Harry Macqueen’s sophomore feature film takes its name from the celestial phenomenon of “the explosion of a star in which the star may reach a maximum intrinsic luminosity one billion times that of the sun.” We even watch the far off flicker of one occurring pre-credits. “Maximum intrinsic luminosity” meaning peak essential brightness, eh? Yes, that can aptly describe the very earthly power of Supernova’s loving relationship and the brimming personalities united in that bond.
Read MoreA different movie would emphasize a caddish villain and layer the drama on far too thick for some kind of extra emphasis meant to help a big star try and prove they can shun glamour and act next to a heavy. Justin Timberlake accounts himself with precisely the admirable effort matching his character. Dark places bring out a true strength in the actor instead of a bad-boy edge. Such credibility and candor build honesty rather than showy magic.
Read MoreThe very accomplished Denzel Washington is and has been many superlative things throughout his illustrious career. His signature intensity and ardent commitment to character have filled trophy cases and made him a magnetic draw across five decades now. One thing you could never call him was boring. Sure, the same can’t be said about all of his movies, but he was never (and I mean never) part of the dullness. Well, after nearly 50 films, there’s a first time for everything and John Lee Hancock’s The Little Things, debuting on HBO Max, is the culprit.
Read MoreIt’s rare, as rare as the ancient treasure trove shown in the movie at hand, but sometimes you encounter a “based on a true story” movie that may have been more compelling and richly told as a documentary than a theatrical drama. The Netflix new release, The Dig, is one of those. Why? Call it subject matter versus character and the pendulum of revealed truths against manufactured melodrama. Sometimes, the dramatic licence amplifies the impact of the embedded facts, but in other instances the injected theatrics water down the truism. While bolstered by a fine cast, Simon Stone’s The Dig is too much of the latter.
Read MoreShout-outs are cute tributes that are morsel-sized by design, which is what makes the short film medium an ideal spot to play with them as a storytelling engine. Husband and wife filmmakers Charlotte Barrett and Sean Fallon (A Bad Feeling/The Phantom Menace) use The Shout Out to spin the impact, boundaries of length, and that desired purpose of positivity that comes with those quick tributes.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read MoreThere is a small delight many viewers may share with Marcus, the main character of Hulu’s The Ultimate Playlist of Noise played by emerging actor Keean Johnson of Midway. This writer is one of them. Marcus’s narration brings up his enjoyment watching the facial expressions and body language of people hearing any array of sounds. Be it directly or voyeuristically, he’s astounded and inspired by the captivation seen among those listeners. He’s right. Try it yourself.
Read MoreThe gulf between how good Anthony Mackie looks and everyone else in Outside the Wire is as wide as the Mississippi River delta the New Orleans-born actor hails from. Paired with a whiny and clunky younger partner and pitted against the mirage of a paper-thin, nondescript European villain, there’s so little complimentary muscle next to Anthony. The overwhelming majority of this futuristic army flick couldn’t arm wrestle a toddler.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read MoreThe majority of movie audiences prefer their happy endings. Too often, screenplays are written with an exorbitant magic eraser, one stronger than anything made by Mr. Clean, to make sure any unsightly tragic blemishes are wiped clean in time for the credits when people go home. Savvy moviegoers know real-life drama isn’t that easy to erase and true happiness is far more difficult to earn, rather than luck into. Actress turned filmmaker Tamara Bass shows that she is someone who understands that reality. On that account, her film If Not Now, When? is an uncommon movie that tempers the illusions of automatic bliss.
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