Posts in Independent Film
MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on July 9, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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SPECIAL: Highlights for the upcoming 22nd Fantasia International Film Festival

The expression "lions, tigers, and bears, oh my!" merely scratches the surface of the wildly imaginative creations that grace the annual Fantasia International Film Festival.  The Montreal-based gathering celebrates its 22nd year from July 12 through August 2.  Long acclaimed as one the largest and best exhibitions of genre films in North America, this year's festival lineup has as much promise as it does fantasy and Every Movie Has a Lesson will be offering its reviews and coverage.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on July 2, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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EDITORIAL: The Best Films of 2018 (so far)

Usually for this website, half of a year equals half of a future “10 Best” in December, meaning normally only five films make this “best of” list. However, I have seen six 5-star feature films as well as one 5-star documentary and one 5-star short film. I’m giving all of them the spotlight. As always for this “so-far” list and the year-end final and true to my website’s hook, I present each film with its best life lesson from my review. Enjoy!

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on June 25, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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MOVIE REVIEW: Damsel

Kicking up scratchy dust in the western genre, the Zellner Brothers rousingly debunk and demystify that stereotype to create a dark comedy of their own pitch and prickliness. With humor as dry as the topography, Damsel is the kind of film that sneaks up on you like a snake in the weeds. The brothers and fellow stars Robert Pattinson and Mia Wasikowska dance all over this landscape, but the steps keep dawdling when the music runs out.

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DOCUMENTARY REVIEW: Mountain

In contrast to the informational methods of most common documentaries, poetry is the point of view within Mountain. Featuring towering imagery enriched by a sumptuous narration from recent Academy Award nominee Willem Dafoe, Australian filmmaker Jennifer Peedom’s follow-up to Sherpa is a testimony to what draws people to the mental and physical summits they seek to conquer. The size of this film demands the biggest screen you can find.

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MOVIE REVIEW: Hearts Beat Loud

One winning quality of many that makes the Sundance darling Hearts Beat Loud so perfectly endearing is fleshed out by its very title. The deeply personal pulse that makes this movie tick is nourishment to the soul. Emotive and approachable relationship challenges and a stirring soundtrack combine to make this shiniest of indie gems the anti-blockbuster of this summer. Absorb this film, with your eyes and ears open, and let its essence revitalize you the way it does its own characters.

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MOVIE REVIEW: The Last Suit

Making its Chicago premiere this weekend playing for a run at the Gene Siskel Film Center, Pablo Solarz’s film earns every measure of its stirring dedication. The Last Suit has an approachable and undeniable warmth beneath that thorny senior center masterfully played by Miguel Ángel Solá. The writer and director himself will join audience discussion on the Friday and Saturday evening showings. Keen audiences looking for an empathetic elixir would do well to absorb and appreciate this film at the Siskel.

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DOCUMENTARY REVIEW: Won't You Be My Neighbor?

Won’t You Be My Neighbor? presents the core of that incomparable man with an impenetrable reputation of tolerance, even against criticism and cynical parody of his message.  Fred Rogers’ lasting achievement wasn’t years of fame or fortune. It was the mission to mold others that could share the same.  Morgan Neville’s film nails that without fail. What that man did to love cannot quantified, but this film can sure try with shattering emotional sentiment.

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MEDIA APPEARANCE: Minisode podcast guest for "Feelin' Film" to review "First Reformed"

Friend-of-the-page and always the supportive collaborator, Aaron White of the Feelin' Film podcast exited his advance screening of Paul Schrader's First Reformed in need of a therapy session to exhale and unpack the heavy film.  I had the same challenge.  Combining forces, we jump on the mic to talk through what we just saw. First Reformed hit us hard with its intellectually profound script regarding matters of faith and environmentalism, providing plenty of questions and few answers. One of the strengths of the film is its ability to be a powerful conversation-starter, and this episode is proof of that.

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MOVIE REVIEW: Sunset

The looming threat of nuclear war presented within the independent film Sunset thrusts a heavy-hearted ordeal on a small cross-section of everyday people living near New York City.  Any blockbuster portending, ticking clocks, or manufactured heroics are decidedly off-screen, Periodic news bulletins keep the score, so to speak, but Sunset stays keenly personal.  This is about the people, their homes, and the fitting resolve to stay where one feels is right.

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