Director Ben Affleck received Michael Jordan’s blessing and allowed Air to be a whiff at breathing in that legend again, a draw that cannot be discounted. Likewise, folks are coming to see familiar and reliable movie stars like Affleck, Damon, Davis, and Bateman spar. Those curious and poised to watch composures rattled, zingers exchanged, balls busted, and dreams fulfilled get all that and then some in Air.
Read MoreEarly on in Tetris, Taron Egerton’s main character Henk Rogers shares an admission with his furious boss about why he put himself into greater financial debt to back an unknown video game from The Soviet Union he stumbled upon at a consumer electronics show in Las Vegas. Leaning over and speaking low with clear eyes relaying bewilderment, he talks about seeing those soon-to-be iconic blocks still falling in his dreams hours and days after playing the game. Memories fill Tetris viewers, and they immediately picture the exact same thing.
Read MoreLike the GTFO fight-or-flight speed and freak happenstance of real-life, Herman delivers precisely that exhilarating sense of urgency. There are no shouted demands from a pursuing criminal that pretend to describe motive or what the encounter all means. Likewise, no wimpy and waffling “Wait a second. Can we talk about this?” pleads are attempted in return. Herman stays a mystery through the very end.
Read MoreLinoleum is a conversation-heavy film unafraid to talk honestly about trajectories and unfulfilled dreams. This multiple award winner from the indie festival circuit joins other small-scale science fiction diamonds-in-the-rough like Clara, I Kill Giants, Wonderstruck, The Time Capsule, and Safety Not Guaranteed that burrow heavy human emotion and the toll of one’s life into a premise floating in the realm of tangible fantasy. More heady and original efforts of this type are sorely needed on screens and streams.
Read MoreWith confidence and integrity, Creed III has been created with outright strategy. This third entry has timed its moment to show that it has reached a maturation point to continue forward without Sylvester Stallone. Making his feature debut as a director, franchise star Michael B. Jordan represents and demonstrates a new level of command and authority. Moreover, rather than re-assembling and relying on more family trees, Creed III finds a very penetrating and personal singular focus for its choice of ominous opposition.
Read MoreMany of those conspiracy theories are precisely outlandish enough for savvy Hollywood screenwriters to find pithy movie premises for an eternity. The truly fun part is that any single theory, with the right spin, could be crafted and played as a either comedic farce or a terrifying thriller with equal entertainment potential. With 88, filmmaker Thomas Ikimi, better known as Eromose, takes a rich conspiracy concept and runs with it.
Read MoreFollowing in the transcending footsteps of Greta Gerwig’s Little Women, award-winning actress Frances O’Connor makes her feature debut as a writer and director with Emily to blend biographical notes with envisioned dramatic license. Before her acclaim on the printed page, Emily Brontë was a lover, a sister, a daughter, and an independent woman of turmoil and ache. Anchored by a stirring lead performance from Emma Mackay, O’Connor’s emotive film seeks to flesh out that very soul.
Read MoreYet, we forget about Tom Hanks, “America’s Accomplished Actor.” We forget the two-time Oscar winner wears that very shiny sash as well. When committed, and it’s hard to cite a movie or role where he isn’t, he can convince us of any emotion, behavior, portrayal, or story arc. Hanks pulls off that kind of magic with A Man Called Otto for Finding Neverland and World War Z director Marc Foster. We root for the charmer, even when we know the charmer is there inside of something repulsive.
Read MoreTo quote the well-worn expression used in many frank judgments of character, “I didn’t think he had it in him.” Be ready to color yourself surprised. Thanks to heightened stakes and those aforementioned honest themes, Puss in Boots: The Last Wish gallups beyond the flashy shell of a cash grab sequel opportunity for Dreamworks Animation. This valuable new journey massages and improves the mettle of this excellent character without losing a whisker of derring-do.
Read MoreThrough all the technological spectacle he creates through unmatched skill and sheer hubris– especially in his triumphant return with Avatar: The Way of Water, three-time Oscar winner James Cameron does not get enough respect as one of the best cinematic storytellers for action and emotion the medium has ever seen. With an editor’s eye for precise measurement, Cameron has crafted some of the most elaborate, dazzling, and iconic action sequences for decades now.
Read MoreSex sold then and it still does now. Go ahead and say it. D.H. Lawrence rolled in the hay so the likes of E.L. James could bang on posh furniture. Even so, both authors love that touchy-feely F-word. Watching an enlivened adaptation of Lawrence’s firebrand prose today– debuting on Netflix December 2nd and directed by The Mustang’s Laure de Clermont-Tonnerre– reminds us that sexual awakenings are still valuable, and, best of all, desirable.
Read MoreLuckily, as aforementioned, the sleuth takes it from there and he’s a hoot. With every “fiddlesticks” and “hell’s bells” exasperation, Daniel Craig and his slim cravats flip everything about Glass Onion for a loop every chance he gets. As if playing James Bond for a generation wasn’t iconic enough, the 54-year-old Brit has carved out another signature role we cannot get enough of that will define his career. Savoring this charm with the right cases and opposing actors to work against, he and Rian Johnson can rotate this party for decades without wearing out either of their welcomes.
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