EDITORIAL: Five surprises and snubs from the 92nd Academy Award nominations

Leave it to the annual early morning Oscar nominations to always find a way to rock our worlds. Earlier this morning in an excellent show of diversity, Searching actor John Cho and Insecure TV star Issa Rae presented the names and films looking for validation and immortality come the night of February 9th in front of a (thankfully) host-less crowd for the second year in a row. I know I chase this race every year on my Awards Tracker page, but there are always swerves. Here are five knee-jerk snubs and five surprises from the nominees:

2019, Column, Social Media, SPECIAL, 2020, Editorial, Independent FilmDon ShanahanJanuary 13, 2020Dolby TheatreComment

MOVIE REVIEW: Clemency

All the while, here is Alfre Woodard staring holes through the most leaden armor. If the Oscars were to come calling, and they should if they had any sense, it would be Alfre’s first nomination in 37 years (Cross Creek) and her first leading one. Her hefty performance steps deeper into the accumulating difficulties that have come to beset the unflappable leader she portrays. Her character has to show collapse, but the performer never falters her requirements. Alfre is beyond compelling in taking on all of the destructive darkness this character envelopes around us all.

2019, 2020, 4 STARS, Film Festival, Chicago Film Festival, Independent Film, MOVIE REVIEWDon ShanahanJanuary 10, 2020Clemency, Alfre WoodardComment

GUEST EDITORIAL: Five Lessons from "The Fault of Our Stars"

“My greatest fear in life is oblivion. I wouldn’t want to live without being remembered after I’m gone.” This line is from Augustus Waters, One of the lead characters from the movie The Fault in Our Stars which is an adaptation of John Green’s teen novel, “The Fault in Our Stars.” The movie is a heartbreaking story of a young girl Hazel Grace whose battle with metastatic thyroid cancer has left her with little rays of hope for life. Her condition and constant battle for her life defines the storyline of the movie.

2020, Column, Editorial, GUEST EDITORIAL, Home Media, Independent FilmDon ShanahanJanuary 9, 2020Comment

MOVIE REVIEW: Parasite

Zoinks, does this movie have vigor! For those folks who constantly lament that there is nothing original and interesting to watch anymore in this multiplex marketplace of creative bankruptcy, look no further than the minor challenge of following Korean subtitles. The sly guile simmering behind the decadence of Parasite exceeds any trope one thinks that possible assign to this film. This is your jaw-dropper. This is your water-cooler winner. This is the one that will keep people talking for a long time.

2019, 5 STARS, Film Festival, Independent Film, Foreign Film, MOVIE REVIEWDon ShanahanDecember 31, 2019Parasite, Bong Joon-hoComment

MOVIE REVIEW: The Two Popes

They may “play for the same team,” if you will, yet there is a rhetorical battle of divine wills and egos. Sizing each other up, there is zero agreement between the two, who could not be farther apart philosophically, politically, or personally. But, to see the respect, oh my, the respect, being shared is like a balm of hopeful covenant all its own. Powered by two impeccable performances, there is truly something marvelous to see these powerful men reach a true “meeting of the minds.” The Two Popes is available now streaming on Netflix after a brief theatrical run.

GUEST ESSAY: "Cidade de Dues:" A Manipulated Reality of Favelas

By Omar Cardoza

In 2002, Cidade de Deus, otherwise known as City of God, was released in Brazil. It did not take too long before the film became internationally acclaimed, in fact this film was nominated for multiple Oscars although it did not win. The film’s narrative, filming techniques, and setting provide for a compelling argument that the whole story is in fact a true depiction of the favelas Brazil. Films and cinema can be a means to generate discourse between a reality presented to us through the screen and the actual reality of the world. This can cause changes not only to the individual but through enough exposure to a broader audience can cause changes at the societal level and “is extremely important and carries tremendous responsibility since believing that films can shape the collective imagination can (re)affirm or deny a preconception or even reinforce…”

GUEST ESSAY: The Plague of Exile in "District 9"

