Many of those conspiracy theories are precisely outlandish enough for savvy Hollywood screenwriters to find pithy movie premises for an eternity. The truly fun part is that any single theory, with the right spin, could be crafted and played as a either comedic farce or a terrifying thriller with equal entertainment potential. With 88, filmmaker Thomas Ikimi, better known as Eromose, takes a rich conspiracy concept and runs with it.
Read MoreFrankly, a polished movie like this one, from the clean sets to the ominous Clint Mansell score, would have been relished in that fondly remembered mid-1990s marketplace of star-driven movies marketed for adults. Mature and malicious while skirting the line with a dash of kink, movies like Sharper don’t get made enough nowadays. Enjoy its casual boldness.
Read MoreTo a degree, Somebody I Used to Know carries a bit of the same vein of misaligned praise and creativity. We have two lifelong Southern Californians (Franco of Palo Alto and Brie of Hollywood) pretending to lay out a pre-midlife crisis scenario in a setting far from their own. That said, there is a range of characters and grasp of relatable poignancy in the film coming from David and Alison that show how setting matters little when you have interesting people.
Read MoreNetflix has become synonymous with quality entertainment, and their catalog of films only gets more impressive each year. So for those searching for the newest additions to Netflix’s ever-growing library, here are some of the latest movies it has to offer in 2023.
Read MoreFamiliar premises need a little wrinkle or twist to not be another retread. Thanks to Guess Who’s Coming to Dinner, Guess Who, the Meet the Parents franchise, and even the new You People, audiences have attended more than enough awkward meetings and dinners between contradictory parents trying to prevent a future marriage between their cherished children. Longtime Boy Meets World TV writer Michael Jacobs, making his feature directorial debut with a laudable cast, conjured an enticing sprinkle of spice towards this familiar setup with Maybe I Do.
Read MoreFrom Spencer Tracy and Sidney Poiter, forward to Ben Stiller and Robert De Niro, and even to the likes of Ashton Kutcher and Bernie Mac, you’ve seen the interesting proposition of You People and its kind of entertaining clash before. Though it was made in 2021 and bears the label of 2023, You People is about a decade late to its own civics rally. The topicality has come and gone. Kenya Barris’s film arrives almost immediately wrapped in a time capsule, one that few will meaningfully open in years to come without more significance to recognize and remember.
Read MoreThe second year of the North American Film Critic Association winners are here. On Monday, January 9th, the team got together and voted LIVE on The Drive-In Podcast YouTube channel to determine who would take home the biggest prizes of the year. Yours truly is a new voting member of the NAFCA, and it was a pleasure to be a part of the wild banter of this live voting party.
Read MoreOn Saturday, January 7, 2023, the North American Film Critics Association announced its nominee slate for the 2022 film season. Now in its second year, the group’s nominees represented 56 different films over 25 different categories. Yours truly, flying the Every Movie Has a Lesson and Film Obsessive flags, is a new member of the NAFCA. I participated in the live nominee announcement show:
Read MoreReelgood published its Top 10 Titles in Streaming for this week (12/29/22 to 01/04/23). The movies White Noise and The Menu make their debut on our streaming chart, as Glass Onion: A Knives Out Mystery continues to reign the list. Netflix’s hit shows Wednesday and Treason take spots #5 and #9 consecutively, and Top Gun: Maverick on #8.
Read MoreReelgood published its Top 10 Titles in Streaming for this week (12/15/22 to 12/21/22). Yellowstone dethroned Netflix’s hit Wednesday as new titles make our streaming chart this week. The shows 1923 and The Recruit are new on the list taking places #4 and #7 consecutively, as are the movies Avatar, Black Adam, and The Banshees of Inisherin.
Read MoreDeep down, all movies are passion projects for the people that make them. Sometimes, it is difficult to see that passion come through fully in the finished film. Uninspired moments, pretentious indulgences, shortcuts of effort, or even the limits of ambition will dilute the fervor of how the given movie came to exist. To that end, the rarer feat is a film that never, even for a second, loses or runs out of its passion. S.S. Rajamouli’s RRR is one of those special movies.
Read MoreThose layers, baked in by director Daryl Wein (How It Ends), present a small, but very commendable maturity and restraint from the norm. Characters with tangible messiness about them are still pausing to think with their heart and head equally. That relatability brings about romantic possibilities in Something From Tiffany’s that spark with stronger potential connections than the short burst of superficial fireworks based on mere looks. Enjoy that little diversion on Amazon Prime.
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