Posts in 2020
GUEST CRITIC #51: Y Ti Mama Tambien

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #50: Us

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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20 YEAR RETROSPECTIVE: The best of the rest of 2000

In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of the rest of 2000.

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20 YEAR RETROSPECTIVE: The 10 Best Films of 2000

In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of 2000.

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MOVIE REVIEW: One Night in Miami

Now, judging by storied perception of the “Louisville Lip” and his towering ego on the biggest night of his young career, one might expect One Night in Miami to set off a boastful barnburner of boozy partying and liberating frolic. The result is quite the contrary. There are no bars, no girls, no flashbulbs, and no hanger-on fans. It is just these four influential men and the hotel spaces before them as they wrestle with the gravity of the moment and share the ongoing bigotry they have experienced on different levels and from different sources. To celebrate here is the exhale and vent, not dance and prance.

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MOVIE REVIEW: Wonder Woman 1984

Too much of this sequel’s accomplishments stop at that last prepositional phrase of “for the main character.” Everything crafted for Gal Gadot’s heroics works wonderfully to strengthen her and the character’s prominence. Good graces and affections are rightfully earned. Maybe it is enough of a victory that Wonder Woman is not the problem of a Wonder Woman movie. That said, the material and surroundings she is given do her very little favors.

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MOVIE REVIEW: Soul

Since Monsters, Inc., Up and Inside Out director Pete Docter doesn’t directly hide his envoys of empathy anymore. Honest-to-goodness people are once again front-and-center in his newest film, Soul, coming to Disney+ on Christmas Day. Its people may get magically spun into spectral vessels moving through a very uniquely manufactured system of the heavens, but they’re still humans being human. That said, with Soul, Pixar finally goes all the way with its streak. They evoke existentialism head on.

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MOVIE REVIEW: Sylvie's Love

A skeptical label Sylvie’s Love might receive is being called anachronistic. Such a descriptor is a compliment not a hindrance. In fact, it would be disappointingly out of place if Sylvie’s Love was anything less than properly rooted right where it is as a pseudo-time capsule. Ashe isn’t trying to insert a progressive modern agenda with revisionist history for current appeasement. The desire was a period romance with sweep, ambiance, and gloss. The look of the era and the look of love are all there.

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INFOGRAPHIC: The True Cost of Iconic Holiday Movie Moments

The creative folks at CreditRepair.com designed this visual on iconic holiday movie moments and what they'd cost in real life + financial lessons anyone can learn from! They analyzed scenes from classic holiday movies (think Home Alone, Elf, and The Grinch) and found out how much they'd cost if they actually took place! Aside from satisfying curiosity, they tied the results back to important financial lessons we can take from these lovable characters and serve as important reminders of what really matters during the holiday season.

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EDITORIAL: Did Kevin Really Protect the House in "Home Alone?"

Home Alone has definitely become one of the most beloved Christmas movies out there. As 2020 celebrates the movie’s 30th anniversary, you might want to go back to it and watch it once again. The main plot revolves around a young boy, Kevin, protecting his home from robbers Harry and Marv. To do this, he creates all sorts of ridiculous booby traps, causing these robbers to be unable to rob the house effectively. Did Kevin actually protect the home? Here’s some insight into what might have happened to the McCallister household without his antics.

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GUEST COLUMN: 7 Best Movies to Watch While Being on Winter Break

by Donna James

Winter breaks are an excellent time. They give you some time off to spend with your family and friends. Some people love to spend that time out and about, going to their favorite holiday destinations, while others prefer to stay indoors and kick it with family and friends watching a few movies and drinking wine. If you’re the latter type, you’ll enjoy this article! Here are 7 of the best movies to watch as you enjoy your well-deserved winter break.

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MOVIE REVIEW: Greenland

The trouble is Greenland still cannot resist overselling the unbelievable side of this whole ordeal. The former stunt coordinator director Waugh still needs silly thrills and spills. Rapid societal collapse would be far worse than a smattering of looted stores and some increased traffic here and there. For this movie to go that route, it had to commit more. While shooting for a more grounded perspective, the pitfalls and hurdles placed before Gerard Butler and company try to be harrowing, but they’re still too easy and light on risk. We still have an action hero getting lucky like an action hero too often does. When that happens, the repetitive disbelief smears the good graces of more tense intentions. The eye rolls take over.

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