For the Carolina Caroline screenplay to even entertain these more mature themes is a testament to its quality and uniqueness amid the sea of film noir and neo-noir mirrors and imitators. Anyone can put a hot girl and a studly man together with a couple of guns and fire off some ill-advised bullets and Cupid’s arrows. Samara Weaving and Kyle Gallner, like their characters, forge something stronger than a fleeting fling, and that weight means the world.
Read MoreNormally, every protagonist in a live-action Walt Disney film gets a unnecessarily thick coat of heroic paint and every encounter, obstacle, or event calls for a full-throated orchestra of peril and self-importance. In a somewhat pleasant surprise, "The Finest Hours" avoids most of the the puffed-up flamboyance that we expect (and commonly grow tired of) from the Mouse House. The key word is "most," as the film thankfully dials down the usual Disney over-inflation while still possessing plenty of imperfections and distractions.
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