Movies are among the best ever helpers when it comes to inspiration. Needless to say that when you are stuck with essay writing, it is better to watch an inspiring film about writers than to focus on procrastination, computer games, and social media. We don’t judge those activities — but if speaking about efficiency, watching movies is a good choice. Especially when those movies show writers, their struggle, good and bad decisions defining their career. Start with these five movies, and if it is not enough, storm on Netflix and find some more. However, from our experience, one film is enough for staying inspired for a period needed to write an essay.
Read MoreThe endearing brilliance of Little Women is earned in those quaint sways and movements as much as, if not more than, it is by its crests of high drama. With masterful leadership and bold thematic choices applied to well-worn ideals, Greta Gerwig continuously captures an uncanny vibrancy out of a literary setting that otherwise would be frozen in stagnant despair. Every fiber and morsel of this movie swells with this sense of spirit to embed radiance in resiliency.
Read MoreFolks, please welcome back John Rooney. He is an illustrator from Ireland. My website has published two of John’s previous career caricature sketches, one for Nicolas Cage last year and another for Bill Murray this past summer. His collected sketches are outstanding and The results of range I am happy to promote his work. This time, John Rooney artistically chronicles Sigourney Weaver! His phenomenal work is worth sharing below and a his art is available for sale on Etsy!
Read MoreBy Hannah Thomas
The YouTube creator Creative Principles showcases new ideas on popular films and television. We wanted to share one of their latest videos that had a movie spin to it": What is “the greatest movie NEVER made?” Would-be projects include missteps from Pixar, Quentin Tarantino, Martin Scorsese, Ridley Scott, David Fincher and various other icons of cinema... Some of these rumors, failures, and shelved projects are considered sequels or prequels, while many are adaptations, or just promises made when a writer or director was at the top of their game. So, what is "the greatest movie never made?" You be the judge..
by Justin Osborne
Everyone remembers The Lion King, the great animated movie that was released by Disney in 1994. It features animals, from lions to meerkats and warthogs. It showed what “the Circle of Life” means and it rapidly gathered popularity among children and their parents. After 25 years, Disney decided to make a remake of the original animated movie and released the new animation in July. While the story is the same, the effects are impressive. But the reviews are both good and bad. So, was the film version of The Lion King worth it?
This past week, I was pleased as punch to be a guest on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. On Episode #447, all three of us just got out of Noah Baumbach’s Marriage Story and, boy, did we have feelings. As per tradition, the Top 5 segment was for each of us to list our best break-up, separation, and divorce movies. An extended trivia segment followed later centered on Tom Hanks. Enjoy their excellent show!
Read MoreBy Ashley Halsey
Most commercially successful films tend to have big budgets, large cast and action taking place over several locations. But there are some films which take the risk of featuring just two actors, often limiting the action to one location and placing the emphasis on dialogue and the delivery of memorable performances. These ten films are as notable for their captivating and often poignant content, as they are for the skillful, powerful performances delivered by just the two actors who carry the weight of the entire film.
Read MoreFor James Mangold’s sterling sports film, take your thesaurus toolbox and dump out all the synonym wrenches for the word “hubris.” This is a thrilling race of arrogance as much as it is one of high-performance automobiles. The acts of vanity, audacity, chutzpah, conceit, cockiness, insolence, nerve, pomposity, and exceptionalism fill every metallic and non-metallic element. All of this tuned-up and torqued testosterone makes for a one hell of an entertaining show.
Read Moreby Justin Osborne
There are lots of things that tie together Tarantino’s movies such as violence and bright colors to name a few. However, there is one clear that ties all his films together. And that is his special universe which is interconnected just like the popular 23 by Marvels. Tarantino’s universe is more of a theory than a proven fact. However, Once Upon a Time… in Hollywood is the center or acts as the hub that connects the other nine movies.
Read MoreThis new film is a wise and modest update to one of Disney’s best romances of its Silver Age. By utilizing actual dogs, many of which are rescued pets at that, with a mild computerized varnish, feels more tangible than fake in one of these Disney re-imaginings for the first time in a long time. This restraint of creative prudence is what defines its humble disposition and winning achievements. All year long, its mainstream blockbuster peers tried every costly artificial and technological height to be a blaring chorus of bells and whistles, when all that was really needed were some cute, real animals backed often by a swanky band.
Read MoreIn a film of perplexing puppetry like this, the most engrossing quality of Knives Out is character creation. Half of that strength happens on the scripted page where writer-director Rian Johnson has created a deplorable and decadent cobweb of villainy. The other half of that draw comes from the ingenuity of the assembled ensemble. This cluster of spidery characters could have been stock archetypes played by obvious actors. Instead, there’s nuance dripping like venom from thirsty fangs all over the performance stage of Johnson’s cinematic charade.
Read MoreBy the time the exhalation of the final minute of those 210 is reached, Frank remains in that same setting. Age has done its job on him and us in the audience. The sizzle has been squelched and the thrill is gone. The exquisite ruminations on display for over three hours build The Irishman into what feels like a conclusive coda for all of the veteran artists involved. Yet, the meandering pace of what all transpires reverberates with a slender essence no better than a hospice bedtime story.
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