Posts in Independent Film
MOVIE REVIEW: All Day and a Night

Reaching those bold heights of bracing social commentary, it is fair and complimentary to call Joe Robert Cole’s movie more important than entertaining. Mark that goal as accomplished. The Black Panther co-writer uses not a drop of sugarcoating in his first directorial effort in nine years. The brutality against the hearts in All Day and a Night hurts more than harm subjected to any flesh. In that regard, it is also fair to question the place and mentality of this movie’s bravery during a current civil climate where negative racial examples do not need more perpetuation. That is an uphill battle without a welcoming core to embrace.

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MOVIE REVIEW: True History of the Kelly Gang

In true western, or in this case, bushranger movie fashion, the edgiest and most intense moments in Justin Kurzel’s True History of the Kelly Gang come in the moments when someone is being held at gunpoint. Drama properly peaks with the potential power released by one little curved metal lever hinging a mechanism of murder and mayhem. The action itself to squeeze that trigger is easy. The decision and ramifications, as we well know, are not.

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MOVIE REVIEW: Endings, Beginnings

Granted, messy people and their messy lives make for messy stories, especially here in the medium of narrative film. Not everyone can hold their noses to other peoples’ messes on display. Their pity or empathy levels have limits. Tolerance comes from the talent and the trueness coming together for the given story. Filmmaker Drake Doremus presents another striking, bare, and brave movie in the form of Endings, Beginnings. If you have the capacity to wallow along, you will be impressed. Plenty won’t and that’s too bad.

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MOVIE REVIEW: Love Wedding Repeat

I am starting to become convinced that there will never be a movie wedding that goes off without a hitch, as they say. It’s cinematically impossible not to have something, anything, or everything go wrong. But, that’s the fun of all those movies, including the new Netflix film Love Wedding Repeat. There is always comedy to be had when a springboard event of enduring love can survive in every cringe, surprise, fumble, flub, and fail executed by the doting newlyweds on down to the drunk ne'er-do-wells.

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COLUMN: Amazon Prime UK: The Best Upcoming Movies & Shows To Watch

There’s no better time for you to binge movies than the summer of 2020. With many people stuck at home due to the recent lockdowns and self-quarantine methods because of the COVID-19 pandemic, movies are what will save us from being bored out of our minds, which is probably why there’s been an increased interest in streaming as of late. Because of this, I find now the perfect time to go over the best upcoming movies this summer coming to Amazon Prime.

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MOVIE REVIEW: Vivarium

Vivarium earns very positive credit for its premise and aim. Bending relationship dynamics of survival and gender roles around the middle class dreams of homeownership and building a family is, no question, both absorbing and ambitious. The social commentary is as frank as it is smartly bleak. The graying realities are well-masked by the colorful production dwellings. Their dreamscape trap of the Yonder development is rightly simplistic yet imposing.

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MEDIA APPEARANCE: Guest on the "You'll Probably Agree" podcast talking feel-good movies in the time quarantine

During this COVID-19 quarantine, a portion of our easy-going lifestyle of going to communal theaters to catch a big screen spectacle has been dealt a body blow. For many, this isolation is not a very fun time. Turning to our favorite movies at home or discovering some motivating and engaging new ones can be great medicine for happiness against the cabin fever blues. I joined Mike Crowley’s You’ll Probably Agree podcast this week to talk comforting cinema in a group conversation with Ian Simmons of Kicking the Seat and the esteemed Pat McDonald of HollywoodChicago.com. Give Mike’s YouTube channel a new subscriber, his Facebook page a like, and his Twitter a follow!

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EDITORIAL: After "Parasite and "Get Out": What to Expect of Thrillers

Movies are confidently taking up one of the top spots on the list of most common ways of entertainment. The industry itself is bringing in millions every month. It’s a unique form of art that uses a completely different approach to storytelling than books or video games. And just like any art, it has been evolving throughout its entire life span, discovering new genres and developing new techniques.

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MOVIE REVIEW: Stargirl

When you take a gander at Grace VanderWaal’s title character in Stargirl, you probably don’t think “unassuming.” The loud outfit seems goudy. The ukulele on her back reeks of ostentatiousness. And, by golly, that rat on her shoulder screams straight-up weird. Miraculously and sweetly, director Julia Hart makes all of this boldness as unassuming as possible, free of arrogance or pretension. The modesty of Jerry Spinelli’s hit source novel is intact and invigorating on this Disney+ original.

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GUEST EDITORIAL: The "Parasite" Oscar Win as a Foreign Film is a Game Changer

by Susan Saurel

The Oscar awards 2020 was different as it recorded a streak-breaking award to a South Korean movie which attracts various commentaries in the world scene when Bong Joon Ho’s Parasite took the big hit after 91 years of a streak of English movie wins. At the 92nd Oscars, Parasite took the world by surprise when it was announced for the Best Pictures award, being the first of foreign film announced as the winner of a highly-rated award from the beginning of the Hollywood Film Academy. Also, it is recorded as the first South Korean movie nomination for a competitive award in the international award category.

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MOVIE REVIEW: Run This Town

Behind every political monster has a staff of underlings who have stories to tell and permanent stains on their resumes. More often than not, unless they are a featured mouthpiece or the eventual public whistle-blower, we don’t really see these people, even when we know they are there. Across the guarded podiums, pushy microphones, and invasive cameras are also the faceless by-lines of cub reporters trying to break stories and make a name for themselves. They too are dependent on the grinding political machine. Run This Town gives faces and voices to unfortunate minions and nobodies tied to the late and former mayor of Toronto mayor Rob Ford.

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MOVIE REVIEW: Burden

It is very relevant and very opportune how the true-to-life main character’s last name fittingly became a perfect title for this kind of movie. Call it telling. Call it fate even. One could also call it a warning. Burden is as dramatic and uncomfortable as the many layers of the namesake word itself. The winner of the U.S. Dramatic Audience Award at the 2018 Sundance Film Festival finally makes its theatrical bow nearly two years after its praised debut.

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