MY 300TH REVIEW: Like all truly ambitious science fiction of the highest order, "Interstellar" pushes the limits for personal interpretation of both the science and the fiction. Both genre elements are wildly heightened to a bold and epic scale to address the internal opposites between logic and spectacle, science and sentiment, and brains and emotion. Each of those ideals have their soaring high points and matching low points across the board in "Interstellar." It all comes down to your taste, which makes "Interstellar" easily the most polarizing film of the year. You will either love it to the core or hate it to the bone with very little room for a middle ground.
Read More"Nightcrawler" is the cinematic equivalent of not being able to look away from an impending accident. This is the movie on that test that stops and watches for even more peril. In a movie like this, our own voyeurism and curiosity takes over and we find ourselves enraptured in what we see, even if it is wrong and against our usual likes, dislikes, morals, or beliefs. Movies that do that and still entertain are rare.
Read MoreBill Murray, at his age and at this end of his career reinvention as a serious actor over the last two decades, has reached the point where he is unarguably great in everything he touches, right down to silly cameos and web videos. In his new film, “St. Vincent” his powers of talent and charm have merged and reached a new peak.
Read MoreDenzel Washington's recent releases of "The Book of Eli," "Unstoppable," "Safe House," "Flight," and "2 Guns" have been some of the best financial earners of his career. He hasn't had a film open under $20 million since 2003. His age may have increased, but audiences still count on and flock to Denzel being the razor edge of intensity and initiative he's always been. His latest film is no different and it reunites Denzel with his "Training Day" director Antoine Fuqua. "The Equalizer" is a film remake of a CBS TV show that ran for four seasons from 1985 to 1989.
Read MoreThis is still a bit of a tough sell. I think there's a large audience that wants explosions and sexiness with their spy thrillers. Some are going to call all of this quiet work boring and maybe even somber, matching some of the mainstream thoughts on other John le Carre film adaptations like "The Tailor of Panama," "Tinker Tailor Soldier Spy," "The Constant Gardner," and "The Russia House." Exciting or not, the man writes incredibly good thrillers. I see past the need for action and love that the devil is in the details. The slow burn factor works in "A Most Wanted Man" with compelling and steadily increasing story developments that maintain your investment.
Read MoreThe ominous meaning of the film's title soaks in quite well. The overwhelming sense of an impending showdown is excellent dramatic fuel to keep this journey taut and interesting. Filmed in County Sligo on the northwestern coast of Ireland, the raw landscape adds to the feeling of isolation and the intimate dynamics of a small, tight-knit community where everyone knows everyone. With that crafted tone, McDonagh's film feels like a religious-tinged western and a good one too. The slow build is excellent and the pay off resonates. If you can find this little film in limited release or on Video On Demand, you'll be well-challenged.
Read More"Get On Up," the new film from "The Help" director Tate Taylor breaks away from a good chunk of the formula and cliche pitfalls that beset biographical films. With the casting of lesser-known Chadwick Boseman and the flavor by which it does its time-hopping, "Get On Up" succeeds in those two extra qualities that I like to see in a really good biopic. For that, the film separates itself nicely from the rest of the pack as one of the best biographical films in recent memory.
Read More"Guardians of the Galaxy," on paper, was supposed to be that movie that tested the studio's resilience and ability, yet it's aiming to be the big August hitter for the summer of 2014. Ladies and gentlemen, it will win that title and then some. As out-there as it is, this is the most flat-out fun a Marvel movie has ever been. "Captain America: The Winter Soldier" might be the better overall film and "The Avengers" will always be the first cornerstone off this combined universe's monumental success, but "Guardians of the Galaxy" might be the movie you keep watching year after year as a new favorite. The catchy and entertaining trailers nearly don't do it justice.
Read MoreWoody Allen has the Midas touch of artistic credibility. Non-actors become notable presences. No-name actors become discovered somebodies. Name actors look better than they normally do and great actors get even greater, even when the films aren't that great. In his latest film, "Magic in the Moonlight," Allen bestows that touch on one great actor and one name actress with Colin Firth and Emma Stone as his leads.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for quick-hit movie reviews.
Read MoreI'm going to go out on a limb and say that we might have a new entry into the pantheon of parody classics with the recent release "They Came Together." The new comedy from director David Wain, best known to audiences for "Wanderlust," "Role Models," and "Wet Hot American Summer," checks all of those above boxes for being a great parody. The film is packed with smart humor, joke complexity, clever approaches, and an elaborate sense of storybuilding and delivery that most parodies lack. Best of all, Wain assembles a near-perfect cast of his old pals, led by Paul Rudd and Amy Poehler, that never cease to entertain.
Read MoreGo ahead and continue Tom Cruise's solid streak one more movie with the very entertaining "Edge of Tomorrow" opening this week. The funniest thing is Tom is essentially playing the opposite of his usual macho self and it still works. We're used to the take-charge man-of-action characters out of him, not the wimp and coward he plays here. Because of that, there's a certain unexpected humor coming out of "Edge of Tomorrow" that boosts its doom-and-gloom alien invasion setup.
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