I had the honor and pleasure this past week to join the war-movie-loving hosts on the Feelin' Film Podcast talking about a true underseeen throwback geme: 1990’s Memphis Belle directed by 90s hitmaker Michael Caton-Jones. This podcast plane ride was celebrating Veteran’s Day week in conjunction with the new Midway movie arriving in theaters this week. Memphis Belle was a worn-out VHS childhood favorite of my brother and me. Patrick had that lifelong affinity as well and Aaron, the former Navy man, had nothing but respect
Read MoreWhen you see a fellow film critic love a movie you loved too, it’s like an invisible fist-bump or high-five. When I heard friend-of-the-page Ian Simmons of the Kicking the Seat podcast adore Jojo Rabbit, I could not help but nag him to talk about it. He had already covered the film with critic Pat McDonald of Hollywood Chicago for his podcast, but wanted to bring me in for a video to balance the takes out after Pat was a little lukewarm on it compared to Ian and I. Enjoy Ian and I singing spoiler-free praise for Jojo Rabbit on his YouTube channel.
Read MoreTHIS WEEK'S QUESTION: What is the best 21st Century movie about capitalism and class anxiety?
I gotta say, this topic was much tamer and quite the switch from the dangerous inquiry last week. Every generation and decade has their bumper crop of movies about our American capitalizm. In my lifetime, I point to Wall Street in the 80s and Boiler Room in the 90s. For this century, I went sentimental more than combative. The Big Short was a tempting second place choice.
Read MoreTHIS WEEK'S QUESTION: What is the most “dangerous” movie of this century?
I’m not a believer that movies can incite violence, but I am a big believer that they can incite stupidity. Just like the poor fitness and health that comes from when all you eat is garbage, a mind can be trashed the same way. I put the school teacher hat on for my response to this week’s survey question and I don’t care if I get laughed at. Danger to me is seeing the youth of America in my classrooms accepting the Minions as high quality entertainment worth their screen time.
Read MoreThe movie that had everyone talking before its release had four film critics filled with words after its advance press screening. The comic council convened to be dared to love or hate Joker. As always, Ian Simmons leads the Kicking the Seat podcast as myself, David Fowlie of Keeping It Reel and Emmanuel Noisette of E-Man’s Movie Reviews hop into this clown car. The surprise and heat in voices was palpable coming out of that screening. Enjoy this podcast episode!
Read MoreTHIS WEEK'S QUESTION: What is the best biopic performance of all-time?
After a month off to accomodate the heart of festival season for David Ehrlich, the IndieWire Critics Survey returned this week to point at Renee Zellweger’s raved performance in Judy. The question was posed of what is the best biopic performance of all-time. A year ago, the question of the best biopic movie has been done on this survey (where I picked Raging Bull). For single performance, I went more musical.
Read MoreI’ve know film critic and now filmmaker Okema “Seven” Gunn for a few years now. She is someone I recruited into the Chicago Independent Film Critics Circle for a time. When she tabled her review writing to work on her passion project of making a film, I told her I would first in line to give her work a proper review. Her film, A Sisterhood of Signatures, premiered at the Black Harvest Film Festival and recently had another showing at the Oak Park International Film Festival. I’m happy it’s getting itself out there, and I’m glad the words of my positive review could be a benefit for the film, as seen in recent coverage featured in Reel Chicago written by Daniel Patton:
Read MoreTHIS WEEK'S QUESTION: What is the best movie of this summer?
To end the month, David Ehrlich went for the season-ending trophy designation. He called upon us writers, podcasters, and more to tell us which film was the best of the summer. Personally, I think it was a substandard and lemon-filled summer comapred to years past. Redemption came in the form is several late-breaking exemplars that landed in July and early August. I repped one of those little guys as my pick for this week.
Read MoreTHIS WEEK'S QUESTION: What is the best performance in a Richard Linklater movie?
After a small pause in early August, the IndieWire Critics Survey returned in time for the the release of Where’d You Go, Bernadette from renowned Texas filmmaker Richard Linklater. I count as a very positive fan of his work with the Before Trilogy and Boyhood on the drama side and Everybody Wants Some!! and School of Rock on the comedy end. When it comes to the best, I pick the biggest transformation of range that came from Jack Black in Bernie. What a stunner of a character shift from an actor compared to his usual.
Read MoreRosemont’s Donald E. Stephens Convention Centers hosts the eighth Wizard World Chicago Comic-Con. The four-day event highlights all the pop culture fun possible from stages, big screens, small screens, game screens, game boards, and all the collectibles in between. The Chicago edition begins Thursday, August 22nd and runs through Sunday, August 25th. Yours truly from Every Movie Has a Lesson has been granted press credentials to cover and access the event. I’m a first-timer, so I hope to be amazed and present a glimpse or two inside the celebrated gathering!
Read MoreHuge kudos go out to Ian Simmons of the Kicking the Seat podcast for diving into the realm of YouTube! Enjoy Ian, David Fowlie of Keeping It Reel and Emmanuel Noisette of E-Man’s Movie Reviews, and swim across the 1960s and your very screen talking about Quentin Tarantino’s Once Upon a Time… In Hollywood. It’s Ian’s inaugural YouTube round table. If you’ve always thought our podcasts sounded fun with us picking on points and each other, now you get to watch our obnoxious repartee. Enjoy this new video!
Read MoreTHIS WEEK'S QUESTION: What is the best Quentin Tarantino movie and why?
Friends and followers of my work and opinions on social media know that I differentiate “favorite” from “best.” Favorites are personal and very subjective. The things that are best tend to have a few more objective qualities and victories going for them. Sometimes a movie is both. For Quentin Tarantino, that’s not the case for me, but it’s close. My personal favorite is Jackie Brown. I love seeing what QT does within the boundaries of material that’s not his own, which, for me, shows more range that his absolute best self-made stuff. The best-of-the-best, though, is still an easy pick.
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