsiveness. Extend this blaring back-and-forth of lift and defeat for over three hours, and Babylon can be as exhausting and unfocused as it is impressive. Good luck coming down from that high or out of that fog.

Read More
MOVIE REVIEW: Glass Onion: A Knives Out Mystery

Luckily, as aforementioned, the sleuth takes it from there and he’s a hoot. With every “fiddlesticks” and “hell’s bells” exasperation, Daniel Craig and his slim cravats flip everything about Glass Onion for a loop every chance he gets. As if playing James Bond for a generation wasn’t iconic enough, the 54-year-old Brit has carved out another signature role we cannot get enough of that will define his career. Savoring this charm with the right cases and opposing actors to work against, he and Rian Johnson can rotate this party for decades without wearing out either of their welcomes.

Read More
MOVIE REVIEW: Devotion

Without question, Devotion is still a movie that paints its own brushstrokes of history and fills in cracks for engagement. The real story, especially in a case like this, will always be larger than the movie. Look no further than the official citation that accompanied Jesse Brown’s awarding of the Distinguished Flying Cross. In different hands, Devotion would be a Michael Bay fireworks show of grandiose noise. Director J.D. Dillard proves a story of proper hero worship can reach rousing and patriotic heights without screaming to high heaven. Once again, look no further than that perfect title and what it stands for in all its places.

Read More
MOVIE REVIEW: The Fabelmans

Extending its fervent love of filmmaking, The Fabelmans begs the question of how magicians find their magic. It assuredly posits that the answer will be a humble origin born from the nuclear home, especially for the most commercially successful movie director of all-time. Through this very personal film, director Steven Spielberg puts his pants on one leg at a time like everyone else to show how one legendary magician remembers and treasures their own story. Since it is Spielberg after all, permission was granted to go ahead and tell that tale with a little magic of its own.

Read More
MOVIE REVIEW: Black Panther: Wakanda Forever

Viewers and fans will contemplate whether Black Panther: Wakanda Forever was the best Ryan Coogler and company could have done with their tragic circumstances. They will wonder if this pivot and royal escalation was the right approach. At some point, all of those questions (and others) have dual contexts between what they mean on-screen and off. Those questions also do not have a universal best, right, or perfect answer. For better or worse, we are now past “must” and the show emphatically goes on.

Read More
MOVIE REVIEW: Armageddon Time

The merit of this story of formative failure can only be truly assessed by whether this teenage proxy of the filmmaker himself turned out alright after the credits roll and history continued forward. One can learn by failure only if they learn. Like the main character, the submission of the movie itself does not put forth enough fight for earned growth. If Armageddon Time is the sum total of James Gray’s regret, then it is a weak indictment that comes off little better than someone saying “I had a Black friend once.”

Read More
MOVIE REVIEW: Till

Till is a heartbreaking and meaningful film presented almost entirely through a mother’s point of view. Any mother of any background will tell you that one of, if not, the most ever-present emotions is worry. Debilitating considerations and worst case scenarios often percolate and betray otherwise happy thoughts and sweet moments. All too often, it’s a mental gear that cannot be easily turned off. One of those flustering pauses begins the film and an agonizing tone for Till is set right away.

Read More
MOVIE REVIEW: Blonde

The controversial new film Blonde swirls surreal cinematic brushstrokes meant to express the hushed nightmares beyond the celebrity dreams of Norma Jean Mortenson and compose a reminiscent and heartbreaking portrait of the legendary star. The audiences’ applause of adoration is replaced by cries of anguish and pain often unseen by anyone. It is those tears that paint this film. For better or worse, those tears are what you now remember more than the smiles when it comes to Marilyn Monroe.

Read More
MOVIE REVIEW: Fall

Sometimes, the simplest premises are all you need, and Scott Mann’s thriller Fall has that going for it in spades. Long has the subgenre of survival thrillers flourished in this area. By ascending a 2,000 foot antenna in the desert (masterfully so in its own perfect teaser trailer), Mann and his co-writer Jonathan Frank have picked a unique and uncomplicated setting. The film’s characters and camera explore its peculiarity and scale. True to its name, Fall’s plot exploits mortal fears and gets creative with the desperate measures people reach to keep kicking and screaming with life.

Read More