Because of the box office clout of James Bond and Ethan Hunt and plenty of failed imitators in between, "The Man From U.N.C.L.E." and its small stature roots already have difficulty standing out as a ripe property for viable franchise possibilities. It would have to hit on its own unique style to succeed and stand out. Ritchie's film does exactly that to be an easy and breezy companion to the foreboding likes of the modern spies. If you feel the spy game has gotten too ominous over the years, slide over to "The Man From U.N.C.L.E." and have a good time.

MOVIE REVIEW: The Gift

Movies are the place of fantasy where the realities of normal domestic life can be bent and distorted. In the genre of thrillers, that quality can swing from peaks like "Rosemary's Baby" and "Fatal Attraction" to the gutter of cheesy TV films on the Lifetime Channel. Independent of their quality is their suspension of disbelief towards the fictional elements of each film. Some movies do too much and descend towards ridiculousness from a sharp premise that is supposed to hook us in. Every now and then, a mystery/thriller hits the right chords to haunt you just enough to both harrowing and still tangible.

MOVIE REVIEW: Shaun the Sheep

In the current cinematic landscape filled with modern technology and instant gratification, there is a lost appreciation for hand-done work. Traditional animation, stop-motion, and claymation have become a dying art form with the advent of computer animation and modern tools. It's easy to look past the old and simple in favor of the new and shiny toy, but sometimes the old and simple can show up the new and pretty with ease. That's the beauty of something like "Shaun the Sheep."

MOVIE REVIEW: Mission: Impossible Rogue Nation

There are certain things Tom Cruise does absolutely right and playing Ethan Hunt is one of them. Like him or not as a person outside of the multiplex, Cruise remains the undisputed and penultimate action star in the world today, if not in all of the history of cinema. He pushes the envelope like no one else and, as a producer in this series, he puts his money where his safety harness is. What he dares to do on-screen pays off in superior results.

MOVIE REVIEW: Love and Mercy

Come to "Love and Mercy" for the music but stay for the involving double-barreled saga of creative energy, new-found redemption, and growing companionship. This film relishes the understated vibe it seeks. It's not earth-shatteringly profound as a story or a film. It's not going to jump off the screen or crush your emotions. However, this film will impress you and gain your respect. That's better than 90% of the tired biographical films that hit cinemas every year. Enjoy a winner right here.

MOVIE REVIEW: Dope

The next sure-fire addition to any list of possibly great coming-of-age films is "Dope," the fifth feature film from writer-director Rich Famuyiwa ("Brown Sugar," "The Wood'). "Dope" debuted in dramatic competition at the Sundance Film Festival and was selected as the prestigious closing film of the Director's Fortnight at the Cannes Film Festival in France last month. Those are prominent feathers to have in any film's cap. Better yet, they are kudos that are more than earned by this film's energetic brilliance.

MOVIE REVIEW: Jurassic World

Spectacle defines "Jurassic World" perfectly. Just as the dictionary definition states, the blockbuster is unusual, notable, and entertaining in an eye-catching, dramatic, and very public way. It is loud and dumb, but, hot damn, it sure is fun. More discerning tastes will definitely gravitate to the "object of curiosity and contempt" version of the definition and they wouldn't be wrong in doing so. In the end, the simple definitions seal "Jurassic World" too. It is an very impressive monster movie and it will indeed attract attention and shock.

MOVIE REVIEW: Good Kill

Technology may change in warfare but what doesn't change are the human themes. The dramas, successes, fears, and results of victories and failures still apply, only the scope and scale has changed. "Good Kill," the new film written and directed by Andrew Niccol, typifies that signature human impact of war. Reunited with his "Gattaca" muse Ethan Hawke, Niccol delivers a very timely and provocative slow boiler with a great deal to say about the current modern state of warfare.

MOVIE REVIEW: Avengers: Age of Ultron

Raising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.

MOVIE REVIEW: Ex Machina

"Ex Machina" has much more good than bad and much more surprise than contrivance when it comes to traversing the mine field that can be the science fiction topic of artificial intelligence, especially with a potentially damning title like that. The high-minded science is there. The ominous ambiance of implications and ramifications is properly defined. "Ex Machina" is very smartly created and makes the list of good (excuse my language) "mindfuck" films, joining the excellent and underseen "The One I Love" from last summer. But, it's still missing that next edge of sharpness or gear to ascend to the next level.

MOVIE REVIEW: Danny Collins

In the new film "Danny Collins," the directorial debut of screenwriter Dan Fogelman, the titular main character played by Al Pacino has a way with conversation that is completely charasmatic and disarming. His character can uncannily cover up his sleazy flaws, misdeeds, celebrity status, and filthy rich persona with charm, honesty, self-deprecating humor, and the right measure of heartfelt sincerity. Danny "kills them with kindness," as the expression says, but then backs it up with legitimate follow-through. This character trait is a masterful creation from Pacino and a pleasure to watch. It might as well be a microcosm for the entire film. It too will hide its flaws and charm you to pieces.

MOVIE REVIEW: Clouds of Sils Maria

The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.

EVERY MOVIE HAS A LESSON

by Don Shanahan

BRINGING YOU MOVIE REVIEWS AND MORE SINCE 2010

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