Amongst the Ashes is unshy to place this candid-yet-meaningful conversation in a location many will find morbid and backs the walk-and-talk with a serene electronic score from Murmur Studio. In doing so, writer and director Matthew Weinstein challenges the audience to find their heart-to-heart mojo from a darker place, no matter the lush sunshine and exquisite wide shot selections captured on camera by director of photography Austin Vinas. Thanks to patient reveals of mindsets among the two actors and the shared time to see their interplay bond further, the finished short film succeeds in dramatic pull.
Read MoreInjecting science fiction into a story can be a bit of a magic wand. Slick futuristic plot devices can make a few “what if” and “would-coulda-shoulda” dreams come true with a figurative wave of a hand or taps on a screenwriter’s keyboard. Nevertheless, that kind of intellectual escapism in movies will always tantalize. Embracing a quaint romance with heady consequences, The Time Capsule flicks its wrist for a little magic without sacrificing the seriousness of its premise’s implications.
Read MoreThis gravity of consequence, importance, muscle, and heritage permeates every airspace of Top Gun: Maverick. Updated for a contemporary environment, the raw machismo is remodeled to match the progressive excellence and fortitude demanded of pilots today. The days of Marlboro Man-level cowboy pilots are virtually over– all save one: Capt. Pete “Maverick” Mitchell, played by, as many are calling “the last real movie star,” Tom Cruise.
Read MoreThat aged appreciation and fanboy zest comes through in this movie as well as their brazen spirit. Rather than play out an easy reunion with some massive globe-trotting caper, screenwriters Dan Gregor and Doug Mand stick to Hollywood and the wedge of dichotomy that split our two title characters and kept them from talking to each other for three decades. Every nostalgic note or easy joke is cleverly wrapped with a candy-coated shell of self-awareness and a lingering implication of something bigger afoot that may not be as sweet as the outside.
Read MoreThrough all of these little shocks to the system, nostalgia trips, and learning leaps is Rebel Wilson’s bull in a China shop. Much like Ryan Reynolds, Rebel Wilson is at her best playing Rebel Wilson. She has his commitment-to-the bit where her saucy signature personality and quick wit always follow her physical comedic bravery. She tells it like it is and we love it. Like her character, Rebel herself is more beautiful, smart, and funny that we give her full credit for.
Read MoreBy observantly depicting three wars from three different centuries using the same troupe of actors, Foxhole filmmaker Jack Fessenden holds a multi-faceted mirror up to the humanity and mortality of war. His sophomore feature film questions if the causes have or have not changed when it comes to those two pillars. The way he measures that is within the soldiers themselves when placed in their most confined circumstances.
Read MoreTo its credit and nicely lifted by music by Beach House and a peppy soundtrack, Along for the Ride is a positive story for connections built on trust and friendship first and attraction second. It is not just some party movie of hot bodies wooing each other with little to no consequences. Love and identity are the center and they don’t come easy. Nothing is automatic or preachy for the characters. Alvarez has created a lush space safe for the expression and healing of personal emotions heavier than the usual wants and needs of youth.
Read MorePut the atlas away and send the stenographer on vacation. For this one, you’re going to need a Ouija board, a witch doctor, a semester’s worth of Disney+ homework, and either a giant Ambian or the PASIV machine from Inception to join the dream party. OG Spider-Man trilogy director Sam Raimi stuffs this movie with all of his signature garish monstrosity that can fit under a PG-13 rating. Prepare to be dazzled and prepare to be dizzy as well.
Read MoreWhen it comes to entertainment value versus artistic value, much can be forgiven about a film when its heart is in the right place. Beginning as a romantic comedy, The Sound of Violet has a beginning premise that veers very much into a cloying territory. Once the drama of its chosen realities thicken and the laughs no longer come easy, its sense of correction can feel quite heavy-handed. Normally, such an imbalance would be the death knell for a movie. Somehow, the openly hemorrhaging sweetness of The Sound of Violet grants a few critical pardons.
Read MoreThat Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.
Read MoreSerendipitously so, the opposite becomes the case. That line, among many others that follow, could sneakily summarize the FilmRise Sundance darling Marvelous and the Black Hole. Little wonders and big feelings percolate, intersect, smear, and overwhelm a collection of very unique yet relatable people in this film, and the effects could not be more touching and soul-stirring. For folks willing to seek it out in limited theaters, a rewarding hidden gem awaits you.
Read MoreGood movie fans know horror movies come in all shapes, sizes, and, most importantly, descriptors. The newest mini-odyssey from the Chicago-based Splatter Brothers filmmaking team, Darcy Collis, lives up to and stamps those three possible measurements. The shape is something reality-based. The size is that of a short film. Best of all, the descriptor of choice for this writer out of all the possibilities is “chilling.”
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