By Steven DiGiorgi

After analyzing Neill Blomkamp’s District 9 (2009), the setting of the film capitalizes on the post-colonial setting in Johannesburg, South Africa. What we viewed in the film as a representation of South Africa’s past, through an alternative perspective that identified the oppressed African people as aliens, known as the ‘Prawns’. The isolated community of District 9 represents oppressed living conditions for the millions of people negatively affected during the Apartheid rule (1950-94) (Weaver). For half a century, the South African people had faced dehumanization and discrimination by xenophobic Europeans. The caricature of the European colony was portrayed as the private military, MNU. They followed a typical method of a dystopian society, where power was diverted from the people to the hands of the government.

2019, Column, Editorial, Essay, Home Media, Independent Film, Foreign Film, SPECIALDon ShanahanDecember 13, 2019Comment

GUEST ESSAY: California Dreaming in Concrete Forests of Hong Kong in "The Chungking Express"

by Ruohao Yan

Chungking Express, a 1994 movie about romantic and urban life in Hong Kong, depicts the glamour of the metropolitan life and social issues in Hong Kong. The film director, Wong Kar-Wai, describes two love stories between ordinary citizens. In the first romantic story, a police officer, went by the number “223” broke up with his girlfriend on April fool's day, but he was trying to salvage his relationship with her. A month later, he found that his girlfriend had a new love, so chose to give up and went to a bar to forget. He met a female drug dealer in the bar who was betrayed by her boyfriend. The two spent the night together. However, their relationship did not work out. In the second story, a police officer, went by the number “663”, had been in a depression for a long time due to his breakup with his girlfriend. The film not only highlights the beauty of Hong Kong, but also touches upon the dark side of society

Editorial, Essay, Column, 2019, Foreign Film, Independent Film, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

GUEST ESSAY: The Beginning of ("Her")

By Patrick Marcel Donte Winston

An in-depth analysis of Spike Jonze's 2013 film Her, and its relation to progressing artificial intelligence and architecture. Specifically, I question the need of tech in our society and whether it is a benefit or danger to our societal norms. We see technology quickly becoming more advanced in the past 10 years, but will it become God-like? We see advanced technology as our main source of communication, transportation, living, and more. While being so connected to this tech-driven lifestyle, what if we lost control of technology and can't communicate with it?

Editorial, Essay, Column, Independent Film, Home Media, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

MOVIE REVIEW: Marriage Story

There is an old adage used by married people, kind of passive-aggressive burn really, that says “you can’t tie your shoes without me.” In a pithy way, the saying speaks to the symbiotic relationship between the partners for even the smallest things. While it may not always come down to shoelaces, there is a given and even understood level of dependency in marriage. That is until such dependency becomes harmful. In one of the finest films ever on the matter of divorce, Noah Baumbach’s Marriage Story challenges the breakdowns of resiliency and vulnerability that push this painful process.

2019, 5 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEW, Video on Demand, StreamingDon ShanahanNovember 29, 2019Music Box TheatreComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on November 25, 2019

THIS WEEK'S QUESTION: Which director are you most excited about watching in the next decade, and why are you excited for the potential of their future work?

Boy, it was hard to choose only one. From Damien Chazelle and Barry Jenkins to Denis Villeneuve and Christopher Nolan, we’ve seen so much maturation and growth from so many creative sources. However, I think it’s high time a woman to emerge to that next level. In just two films, the potential of Greta Gerwig is huge and only beginning.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanNovember 29, 2019David EhrlichComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on November 18, 2019

THIS WEEK’S QUESTION: What movie defined the decade, and why?

Yowzers! Talk about a big question with a zillion angles. I know the interpretation of “defined” was open, but when I think of the 2010s, the boom of social media is too large to ignore. David Fincher’s The Social Network, while semi-historical before this decade, still feels like the lightening rod and torch bearer for this decade. If it wasn’t this, it was going to be The Avengers and what it did for its genre and the whole industry.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanNovember 29, 2019David EhrlichComment