It sure is nice to see a surprise stay a surprise. In today's day and age of instant and nearly universal access to information, news, and buzz, it's very hard to keep anything the size of a movie a secret. The filmmakers of "10 Cloverfield Lane" and its studio have pulled off a marketing stunt that has now paid off as a entertainment coup. "10 Cloverfield Lane" is capricious blast of horror, drama, and science fiction all rolled into one twisty enigma.
Read MoreHighlighting the worthy American legend that is James Cleveland "Jesse" Owens, the new film "Race" may not roundly deviate from the tried-and-true sports film formula we have seen in dozens of films. Nonetheless, director Stephen Hopkins's film radiates an impassioned heart that few other films of the sports genre can rival or surpass. In a present day of questionable athletic role models (and on the timely heels of Black History Month), this is the kind of film we should be sending buses of school students of all ages to instead of "Teenage Mutant Ninja Turtle" movies.
Read MoreFor this writer and website, the films of Joel and Ethan Coen are pegged as acquired tastes. Slot the brothers and their work right next to Quentin Tarantino in that regard. Their creative brilliance and their reverent place in the upper echelon of superb storytellers are indisputable, proven by their six Oscar wins. Sometimes, in the measure of taste, their choices and results are a maddening or confounding mess. When the Coen brothers are on their game, they are white hot. "Hail, Caesar!" won't go down as one of their best, but there is no denying its draw as a thoroughly entertaining hoot.
Read More“Kung Fu Panda 3” bursts at the seams with exuberant fun for your inner kid at heart. The self-proclaimed “awesomeness” we have missed for too long returns with flair in every possible direction. Its nimble combination of clever humor and endearing heart is undeniable. This is a can’t-miss crowd pleaser that pulses with energy in all the right places.
Read MoreFilmmaker Asif Kapadia captures the bracing and startling rise and fall of the late jazz singer Amy Winehouse in "Amy." Accessing an enormous wealth of old videos from friends and family, self-read letters of lyrics and songwriting, archived phone conversations, backstage footage, media appearances, and unreleased performances, "Amy" weaves a masterful and compelling narrative. It is on the 2016 Oscar short-list for Best Documentary Feature and is available now for home viewing.
Read MoreIn Spike Lee's film, the symbolism is thick and the underlying truths are even thicker. "Chi-Raq" is fiercely intelligent with its farcical parable and fearless in its vicious social commentary. Both exhibit equal power. That balanced ability is tremendously difficult to pull off with honesty and Lee has done it.
Read More51st Chicago International Film Festival Highlight special presentation
When you have a film adaptation of a William Shakespeare play as arresting, brawny, and commanding as Justin Kurzel's "Macbeth," one has to throw the theater snob rant out the window. They are exactly like the "book is better than the movie crowd" only more under-served. We get it. No cinematic adaptation is ever going to satisfy everyone. My advice is get over the nit-picking and soak in a movie and treat it as a different medium entirely than the static stage. This new "Macbeth" is an event, not a play, and a darn good one.
Read MoreDirected by Italian filmmaker Paolo Sorrentino, “Youth” is a cornucopia of quirk colliding with decadence. We get to see how the other half lives through messy characters making sense of their lives while soaking in a lavish vacation. Thanks to a stellar cast and brilliant performances, “Youth” surprises us to show how much interest and intrigue can be found in foppish people we normally wouldn’t closely identify with as an audience.
Read MorePicture your personal influences, either worshiped or admired, and imagine being granted the opportunity to have a conversation with them. What would you talk about? What would you ask them? How would it change you? In the world of cinema, such a conversation happened between a then-neophyte auteur Francois Truffaut and the aging master Alfred Hitchock in 1962. Their documented meeting has gone on to inspire generations of future filmmakers and cinephiles.
Read MoreTom Hooper's new film, "The Danish Girl" based on the fictionalized account of Lili Elbe, spearheads what has been a banner 2015 year for LGBT film subjects. This a film not about a character looking for love. All that person wants is to be the truest version of themselves on the inside in a time where what that means on the outside would not be accepted publicly. The philosophy of it all brings us back to Ralph Waldo Emerson when he said, "What lies behind you and what lies in front of you, pales in comparison to what lies inside of you." "The Danish Girl" delivers a story that matches the matter of Emerson's thoughts on the past, future, and inside.
Read More51st Chicago International Film Festival U.S. Indies special presentation
Much of the resisted maturation journey playing out for the title character in Josh Mond's "James White" feels petulant and half-hearted, much like the character himself. We learn that effort is by design because he is a character that needs fixing. The only way James White can mature is through bottoming out and finding emotion in places other than himself. "James White" is a difficult and unflinching look at both terminal illness and wasting one's life on selfish excesses.
Read More51st Chicago International Film Festival Highlight special presentation
In the hands of someone more bombastic, the finished product of "The 33" would be far more cliche and erroneously over-dramatized. Director Patricia Riggen certainly still employs a plentiful creative license to dramatize and compress this trauma into two hours, but the lionizing on one end and the vilifying on the other is remarkably low. "The 33" is a winning survival film where the people come before the stereotypes and theatrics.
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