Posts in ADVANCE MOVIE REVIEW
MOVIE REVIEW: Rebecca

The expression “hard act to follow” rings like a peal of bells both centrally and superficially when it comes to the new adaptation of Rebecca premiering on Netflix. Boy, that’s the movie and its new bride protagonist to a T. Matching the saying’s highest definition and less the vaudevillian one, Ben Wheatley’s film has to follow “something so exemplary that it overshadows anything that follows.” Even after 80 years, how does one follow the success and legacy of Alfred Hitchcock’s only Best Picture-winning film? The answer is easy. You can’t and you don’t. You stick to the source material and make your film your way.

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MOVIE REVIEW: A Rainy Day in New York

Appealing as it may be swinging from the affable to the morose, that mismatch is the glaring irregularity found in Allen’s new film A Rainy Day in New York debuting on Amazon Prime October 9th. The flow of uptown affluence and worldly whims spoken by the central figures of the film is perky and magnetizing. The words enchant to no end, yet are staggeringly uncharacteristic when you watch them coming from a cast of 20-somethings, even if they are played by talents like Timothée Chalamet, Elle Fanning, and Selena Gomez.

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MOVIE REVIEW: On the Rocks

There are certain notable people who have created an aura where they can get by on charm alone. Their mere presence elevates and enlivens any occasion. The doyan of deadpan Bill Murray is one of those treasures. His ageless appeal can forgive a few bad traits or flaws. The movies Murray occupies can also often get by on charm. On the Rocks is most certainly one of them. It is playing on a limited theatrical release before debuting on Apple TV+ on October 23rd.

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MOVIE REVIEW: The Glorias

Unfiltered regrets, debated wisdom, and long-held dreams replace the microphone soundbites and the picket signs. Those scenes carry genuinely serene and affecting moments of reflection. They may be shot to look whimsical, but they reach to gild exposed and admitted personal flaws within the central figure. Call this respectful hero worship and the most traditional or packaged film Taymor’s ever made if you must. However, what’s left (political pun intended) is well-earned pride.

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MOVIE REVIEW: The Trial of the Chicago 7

Not if, but when, you watch The Trial of the Chicago 7 on Netflix, know that, like all movies based on historical events, what you’re watching is a cherry-picked and tidy two-hour dramatization of legal proceedings that lasted just short of 150 days. Normally when that happens, the dramatic license to make an entertaining product has added any number of embellishments for showmanship’s sake. Folks love the challenge, especially in a courtroom movie, of sniffing out the sugarcoating to wonder “did that really happen?” up and down every narrative peak and valley. The crazy thing is the exact opposite is happening here from Aaron Sorkin.

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MOVIE REVIEW: Antebellum

On so many levels, Antebellum and its premise were not anywhere close to good ideas. With every pendulum swinging between power and abuse and between dominance and defiance, this wannabe mindf--k movie does not achieve enough of that aforementioned justification. Even with a determined performance from Janelle Monáe, this is a distressing and unnecessary inquisition with no solid answers.

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MOVIE REVIEW: Blackbird

Quite quickly into Roger Michell’s Blackbird, Susan Sarandon stamps exactly what kind of terminally ill character this film intends to portray. You may see the Academy Award winner’s aged luminosity but, let me tell you, this is far from a retread of her beloved 1998 film Stepmom. Her Lily is tired of the pretend pleasantries as she summons her extended family to her and husband’s beachfront homestead. She is done with the constant “who are you” questions, “are you OK” observation checks, and her own cordiality to retort with “glad you’re here.”

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MOVIE REVIEW: The One and Only Ivan

Enjoying an easy little movie like Disney’s The One and Only Ivan shouldn’t take qualifiers, but it does. Two in fact. The first is more black-and-white and depends on your trigger pressure about animals in captivity in this mindful post-Harambe and post-Blackfish world. If your personal pull weight is high enough to condone (over tolerate) and enjoy a circus or a zoo operation, you pass round one. If you consider those settings no better than inhumane minstrel shows, that will lose you here. The second qualifier gets more existential.

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MOVIE REVIEW: The Old Guard

Charlize would be the one to tell Queen to take their romantic sweetness and shove it with harshness. That tone and timbre works just fine for the Academy Award winner who has been cementing this attitudinal career niche for the better part of a decade. Based on Greg Rucka’s 2017 Image Comics graphic novel featuring the art of Leandro Fernandez, The Old Guard combines its own brew of created legends intersecting modern settings and compulsions. Like its lead, The Old Guard has a toughness completely devoid of anything trite. The narrative screws might not be the tightest, but its aim is deadly enough to draw you in.

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MOVIE REVIEW: Greyhound

There’s something to be said for a film that can constantly exude tautness. Some films will have stress and pressure, but not convey those traits with true tension. An element or two will have general solidity, but not have legitimate, durable steadiness. Like every battened down hatch on a warship cutting through its rough seas, the thrilling course of the new Apple+ Tom Hanks vehicle Greyhound throbs with tightness. Stutter, stumble or hesitate and a punctuating torpedo detonates your lack of focus.

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MOVIE REVIEW: Irresistible

Jon Stewart’s new film Irresistible holds a broad and powerful mirror up to the lies and guises of America’s election economy. Right when you think an outspoken personality like the beloved former host of The Daily Show is going to shout from his now-taller cinematic pontiff a chosen side or favorite, he remarkably doesn’t. This is an even-handed farce of finger-pointing where both political sides have dirty hands and the media in the middle is wholly and equally complicit. Stewart unleashes this cringing astonishment in a surprising movie that pulls your leg and also very rug right out from underneath you.

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