GUEST ESSAY: "Cidade de Dues:" A Manipulated Reality of Favelas

By Omar Cardoza

In 2002, Cidade de Deus, otherwise known as City of God, was released in Brazil. It did not take too long before the film became internationally acclaimed, in fact this film was nominated for multiple Oscars although it did not win. The film’s narrative, filming techniques, and setting provide for a compelling argument that the whole story is in fact a true depiction of the favelas Brazil. Films and cinema can be a means to generate discourse between a reality presented to us through the screen and the actual reality of the world. This can cause changes not only to the individual but through enough exposure to a broader audience can cause changes at the societal level and “is extremely important and carries tremendous responsibility since believing that films can shape the collective imagination can (re)affirm or deny a preconception or even reinforce…”

GUEST ESSAY: The Plague of Exile in "District 9"

By Steven DiGiorgi

After analyzing Neill Blomkamp’s District 9 (2009), the setting of the film capitalizes on the post-colonial setting in Johannesburg, South Africa. What we viewed in the film as a representation of South Africa’s past, through an alternative perspective that identified the oppressed African people as aliens, known as the ‘Prawns’. The isolated community of District 9 represents oppressed living conditions for the millions of people negatively affected during the Apartheid rule (1950-94) (Weaver). For half a century, the South African people had faced dehumanization and discrimination by xenophobic Europeans. The caricature of the European colony was portrayed as the private military, MNU. They followed a typical method of a dystopian society, where power was diverted from the people to the hands of the government.

2019, Column, Editorial, Essay, Home Media, Independent Film, Foreign Film, SPECIALDon ShanahanDecember 13, 2019Comment

GUEST ESSAY: California Dreaming in Concrete Forests of Hong Kong in "The Chungking Express"

by Ruohao Yan

Chungking Express, a 1994 movie about romantic and urban life in Hong Kong, depicts the glamour of the metropolitan life and social issues in Hong Kong. The film director, Wong Kar-Wai, describes two love stories between ordinary citizens. In the first romantic story, a police officer, went by the number “223” broke up with his girlfriend on April fool's day, but he was trying to salvage his relationship with her. A month later, he found that his girlfriend had a new love, so chose to give up and went to a bar to forget. He met a female drug dealer in the bar who was betrayed by her boyfriend. The two spent the night together. However, their relationship did not work out. In the second story, a police officer, went by the number “663”, had been in a depression for a long time due to his breakup with his girlfriend. The film not only highlights the beauty of Hong Kong, but also touches upon the dark side of society

Editorial, Essay, Column, 2019, Foreign Film, Independent Film, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

GUEST ESSAY: The Beginning of ("Her")

By Patrick Marcel Donte Winston

An in-depth analysis of Spike Jonze's 2013 film Her, and its relation to progressing artificial intelligence and architecture. Specifically, I question the need of tech in our society and whether it is a benefit or danger to our societal norms. We see technology quickly becoming more advanced in the past 10 years, but will it become God-like? We see advanced technology as our main source of communication, transportation, living, and more. While being so connected to this tech-driven lifestyle, what if we lost control of technology and can't communicate with it?

Editorial, Essay, Column, Independent Film, Home Media, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

MOVIE REVIEW: Marriage Story

There is an old adage used by married people, kind of passive-aggressive burn really, that says “you can’t tie your shoes without me.” In a pithy way, the saying speaks to the symbiotic relationship between the partners for even the smallest things. While it may not always come down to shoelaces, there is a given and even understood level of dependency in marriage. That is until such dependency becomes harmful. In one of the finest films ever on the matter of divorce, Noah Baumbach’s Marriage Story challenges the breakdowns of resiliency and vulnerability that push this painful process.

2019, 5 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEW, Video on Demand, StreamingDon ShanahanNovember 29, 2019Music Box TheatreComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on November 25, 2019

THIS WEEK'S QUESTION: Which director are you most excited about watching in the next decade, and why are you excited for the potential of their future work?

Boy, it was hard to choose only one. From Damien Chazelle and Barry Jenkins to Denis Villeneuve and Christopher Nolan, we’ve seen so much maturation and growth from so many creative sources. However, I think it’s high time a woman to emerge to that next level. In just two films, the potential of Greta Gerwig is huge and only beginning.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanNovember 29, 2019David EhrlichComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on November 18, 2019

THIS WEEK’S QUESTION: What movie defined the decade, and why?

Yowzers! Talk about a big question with a zillion angles. I know the interpretation of “defined” was open, but when I think of the 2010s, the boom of social media is too large to ignore. David Fincher’s The Social Network, while semi-historical before this decade, still feels like the lightening rod and torch bearer for this decade. If it wasn’t this, it was going to be The Avengers and what it did for its genre and the whole industry.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanNovember 29, 2019David EhrlichComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on November 4, 2019

THIS WEEK'S QUESTION: What streaming platforms do you currently subscribe to, and why?

This was nice and informative question this week and I was glad to brag on finding free things. Folks, let me tell you the power of a regular library card. You can’t beat FREE. Look locally if your library or library system supports the Hoopla Digital and Kanopy streaming services. The wealth of content available is outstanding for something that doesn’t cost you a dime. If you’re a frugal working dad and cord-cutter like me, I cannot recommend them enough. I was the one person this week namedropping Hoopla and one of only three touting Kanopy. Seek them out.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanNovember 4, 2019David EhrlichComment

MEDIA APPEARANCE: Quoted on Quality Comix discussing "The Evolution of The Joker"

I was approached recently for a collaboration opportunity by Quality Comix, a successful comic sales website which puts out their own editorial content alongside their marketplace. They were working on a long-form article on the 80-year history of Batman’s greatest nemesis, The Joker. The writers there enjoyed my Joker review and I was thankful to be considered and included. The lead question for a short blurb was a character analysis outlining major actions, motivations, or character developments throughout the character’s film incarnations.

2019, Chicago Film Festival, EVENT, Independent Film, Media Appearance, Social Media, SPECIALDon ShanahanNovember 4, 2019Quality ComixComment

MOVIE REVIEW: Jojo Rabbit

Those beautiful and gracious moments, slowed way down in between all the hustling hilarity in Jojo Rabbit, let you know exactly where the heart of this movie truly lies underneath the scathing satire. It is in the benevolence of helping people rather than warring with them. The titular young boy needs every ounce of such affection and the combat boots of Waititi’s movie are the clown shoes. Gusto meets gravitas in one of the most oddly poetic and beautifully brazen movies you may ever see.

MOVIE REVIEW: Miss Virginia

One does not have to dig very far on an internet search to find pressing current issues in American’s public education system. In an eye-opening and apropos way, there are so many that Education Week magazine maintains an active A-Z list to sort and track them. You could sing “The Alphabet Song” and ring a bell on just about every letter for matching examples from the real-life inspiration of Miss Virginia chronicling the emergence of school advocate Virginia Walden Ford.

2019, 4 STARS, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanOctober 23, 2019Miss Virginia, Uzo AdubaComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on October 14, 2019

THIS WEEK'S QUESTION: What is the best 21st Century movie about capitalism and class anxiety?

I gotta say, this topic was much tamer and quite the switch from the dangerous inquiry last week. Every generation and decade has their bumper crop of movies about our American capitalizm. In my lifetime, I point to Wall Street in the 80s and Boiler Room in the 90s. For this century, I went sentimental more than combative. The Big Short was a tempting second place choice.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanOctober 15, 2019David EhrlichComment