One True Loves has one of those paperback novel premises that can only seem to work as a screwball farce or a serious melodrama when brought to the big screen. Wouldn’t you know it, the movie is based on a book from New York Times best-selling author Taylor Jenkins Reid (Daisy Jones and the Six). The novelist was lucky enough to have the opportunity to adapt her own novel with her TV screenwriter husband Alex J. Reid.
Read MoreTo say Showing Up is watching paint dry or, in the case, clay dry is far too mean. Quiet is one thing and introspective is another. Do you relish the glacial anticipation and personal payoff of creative culmination or are you just showing up to the art show at the end, as characters do here, for the wine and cheese.
Read MoreThere was a measure of true cleverness possible in inserting a throwback maverick character into the present day. Paint wanted to bend a vibe with fiction and flexed too far, to a place where its main character would not survive personally or professionally in the first place. The surrounding characters chipping away at the fraud underneath Carl Nargle– an arc amusingly not all that different from the esteemed Oscar-nominated TAR when you really think about it– exposed nothing we could not already see for ourselves.
Read MoreAll at once, this introductory mindset of dedication and gallows humor is both plucky and fatalistic. Exposing both curiosity and anxiety, Space Oddity inelegantly wrestles with those two prevailing traits. The realistic science fiction of its premise and the sunny gaze of the Rhode Island setting swirl up the whimsy. Lo and behold, we find out that quaintness has a limit when it comes to fulfilling the human condition.
Read MoreIn a scant 76 minutes, Infinite Sea bravely approaches contemplative science fiction with a tiny budget for VFX (also managed by Aramal himself) and an aim for abstract and cognitive obstacles of the human condition. Much can be complimented in those crisply stylish attempts at big ideas and even bigger questions. Yet, it is hard to fathom the so-called infinite as having something missing, but a penetrative punch is absent. The bridled chemistry of the leads is what you will put your finger on to blame.
Read MoreLinoleum is a conversation-heavy film unafraid to talk honestly about trajectories and unfulfilled dreams. This multiple award winner from the indie festival circuit joins other small-scale science fiction diamonds-in-the-rough like Clara, I Kill Giants, Wonderstruck, The Time Capsule, and Safety Not Guaranteed that burrow heavy human emotion and the toll of one’s life into a premise floating in the realm of tangible fantasy. More heady and original efforts of this type are sorely needed on screens and streams.
Read MoreMany of those conspiracy theories are precisely outlandish enough for savvy Hollywood screenwriters to find pithy movie premises for an eternity. The truly fun part is that any single theory, with the right spin, could be crafted and played as a either comedic farce or a terrifying thriller with equal entertainment potential. With 88, filmmaker Thomas Ikimi, better known as Eromose, takes a rich conspiracy concept and runs with it.
Read MoreFollowing in the transcending footsteps of Greta Gerwig’s Little Women, award-winning actress Frances O’Connor makes her feature debut as a writer and director with Emily to blend biographical notes with envisioned dramatic license. Before her acclaim on the printed page, Emily Brontë was a lover, a sister, a daughter, and an independent woman of turmoil and ache. Anchored by a stirring lead performance from Emma Mackay, O’Connor’s emotive film seeks to flesh out that very soul.
Read MoreTo a degree, Somebody I Used to Know carries a bit of the same vein of misaligned praise and creativity. We have two lifelong Southern Californians (Franco of Palo Alto and Brie of Hollywood) pretending to lay out a pre-midlife crisis scenario in a setting far from their own. That said, there is a range of characters and grasp of relatable poignancy in the film coming from David and Alison that show how setting matters little when you have interesting people.
Read MoreWhen You Finish Saving the World stops right when an interesting alignment of merits could possibly begin. That ambiguous final moment of discovered courage and acceptance ends the journey at the point it should have begun. What you’re left with is that same decision mentioned earlier of deciding between bearable and unbearable feelings about incensed and outspoken people. Too often, the latter impression wins out.
Read MoreThanks to Chau’s protective involvement, there’s a rock-solid, heart-crushing version of The Whale that would be just these two and no one else. They have enough painful and resurfaced history for two movies. Instead, outside factors in Hunter’s screenplay and tonal choices from Aronofsky sully the potential of those good graces becoming their own simpler, standalone core.
Read MoreThe merit of this story of formative failure can only be truly assessed by whether this teenage proxy of the filmmaker himself turned out alright after the credits roll and history continued forward. One can learn by failure only if they learn. Like the main character, the submission of the movie itself does not put forth enough fight for earned growth. If Armageddon Time is the sum total of James Gray’s regret, then it is a weak indictment that comes off little better than someone saying “I had a Black friend once.”
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